[satyamev jayate」意为“真理战胜一切"，这句话写在印度国徽上，是印度的座右铭。宝莱坞电影巨星阿米尔汗历时两年，打造出这一关注社会、贴近民众、深层次揭露社会问题的节目。他采访不同阶层印度人的真实故事,大胆曝光印度社会种种弊病,力图以残酷真相打动和唤醒大众,进 而努力改变现状、治愈丑陋伤疤。
Episode 1: Fighting Rape 对抗强暴
The first episode of Satyamev Jayate Season 2, telecast on March 2, 2014, dealt with the issue of rape and underlined several systemic factors that act as roadblocks on the path to justice for survivors.
The Vote for Change campaign for this episode centred around three focal points:
The setting up of One-Stop Crisis Centres in every district of India as per the guidelines recommended by the Justice Usha Mehra Commission.
The creation of Vulnerable Witness Deposition Courtrooms across the country.
A gender-sensitive, scientific and humane protocol for the medical examination of survivors of rape, to be uniformly implemented across the country.
Episode 2: Police 警察
On March 9, 2014, the second episode was telecast and it dealt with the need for reforms in the police. In 21st century India, the system of policing is still by and large within the framework of the 1861 Police Act introduced during the colonial British Raj. The police continues to be a ruler’s police rather than a people’s police.
The Vote for Change campaign for this episode urged citizens to support the demand that the 2006 judgment of the Supreme Court in the case filed by former DGP, UP, Shri Prakash Singh be implemented and a people-friendly police force be created.
Episode 3: Don’t Waste Your Garbage 不要看浪费你的垃圾
The third episode of Satyamev Jayate, telecast on March 16, 2014, dealt with one of the most shameful problems persisting in our cities and towns, viz: garbage and the scandalous state of solid waste management.
The Vote for Change campaign for this episode called upon people to support the demand that incinerator technology for burning waste be opposed and that state governments and union territories work towards implementing the Municipal Solid Wastes (Management and Handling) Rules, 2000.
Episode 4: Kings Every Day 我自君王，每日
Telecast on March 23, 2014, the fourth episode dealt with the need for strengthening grassroots democracy and in particular, highlighted important measures to help fight corruption and increase public participation in governance.
The Vote for Change campaign for this episode urged citizens to lend their support to the demand for social audits of the government’s expenditure on social welfare, and the passing of the Public Services Grievances Bill which will help ensure that essential services are delivered in a time-bound manner to citizens.
Episode 5: Criminalization of Politics 政策犯罪
Satyamev Jayate’s fifth episode, telecast on March 30 2014, dealt with the rampant criminalization of politics in our country.
The Vote for Change campaign for this episode called upon people to support the demand that the proposal of the Election Commission to debar candidates with serious criminal charges (with appropriate safeguards) is brought into effect and such candidates are not allowed to contest elections.
Just came out of my meeting with Honorable Prime Minister of India Shree Narendra Modiji. Was very kind of him to spare his valuable time.
— Aamir Khan (@aamir_khan) June 23, 2014
Shared with him the overwhelming support that we got from people across the country through Vote for Change Campaign...
— Aamir Khan (@aamir_khan) June 23, 2014
..on SMJ on the various issues that we tackled in our show. He has assured me that he will look into all the matters pic.twitter.com/AI7e8cX9Bn
— Aamir Khan (@aamir_khan) June 23, 2014
http://www.satyamevjayate.in/petitions-reach-topm.aspx
中等偏上水平陈木胜，《冲锋车怒火街头》《新警察故事》《危城》一锅乱炖，冗长的文戏到处都是这集我看过，难看得令人发指，这还是那个喜欢写段子的陈木胜嘛！创作母题还是幼稚大男孩儿成长：被贬损的英雄和愚蠢的上司，经过某些事件英雄被认可，上司“法外开恩”促成英雄体制外蜕变。指意不明的香港意识，我更愿意相信是大男孩潜移默化的不自觉。商场用的是新警察故事，猪笼城寨动作戏又来了一遍追龙，太子屠杀玩的是泰国功夫，追车戏和最终决战值得多看两眼。
三观跟到五官走
从亚丝娜的视角去讲述sao的故事，果然还是第一部的故事好看！
亚丝娜大女主电影 我一直在想另一边那个黑衣靓仔在受苦就很好笑 2022年才有第二部 没有装逼桐人看我要死了
我的天，真的好久没有看到这么硬，这么劲爆的警匪片了，虽然有点套路，但是耐不住甄子丹团队的动作戏，还有谢霆锋的脸，陈木胜导演牛逼。
对刀剑感兴趣的小伙伴可以去看一下bilibili UP主写的一个杂谈
剧情牵强过于中二，谢霆锋太帅太抢眼，演技和状态都达到了最佳，耀眼夺目，甄子丹还在演以一打百的个人英雄主义那套虚伪的东西，四星全给小谢，谢大厨刀法了得
整体剧情来说不功不过，亚丝娜yyds，为什么每次亚丝娜的线都有种百合的感觉
拜托拜托，谢霆锋你能不能好好演戏不要去做什么厨子了？？
文戏和角色塑造一如预料，枪战戏比预期更火爆，动作戏还是差一口气。甄子丹虽然还是很拼命，但身手总归没有导火线和杀破狼时那么干净利落，但还是可以看到很多似曾相识的动作设计。谢霆锋的黑化警察演的很出色，非常邪魅，但感觉稍微有点用力过猛，导致人物被一眼看的透透的。教堂单挑固然是全片高潮，但令我印象最深的一个动作设计反而是甄子丹面对大货车抱着孩子飞身而起那一瞬间。香港真功夫硬打斗的动作片看一部少一部了。
要说有什么厉害之处，好像也没有，但每个人记忆里都有这样一部香港动作片吧，简单直接的警匪对立，追车、枪战、近身打斗，样样都有，兄弟反目、妻离子散、正邪思考，一个不落，完全是我小时候的电影啊。看完才知道是陈木胜遗作，也才知道，原来我记忆中的港片，不是王家卫徐克银河映像王晶邵氏，是陈木胜呀！
内容没一点一样的，挂羊头卖狗肉欺骗小说观众是吧，真有你的，A1
“我只是想专心做警察”这种大家都懂的主题还有必要如此制式化地配这么多文戏吗…老婆还一定要是怀孕的… 剧情方面唯一亮点是隐约能看到的两代师徒“谁拗得过谁”这条银线。 废弃商场和最终对决两段核心的武戏出彩，有港片魂了。 谢霆锋帅得很收敛，能看出岁月了。
刚从电影院出来，第一次看刀剑还是初中的时候，有生之年能在日本看刀剑神域的剧场版很是兴奋。亚丝娜和桐人还是一如既往的秀恩爱。 打得也很爽 特别是打boss的时候。临场感简直不能太棒。期待明年的第二部
香港警匪片的常规剧情。终于又在大街上实景拍摄追逐战，重现了鼎盛时期的一些风貌。正反角色配置有蝙蝠侠和小丑的感觉，谢霆锋的出色表演并不意外，《线人》、《证人》和《新少林寺》中就有所展现
打怪还得看我桐老爷。故事有点模糊，剧情相当平淡…最后还是胜在sao的设定
但不论情节戏剧性、情绪代入感、或思想深刻性，还是不如《拆弹专家2》。
最后女二不把话说明白，不能接受。前面那么多姛都成💩了
动作设计真的非常优秀，几场追车戏也很精彩。剩下的吗，呵呵😄
港片未死，武打片未死。
Copyright © 2015-2023 All Rights Reserved
