Ten years ago, Ginny (Toni Gonzaga), an Architecture student, and Marco (Piolo Pascual), a History professor, began a one-of-a-kind and unpredictable love story. In the five years that they were together, they brought out the best in each other, which included Marco's unrealized dream of becoming a chef. Together, they worked towards their dream of opening up a restaurant, but when Ginny realized her own pursuits were different from his, she rejected his wedding proposal and left the country for a Masters degree in Architecture. At present, Ginny co-owns a one-stop Architecture and Interior Design firm specializing in Restoration. She receives an email from Marco, which was written and sent after their break-up, meant to be read four years later. It makes her feel even more regretful of leaving the love of her life. When their firm receives an offer to restore an old house into a restaurant, she is ecstatic to learn that Marco will be co-owning the restaurant. She takes this as a sign...
稀饭小机灵鬼江渊。
枕刀歌14=特别篇下：灰烬（当年屠杀过后不久的故事。）
虽然剧情弱了点，但几乎从头打到尾，还是看得过瘾。打斗戏算是国漫前列了，必须支持。这次配音里还有赵恩余，大赞。（大话西游里配唐僧）
优秀。动画动作第一，别说那些玄幻奇幻法术修仙的～
动作戏这么牛，怎么也要加一分。
枕刀歌14=特别篇下：灰烬（当年屠杀过后不久的故事。）
生活无望的窒息感和彼此相爱的最后底线 论作品完成度和立意明显更加完整更加具有可探讨性 导演真的很厉害 处女座就能有这样的敏感度和成熟性
墙倒众人推，一腔热血，没权没势的人就都是墙头草，整体还是很江湖的。
每个人的心事和委屈都找不到出口，又带着一丝放不下的温情。
100分钟的动画，打戏十足，强劲有力，怎一个“爽”字了得!
蛮不错咯，近特的试听野心，一如既往的台湾风，新人值得鼓励
没有看过剧集版，直接看剧场版，被里面的武打设计惊艳到，如果剧集也是如此那真是用心了，这个武打动作设计放到大银幕看效果也不差。主创也尝试在融入更复杂的武侠世界观，没有二元对立的绝对恶人，只有观念相同但实施方法不一样的江湖人，以至于每个角色都有值得深挖的多面性。主创说要打造江湖群像，这种鲜明的群像让人想起港产武侠片，每一个配角背后都有一片宇宙。
片尾曲还是一如既往的好听呀！期待枕刀歌第二季！
在情与境的浑然，整片几乎没有破绽。人物都很扎实，女孩的小眼神真好。
金泰梨和《暖春》裏小花的扮演者的合體抵台開始扮演🇺🇸女孩了😂
乱世需用重典，世道沦陷，人心败坏，墙倒众人推，枕刀歌故事讲的很明白，假好人杀真好人的故事，好人被杀死，迎来假好人热血青年的成长，充满讽刺。真正的武侠，敢于直面现实的作品，足够优秀，剧情首尾呼应，开头说麻袋重那段就表明，现实中的漕帮并不好混，结尾众人推墙的那段讽刺也证实了这一点。
枕刀歌13=特别篇上：时间（当年的真相。“千历三十八年”，那就是万历年间呗，时空背景明确了。）
（第一季两个配角的过去。剧情是挺传统的明末背景武打片剧情。打斗真是精彩。）
要不，2022春节档最佳，选这部吧？（有会员）还免费看呢，你说是不？
生活流的情感自動化裝置難道就不是自動化裝置嗎？
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