Volker Schlöndorff transposes Bertolt Brecht’s late-expressionist work to latter-day 1969. Poet and anarchist Baal lives in an attic and reads his poems to cab drivers. At first feted and later rejected by bourgeois society, Baal roams through forests and along motorways, greedy for schnapps, cigarettes, women and men: ‘You have to let out the beast, let him out into the sunlight.’ After impregnating a young actress he soon comes to regard her as a millstone round his neck. He stabs a friend to death and dies alone. ‘You are useless, mangy and wild, you beast, you crawl through the lowest boughs of the tree.’
The film takes youthful impetuousness and hatred of oppression as its subject and also ponders the cult of genius and sexual morals. Rainer Werner Fassbinder simultaneously plays both Baal and himself and is surrounded by many actors who were later to perform in his own films. After the film was broadcast on West German television, Brecht’s widow Helene Weigel prohibited any further screenings, arguing that the social circumstances engendering Baal’s rebelliousness had not been adequately explained.
片子还是值得一看的！
名字不错，奇怪的国家，这个人物设定也挺好，就是字幕太差了，节奏也有点问题，暂时不打分了
大爱梦想，砥砺前行！数学诠释了万物奥秘的！
南北韩政治情节开始就有点看不下去了 需要休息
剧情有点单薄
挺温馨的片子，崔叔的电影还是一如既往的有质量保证
温暖简单的故事，感觉有点童话的味道。
牛逼 看到后半部分我才感觉这个电影升华了 那些打低分的我能理解 毕竟他们平时看的电影都太垃圾了 看到别人拍出这样的电影 难以接受 从而诋毁罢了
韩国电影还是一贯的够劲儿啊，危机铺的很大很够劲儿，导入也够劲儿，同理，黑的劲儿也真够大的，就是高潮太短了感觉很浪费。
比较温情，男人的友谊？我以为是爽片，但不是。
残酷的现实打垮了友谊。怎么出人头地，那就是灭掉良心，狠下来
刻意的桥段堆的太多太多了。
就看看崔岷植没什么亮点，这学生是资源咖吧这都能当男主
这就是奴隶制度的现代版，只要有买卖，就会有伤天害理，小伙子最后的嘶吼唉也是…只有英特纳雄耐尔能拯救你们
如果是我，我该怎么做；如果是你，你该怎么做
这么好的电影都能被一帮心智不全的人瞎打分冲污水，这是个什么魔幻的时代
完成度很高 崔大爷单挑的好戏 数学题材竟然也能拍的这么舒适自然 数学公式的演绎如此美丽 再加上南北关系背景 应该算是冷门佳片了
6分，崔珉植大叔的演技没得挑，可惜剧情单薄了一点
教，是继承过往，前人的总结和经验，我们叫他知识，这是基础。育，是启迪未来，播撒五彩的种子，才有未来可能的百花齐放。我以为，育才是教育的魅力，这才是教育。
这么好的电影都能被一帮心智不全的人瞎打分冲污水，这是个什么魔幻的时代
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