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A brilliant and outragously funny satire of society, 7 December 1999
Author: Dave Joerg ([email protected])
"Flodder" is one of the funniest movies ever made and few people realise that it is a Dutch movie made by none other than the Holland version of John Carpenter, the famous Dick Maas, author and director of the thriller "Amsterdamned". The Flodder family is the reincarnation of the term a-social. When the whole family bunch, basically all bastards, criminals and sluts must be relocated from their City slum because of toxic waste under their house, the city council house no choice. The only available space is in the "Zoendal" - the "Sun Valley" the best area in Amsterdam where all doctors, snobs and businessmen can afford to live their lives. And where the central point of interest and politics is the tennis club of the community. The Flodder family brings devastation to the tranquil world that ruled before. They are simply unbelievable. The characterisation is incredibly funny, beginning with Ma Flodder who searches other people's trash cans for food or making illegal liquor in her cellar and ending with the eldest daughter who is the biggest slut on earth. Together they make the most horrible family imaginable, a sort of immoral mirror image to the Brady Bunch or the Waltons. When the City counsel of Amsterdam hoped that the Flodders would show their good will to be more civilised in their new area, it turns out that Holland's most famous family would rather bring out the worst in the rich people of "Sun Valley"-wonderland. The rest is a hilarious, brilliant and well made social satire that can be watched as a provocative movie as well as a straightforward comedy. Dick Maas at his best. I salute him! Flooder was the Dutch smash hit in 1986 and brought two sequels and a tv series. All of the sequels were nice but not as great as the original.
Flodders (1986) is available on DVD in Germany in a dubbed German version in Dolby Digital 5.1. under the name:
"Flodders -Eine Familie zum knutschen"
Why is First Floor Features, the producer of the movie not bringing the Dick Maas blockbusters out on DVD in the Netherlands, I wonder. The are not even available on video there. These movies have so much potential, still to this day and have a huge silent but true following.
跟《喜宴》类似的结局，爱情、亲情和社会规则的互相妥协
3.5；这一部比20年的《真雄起》更走心。
男同，女同，形婚，出柜，领养，彩虹游行，印度能拍这个算是很大的进步了，最后黑屏后好评。
我觉得你们这群人很奇怪，这么怕晦气吗？来生都不信的一群人怕晦气。。
用喜剧的形式探讨了同性问题，电影用两个同性形婚的方法，题材新颖
以及男女主和各自伴侣相遇时候的那个cp感，三哥好会拍😇
轻谐风但是有些地方不够深刻，没有把那种homo真正的孤独感展现出来。
没有假戏真做，没有奉子成婚，结局没有离婚而是领养，情理之中
基本把同性恋会遇到的社会问题都讨论到了，也是现实存在的解决方案，祝贺光明的结局
还可以。印度，如此伴随yangtaicelloaa2
天作孽，犹可恕；自作孽。不可活
喜剧成分不少，镜头很美，剧情比真雄起有了些许深度
真的是非常佩服，宝莱坞印度电影把一个沉重的话题阐述得如此清楚而又温暖，影片中融合了同性、催婚、催生、同性家庭等各种敏感的话题，是一部温暖而严肃的影片。
印度在某些方面都在慢慢努力变好，至少还看得到些许希望。
2400。结尾有一些理想化，后面部分没有讲公开后在工作方面的压力。感觉好像没有受到一点影响，我觉得是不太可能的，其实可以表现一下。
在一个压力很大的环境下，敢于向家人表达自己的身份，同性恋不是把病，那并不恶心。最后的游行很震撼
《真雄起》到《永结同心》是质的飞跃，四年前还在很生硬地宣传同性恋不是变态，现在却已经深入到形婚，领养，公职人员这些比较成熟的话题了，再次可喜可贺！
在印度这样一个“神奇”的土地可以拍摄播出这样具有强烈社会话题性的影片，而国内这种事情只存在于网民之间的秘密交流，不可播，不可说，而在联合国会议上，某些官员又声称保障此类人群的合法权益，简直可笑，双面人做久了，自己都信了。
过于理想化的结局消解了题材的严肃性，但这本来也是商业喜剧，能拍已经让人很羡慕了
2个多小时的电影，看下来还挺有意思的。合法收养，也许能拯救代孕的黑色产业。
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