To the south of the Indian metropolis of Surat in Gujarat province lies a vast industrial zone that has been growing ever since the 1960s. Director Rahul Jain filmed the grueling daily routine in just one of the many textile factories there. In the factory, man and machine seem to have fused into one being. It is dark and dank, and barely any daylight penetrates the space. The labor is heavy and mind-numbing, and the work days seem endless. We are drawn into a gloomy world where the cacophonous beat of machinery sets the rhythm of toil. Jain is as interested in the mysterious connection between worker and product (the fabrics are treated mechanically, but also with love) as he is in the degrading conditions. Each shift lasts 12 hours, for adults and children alike, and wages are extremely low. Short interviews are interspersed throughout the observational sequences, some of which are captivating in their beauty while others are painful to watch – such as when we see a boy nodding violently in his struggle to stay awake. (From IDFA official website)
这个电影的人也算聪明的吧，但还是好像开一门恐怖电影人物智商锻炼课。
还不错。虽然情节都可想而知，好在演员形象到位，女主黛西确实让人心生爱怜，所以可以理解男主忍不住要犯险上床。但是犯险不是犯傻，每个男人都该知道口嗨更可以口爆！编剧的失职，还有其它一些地方。反转一点不意外，角色少还有浪费；２小时长了点。男二临阵退缩太写实了～
想知道屁股被割了是什么感受。这种事还是得看我拔叔。
比想象中好看太多。众生平等，享受特权的人会被爆头和铁锹拍死。
冰箱男
整部电影都在讲着一个吃人的道理:男人不值得！
逃出绝命镇打拳版？was married加一星哈哈哈哈哈哈哈哈
又恶心又浪漫，好奇被冰冻了的男主最后干嘛用了
小成本密室电影，看完只感觉肉疼，特别是手腕被钉在墙上那段，真的都不敢看，看了就像身临其境一样，其余的就是乌漆麻黑的镜头里各种猜疑各种你死我活了，反转还是不少的，但是bug也还是不少的！
真的不错啊 还是无名无姓亚裔演的 支持就完事了 还要什么自行车
202nd 血腥画面不多，靠剧情推动，不错
好喜欢Daisy的文艺脸，连恐怖片都变得小清新了起来。而本片确实没什么血腥镜头，更多的是想象力带来的不适感。说实话通过前半部分不是很能猜到会走复仇路线。
人物行为动机不太成立。钉枪居然可以这么用，绝
为女主打的！超爱女主！我的妈呀，第一次看这种题材的，吓得俺，还好最后干翻了反派
诓骗我时间，一点紧张和悬疑的感觉都没有，英雄女主完杀反派，拯救小女孩，我看一个警匪追凶都比这个刺激。
这么个片子还搞什么血腥艺术，砍掉半小时还好点，续集算了吧。致命弯道与德州电锯之类，不能服它的及格分。
bullshit那段很精彩，每个人都心怀鬼胎，却又怕对手看穿
性别政治满分命题作文，就是因为有本片这样的存在，好莱坞类型电影才变得越来越没劲了。
Now you see how MEN EAT WOMEN, in all senses, in all ways.
虽然是一个标准的命题式作文，但是好在拍得足够丝滑，演员选得足够优秀有魅力，音乐品味也在线，题外话如果真的有人爱吃人肉，怎么可能会只吃女人肉？？十七八岁的精壮小伙子这种童子鸡才应该是口感最佳呀？？？
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