Martin (John Amplas), a young man who looks around 20-years-old, boards a train in Indianapolis, Indiana for New York. At night, he breaks into a sleeping car and sedates a woman with a syringe full of narcotics. She struggles, but he tells her not to struggle or be upset because she wont feel pain. After a few minutes, the woman falls asleep, and Martin has sex with the unconscious woman. Afterwards, he slices her wrists with a razor blade so he can drink her blood. The woman bleeds to death in her sleep.
In the morning, the train stops in Pittsburgh, Pennsylvania where Martin disembarks. He is met by Tata Cuda (Lincoln Maazel) an elderly and hostile old man who claims to be his cousin from the Old World. Together, they travel by another train to the town of Braddock, a dying industrial suburb. They walk to Cuda's large house where he shows Martin his living quarters. Cuda then accuses Martin of being an 84-year-old vampire from his old country. He has taken in Martin because he is family, but tells him, "First I will save your soul. Then I shall destroy you." Martin denies being a vampire and implies that Cuda is merely his uncle rather than his cousin. Cuda then puts up strings of garlic on the doors to his and his granddaughter's room, and then holds up a small cross when Martin approaches him. Martin takes away the cross, and even takes a bite of the garlic mocking these attempts by saying bitterly, "There's no real magic... ever". Cuda tells Martin that he can come and go as he pleases. But he also warns Martin that he will kill him if he kills anyone in Braddock. He also tells Martin to stay away from his granddaughter Christine (Christine Forrest), whom arrives home from her job that evening.
Cuda introduces Christine to Martin, but also warns her to stay away from him. But Christine instead strikes up a friendship with Martin who confides in her about his vampire heritage. When Cuda later confirms Martin's claims to be a vampire, Christine, not surprisingly, refuses to believe either one. She thinks that Cuda and the other members of her family have driven Martin to insanity by making him think that he is a vampire. It is never revealed if Martin really is a vampire, or just a shy and lonely youth with troubled issues. Christine is the only person that Martin gets the courage to talk to. When Christine's boyfriend Arthur (Tom Savini) arrives at the house for dinner, Martin stops talking and backs away despite Arthur's attempt at a conversation. Christine later confides in Martin that she hopes to leave Braddock someday with Arthur, even though Martin points out that Arthur treats her badly and is both verbally and physically abusive towards her.
When Christine sees that Martin won't talk to anyone else, she buys him a phone which he installs in his room. Martin begins to repeatingly call a radio talk show where he describes what it's like to be a vampire. He becomes known on the radio as "the Count" to all the listeners. But the patronizing host (Michael Gornick) thinks he's just crazy.
Martin gets a job at Cuda's grocery store of stocking shelves, hauling boxes around, and even gets to be a delivery boy for some of the customers. One of his customers is a certain Abby Santini (Elyane Nadeau), who becomes taken in with Martin. She is a very friendly young woman who is depressed when she tells Martin that her husband is unfaithful. But Martin still does not have the nerve to talk with her, so she is happy to have someone to confide in with her life problems. Martin phones the radio show host to describe his infatuation with the housewife and senses that she wants to have sex with him. When the radio show host asks Martin if it is a sexual problem that he has involving women criticizing him during sex, Martin replies that he has never had sex with a woman who was awake.
One day, Martin travels by train to outside Braddock to look for victims. At a supermarket, he follows a young woman (Sarah Venable) home to her posh suburban house. He sees the woman's husband (Richard Rubenstein) leave for a long business trip, and Martin decides this would be the right time for more feeding. Martin returns to the house after dark and breaks in through the garage door. But it is Martin who gets the surprise when he bursts into her bedroom to find her in bed with her adulterous lover Lewis (Al Levitsky). After a vicious struggle, Martin jabs both of them with hyprodermic needles with narcotics, and waits for the drugs to take affect. He drags the unconscious body of Lewis from the house to a clump of trees across the street where he kills him by shoving a broken tree branch into his neck and drinks his blood. Martin returns to the house where he has sex with the unconscious woman. But out of compassion and pity, he decides to let her live.
Martin begins to have romantic monochrome visions of his vampire past (real or imagined), where he drained blood from a young woman and was chased through the streets of a nameless European town by a torch-lit mob.
During one Sunday at church, Cuda brings home Father Howard (George A. Romero) who asks him about the possibility of exorcism and demon possession. Father Howard calls upon the elderly Father Zulemans (Clifford Forrest, Jr.) over at Cuda's request. Together, Cuda and Zulemans confront Martin his bedroom and attempt to perform an exorcism on him. At this point, Martin remembers (another real or imaginary flashback), in the Old Country of people trying to perform an exorcism on him, and he flees them. Martin then flees from Cuda and Zuelmas as well. A little later that night, Martin terrorizes Cuda in a children's playground when he puts on a Dracula cape and puts false fangs into his mouth to pretend that he really is a vampire.
One day, Martin finally musters the courage to talk with Mrs. Santini during a routine delivery to her house where he tells her that he's aware of her attempts to seduce him and wants now to have sex with her. After having sex for the first time, Mrs. Santini becomes more depressed for she tells Martin that her husband just left her because she discovered that she cannot bear children, and that her desires towards him are based on sex and nothing else. But Martin wants to stay with her and help her move on with her life. Martin tells the radio show host about his affair with the housewife and that he no longer has the urge to attack other women.
