James Benning’s first film called The United States of America was a 1975 trip across the country, capturing its scenery through a car windshield. This second one also crisscrosses the nation, but without a car, carving it up instead into a series of static shots of just under two minutes, one for each state, presented alphabetically, from Heron Bay, Alabama to Kelly, Wyoming. The names of the places are nondescript, but the images attached to them are anything but, immaculately composed shots of landscape, cityscape and the spaces in between. As we move from A to Z, the images coalesce into a portrait of today’s USA, tracing out its fault lines almost in passing: fenced-off facilities, a river bed running dry, factories and refineries, run-down streets and gas stations, a camp under a bridge. The past is there too, seeping up through the songs and speeches that sporadically pierce the background noise or the motifs that evoke a whole career; the clouds, trains and cabins are stand-ins for films, not just states. As always, there’s time for more abstract thoughts too: each image may stand for a state, but representativity is slippery. Which state is more cinematic than the rest?
女主车祸死了，男主是挺倒霉的，还赶上政治阴谋绑架，男主被各种追杀，还各种逃跑。最后救了被政治绑架的小朋友
如果事情发展得太过于巧合顺利 要警惕是否有人故意为之
演员相当乐观，但就是一个仙人跳的剧情，没啥意思，最后让小女孩儿反杀，不太好吧
浪费这么多大咖当配角
每个小片段拉出来都很精彩, 凑在一齐就不知道是什么虎头蛇尾狗屁东西, 都是资深士兵, 立场横跳又没有戒备心, 最后就这样反水?
女主最后明明被刺伤肩膀，但是，下面的镜头中就自动复原了？？？？？粗制滥造
剥开战争的皮，就是尼森大叔的拯救行动。母爱伟大
末世？战争？动作？病毒？在崩坏的叙事节奏中堆砌了各种元素之后，只为了讲述一件事——母爱无限。
太可怕了，交浅言深被算计了吧，女主也是原生家庭所害的可怜人儿，智能家居不可靠，刚从月球陨落过来，AI也不可靠，但最可怕的还是人心，emo啦
最毒妇人心！难怪女主那么美，原来是俄罗斯人！
当评分 低于6真的是烂片，浪费了一个下午看这个破片！
勉勉强强凑合着还能看，有1到2场的近战比较写实，还有劳米确实演技担当，男主确实帅，其他没有什么深度可言。
完全是冲女主颜值给的分，因为女主太好看了，竟然感觉不到一点惊悚
能不能稍微弄的不那么恰到好处？
两位女主的逆天大长腿太好看了，真是养眼。
论冰雪运动在军事行动中的应用 北欧人民是不是和平的太久对战争的认知还停留在二战
看完去搜女主竟然是01年的，，，最小的演最狠的角色哈哈
垃圾导演傻逼剧本，剧情比我想象的更傻逼。可怜的Cameron可惜了演技，一星给Cameron。
女主很美，很美，美的可以为所欲为且不让人计较演技
剧情都能猜个差不多，不过看着还是蛮惊心动魄的
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