Anna is stuck: she's approaching 30, living like a hermit in her mum's garden shed and wondering why the suffragettes ever bothered. She spends her days making videos using her thumbs as actors - thumbs that bicker about things like whether Yogi Bear is a moral or existential nihilist. But Anna doesn't show these videos to anyone and no one knows what they are for. A week before her birthday her Mum serves her an ultimatum - she needs to move out of the shed, get a haircut that doesn't put her gender in question and stop dressing like a homeless teenager. Naturally, Anna tells her Mum to "back the f-off". However, when her school friend comes to visit, Anna's self-imposed isolation becomes impossible to maintain. Soon she is entangled with a troubled eight year old boy obsessed with Westerns, and the local estate agent whose awkward interpersonal skills continually undermine his attempts to seduce her.
让我想起几年前的一部,《无处可逃》。相比下来,本作差的太远,剧作设计无脑,每一处转折都显得过于随意。人物设定也是轻飘飘。
如果结局走向不这写 还能加一星 拍成“无处可逃”那样不香吗???非要画蛇添足一出
大儿子全程一脸懵b,苦兮兮中夹杂着笨拙打斗,数次主角光环的死里逃生,纪录片式的镜头语言没有沉浸只有沉闷。
屎一样的烂片,唯一的目的就是为了造谣和把零元购洗成小白兔。
明显又是一部低开高走的老派悬疑电影!6.1分太低了吧!豆瓣的孩子们哎
这两人眼里完全看不到对对方的爱意,演得一点不像夫妻。但这里面的自然景色是真的不错。
看片的时候背了会儿单词 时间也不算太浪费 拖沓流水账 最后紧要关头 没容易来个认识的队友 不一起救人 咱潇洒的男主说了句wait 我也是迷醉
你要永远记住,网飞是在大数据模型下开发新项目,也就是说,只要他拍出来的,是绝对有受众的。 色调很明亮,确实就有了上世纪那种政治惊悚片的感觉,复古,反衬阴谋论,主角被迫卷入谋杀,信任危机 完成度还不错
坎妹公款旅游,David继续贡献高中才艺表演,加上错位的故事,能红才有鬼。
I lost my fucking two hours
你能想象为了坎妹而来的我看完前五分钟后的表情吗?
奈飞的水平差到这个地步了吗? 看得我满头问号❓
坂本龙一给配的乐,坎妹给打的酱油,信条男主给力演绎一个生而被杀绝命逃亡终成伸冤人的救赎故事。
大胡子坏警察醒来后,余生都将被一个噩梦问题纠缠:我怎么这么菜?
挺一般,节奏巨慢,最后结局也就那样,并没有很惊艳
屎一样的烂片,唯一的目的就是为了造谣和把零元购洗成小白兔。
這年頭想要超越當年波蘭斯基的"Frantic"還是很不容易的~
wrong place wrong time
被追杀的路上比较好看,不过在山上、火车上、车站、车上,商场地下室,还有最后的反杀,都太假了,主角光环太强
可以看得出来制作团队想学Stanley Kubrick的那套方法,但还是不够成熟。但不管怎么说这也算是后现代splatter horror film的一种了~
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