Meanwhile, Arthur meets with Cuda and tells him that he wants Christine to leave town with him so they can get married and start a family. But Christine becomes angry at Cuda when he tells Arthur that insanity runs in their family and he shouldn't consider having children with her. Shortly afterwards, Christine packs up and leaves Braddock for New York with Arthur despite Martin telling her that Arthur is abusive towards her. But her mind is made up. Before leaving, Christine tells Martin that she really has no ill feelings towards him and just wants to make a fresh start with her life. She says goodbye to him and promises to write. But Martin knows that with an abusive and possessive man in Christine's life, she probably won't.
Depressed over losing his one true friend, Martin phones the radio show host and tells him that he's getting "shaky" and wants to go out looking for more victims. That night, Martin travels to a rough crime-ridden area of Pittsburgh and attacks two derelicts in a alley, injecting them with narcotics. He kills one of them by silting the bum's wrist and drinking his blood. Martin is about to kill the second one when a police car shows up and gives chase. Martin narrowly escapes during a long chase on foot which leads from the garbage strew streets and through a local store. Martin runs into an old warehouse where a drug deal is going down. A shootout between the two cops and the three thugs begins where all of them are killed, leaving Martin as the sole survivor who casually walks away from the carnage.
One day, Martin finds Mrs. Santini dead in her bathtub, after she had slit her writs with a razor blade. Martin anonymously calls the police to report the body and leaves. He phones the radio show host one final time to say that he really doesn't need friends or people to talk to for he is his own person. But when Cuda learns about Mrs. Santini's suicide, is mistakenly thinks Martin killed her and made it look like a suicide as he's done before. Cuda walks into Martin's room while he is asleep and kills him by hammering a wooden stake through Martin's heart.
Cuda buries Martin's body in his back garden, while over the closing credits various voices from people are heard talking to the radio show host asking the whereabouts of "the Count".
N:3.5
挺好的 人格分裂确实是悬疑片的利剑 但是一想到这种就会联想到 十二怒汉 致命id 闪灵等类似电影 还是不错的这个
粉丝向剧场版，基本可以完整的表达出终章的剧情，但略显平淡，并且没有期待的全员宝具轰炸，致命缺点是各英灵出场都是哑巴，及格分6分加1分粉丝分一共7分
前半段节凑慢，以为恐怖片，原来系精神分裂。
除了悬疑惊悚还在传递关于亲子关系和女性社会压力的幸福吧
《关于热心市民金先生看了整场乱斗说了两句话那些事》
精神分裂题材早已不新鲜，甚至有些反感，但本片精彩的气氛渲染及紧凑的节奏让人印象深刻，说是“优质恐怖片”也不为过，国产恐怖片可以参考下，恐怖片不一定需要存在鬼怪的。
女性的一系列社会压力:职场焦虑，年龄焦虑，容貌焦虑，生育焦虑，家庭焦虑。聪明的（或者说经验丰富的）观众看了开头十五分钟就可以大致判断出剧情走向了。不过如何界定心理疾病治疗领域的医疗事故倒是个挺有意思的话题。
剧情虽然简单了点 但是演技支撑 背后议题也不错 不过拍出来一回事 真的重视又是另一回事
配乐照搬七章，打斗复制七章，声优请不来，演出没有张力，节奏崩坏。整部电影通篇充斥着两个字，《敷衍》
情绪大过于故事，除了女主之外基本全员工具人，事件也很工具。想做女性议题，母亲辈职业女性的困境表现出来了，但是目前遇到的问题都一带而过，为了女主角人格分裂而服务，难道现在的我们面对这个问题，不能有别的解决方式？（每一次的惊吓都慢了半拍，每一次的反转都提不起劲儿）
前半部好可爱好可爱，后半部可惜有点生拉硬凑了，不过总体还是好可爱，男生好像我上一个喜欢的男生和初恋的混合哦，呜呜
需要我开弹幕才能看懂...最后闪闪露面的时候我以为会开宝具呢...就很失望，宝具都没怎么用
期待了那么久 准备全英灵高潮的时候 整了一出哑剧 立马下头😀
导演是偶像剧的编剧出身。怪不得这故事偏女性向。
一开始以为是【匹诺曹】剧情，在往后看不对劲【催眠大师】?在往后看成了【致命ID】?
瑕不掩瑜吧，片荒期间能出来这么一部能在2小时里不带任何困意看完的电影，还要啥自行车。心理医生是好是坏、妈妈到底做了什么，女主是否内心深处有什么秘密。观众带着这些疑问，被导演带进了一个类似小说版质感的悬念当中。而美中不足的是巧合、雷同设定太多，但不是有句话说得好，无巧不成书嘛！结尾有点拧巴，生生将残酷结局往温馨和怜悯上靠（剧中的新闻播报导向亦是如此），开头女人的“那个人”到底是谁，靠着猜测也基本知道了。潜意识与现实物像的联动虽然粗暴，但着实有效。总体来说，是一部初夏夜里一部难得的清凉。
过程好狗血啊！！周兴哲只要不咔超近的特写也算个阳光型男，李沐好可爱像只小金鱼，一个电影换了好多发夹喔哈哈！惊喜是大债时代cp又合体了好感动加一星！
男女主颜值不过关，剧情简陋，歌也不好听，冲着编剧来的，很失望。
任何事情，就是不能有太多太大压力。容易变精神病
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