In 2262, Earthforce Captain Elizabeth Lochley is appointed to command Babylon 5. The station grows in its role as a sanctuary for rogue telepaths running from the Psi Corps, resulting in conflict. G'Kar, former Narn ambassador to Babylon 5, becomes unwillingly a spiritual icon after a book is published that he wrote while incarcerated during the Narn-Centauri War. The Drakh, former allies of the Shadows who remained in the galaxy, take control of Regent Virini on Centauri Prime through a parasitic creature called a Keeper, then incite a war between the Centauri and the Interstellar Alliance, in order to isolate the Centauri from the Alliance and gain a malleable homeworld for themselves. Centauri Prime is devastated by Narn and Drazi warships and Londo Mollari becomes emperor, accepting a Drakh Keeper under threat of the complete nuclear destruction of the planet. (Portions of the end of his reign are seen in various prescient visions throughout the series; they show Mollari and former nemesis (and later friend) G'Kar sixteen years in the future dying at each other's throats, seemingly out of their grudge. It is gradually revealed that there was a much more friendly subtext, with Mollari having become a slave to the drakh rule and being tired of life; his Drakh Keeper awakens and strangles G'Kar in return. Vir Cotto, Mollari's loyal and more moral aide, succeeds him as emperor, free of Drakh influence. Sheridan and Delenn marry and move to Minbar, along with the headquarters of the Interstellar Alliance. G'Kar leaves Babylon 5 to escape his unwanted fame and explore the rim. Garibaldi also marries and settles down on Mars. Most of the other main characters leave B5. Nineteen years later on the verge of death, Sheridan takes a final trip to the obsolete Babylon 5 station before its decommissioning. Sheridan apparently dies but is claimed by the First Ones, who invite him to join them on a journey beyond the rim of the galaxy. Babylon 5 station is destroyed in a demolition shortly after Sheridan's departure, its existence no longer necessary as the Alliance has taken over its diplomatic purposes. This final episode features a cameo by Straczynski as the technician who switches off the lights before Babylon 5 is demolished.
飘散着纪录片风格的drama, 让习惯了一种模式过人生的城市人看到了生命的其他活法，主动选择还是迫不得已。
We all die alone, but it's ok, cuz I'll see you down the road, dad.
整个片子时间压缩得特别紧，完全没有段落感，人一个个的来，又一个个地重逢和离别。这条路的哲学和安叔要和人认真告别的想法正好相反，是永远不去告别、相信还会遇见，哪怕他们已经去了天国。
有过背包客的经历，在旅行途中会碰到形形色色的人，交织成了一段段故事。片子最打动的我的就是女主被迫踏上旅途面对新事物的那份心境，随性、淡然。Happy new year，献给不得不上路的人。
在我看来的孤独却好像是支撑她一路行进的力量。
和昨天的《送你一朵小红花》在主题之上有着非常惊人的重合。
We all die alone, but it's ok, cuz I'll see you down the road, dad.
Full of lies.
我们要飞到那遥远地方看一看 这世界依旧那么凄凉
一首关于孤独、哀愁与怀念的影像之诗，摄影、配乐、表演都堪称完美。活在路上，是绝大部分中国人无法想象更无法实现的生活方式。不是我们缺乏冒险精神，也不是我们天生恋家，只是这样的想法往往只在年轻时昙花一现，信仰的缺失让我们走到哪里都像是无依之地。
「當你在穿山越嶺的另一邊 我在孤獨的路上沒有盡頭」
总以为叫无主之地，无爱，无依，无生。信仰能帮你。
科恩嫂的凸嘴有一种傲气和韧劲，搭配本片茫茫无际的荒野，让人觉得这个故事是挺立的，不会倒下的。
出走半生，一次次上路，逃离熟悉的一切人与物，无非是想要逃向寒荒，放逐心里那个始终滋生蔓延的伤口。失去你，家园湮废，幸福也变得可有可无。张开右手，望向星空，来自千万年前宇宙爆炸的微尘，如今落入了你的手中。而你在哪儿呢，在我已经离开的苍茫旷野中吗？还是在我即将抵达的渊崖巨浪中？无尽轮回里，你我的生命又是什么呢。继续上路吧，为了再一次相遇。如果这一生不能，那就到下一世里久别重逢。
说难不难，但说简单却很难控制的一部电影，我觉得这个控制在于心无旁骛，导演也沉浸在这样的一段旅程中，好像有天然之力协助她展现了出来，自然且美好。对摄影控制得很好，对配乐的使用也很聪明，同时控制了意义这件事，不是为了有意义而有意义，麦克多蒙德的表演也很精彩，她就是维持自己，这一点和这个电影的拍法一样，就是keep，那句诗句里说“一切优美形象不免褪色”，但麦克多蒙德真正克制的表演达到了某种缓冲，她拿捏的很好，没有魅力四射的放松，也没有技艺精湛的紧绷，她就是演绎了一种上路，所有的东西都在前进或者后退，她也保持着自己和速度，哪怕是最后的那场哭戏，也只是微微的喘泣。一代山水诗人谢灵运曾有艰涩又经典的名句“孤客伤逝湍，徒旅苦奔峭”，大概就是我看到的这部电影中的羁心了。
音乐太动人了，尤其是篝火边唱起的那些老歌。年老又倔强的男人女人，扔掉羁绊，借着车子的守护获得自由和孤独。在与山川旷野持续的相遇里逃离伤痛，也追寻飘散在风中的无可替代的爱与家园。是一场与人生长长的告别。那些饰演自己的人的本色出演最精彩，愿他们最后都能获得一种抵达。
我记得看的时候有些害怕，好像看到了未来的自己。但同时也意识到自己并不具备如此活下来的技能。
其实我也在思考，为什么自己那么喜欢马利克的作品，却完全无法领会《骑士》或《无依之地》
精英式的幻想 精英式的傲慢 精英式的无病呻吟
排泄、无声告别、上路、裸泳、石头，她所有的心绪都用非语言来表达了，还有那首新婚诗。拍得太美了，“我们路上见。”
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