Fernando Di Leo's "Milano Calibro 9" is an out-and-out masterpiece of Italian Crime cinema and, in my opinion, one of the most astonishing crime stories ever told. The first film in Di Leo's excellent 'Milieu' trilogy, "Milano Calibro 9" was followed by "La Mala Ordina" (aka. "Manhunt", also 1972) and the brilliant "Il Boss" (1973). The three films are not connected story-wise, but all three are excellent, and highly realistic portrayals of organized crime. As far as I am concerned "Manhunt" is (allthough excellent) slightly inferior to this one and "Il Boss" which both stand out as absolute all-time highlights of crime cinema. "Milano Calibro 9" is the best of them all, a film that is astonishing in all aspects, be it the ingenious plot that, apart from a compelling story and clever twists, includes social criticism, the performances, the gritty atmosphere and suspense or the brilliant score. I can hardly find the right words to express my admiration for this masterpiece which easily ranks among the greatest Gangster flicks ever brought to screen.
Gastone Moschin stars as Ugo Piazza, a tough and elliptical ex-convict who has just been released from prison. Immediately after his release, Ugo is approached by members of the Milan mob lead by the irascible gangster Rocco (Mario Adorf), as they suspect him to be responsible for the disappearance of a large sum of money belonging to their boss, an American (Lionel Stander) who controls the organized crime in Milan...
"Milano Calibro 9" is a film that delivers an astonishingly realistic mood of the underworld like hardly another. The intriguing storyline goes in hand with interesting characters, raw atmosphere, suspense and breathtaking action, social criticism and brutal violence. The film is simply stunning from the beginning to the end, which is even intensified by the brilliant score, a collaboration of the famous composer Luis Enríquez Bacalov and the Italian Progressive Rock band Osanna. Ugo Piazza must be one of the most charismatic gangster characters ever in cinema, and Gastone Moschin was the prefect choice for the role. Moschin delivers a brilliant performance, and the rest of the cast is also great. Mario Adorf is irascible like a rabid dog as the ferocious gangster Rocco, a role that fits him like a glove. The great Lionel Stander fits perfectly in his role of the American Mafia Don.
The two cop characters in the film are played by two of the greatest regulars of Italian genre-cinema, Luigi Pistilli and Frank Wolff (who committed suicide before the film was released). The ravishing Barbara Bouchet is astonishing and incredibly sexy in the role of Ugo Piazza's stripper girlfriend. Bouchet is both a stunning beauty and an excellent actress and this is doubtlessly one of her most memorable roles. This is also a political film and director Di Leo embedded a lot of social criticism about topics like corruption. This film simply has everything one can possibly desire in cinema. Films like "Milano Calibro 9" are the reason why I love cinema. This is an absolute masterpiece in all regards and, without exaggeration, one of the greatest Crime flicks ever made! The ingenious opening scene alone is more memorable than most films get in two hours.
新瓶旧酒，不过还是很欢乐的基调，只是，多少有点不协调。喜欢长大后严肃的校长和敦厚的赛斯。
虽然鬼啊魂啊但是并不恐怖，男主一直让人捉急，都要没时间了还一心想搞对象，最后果然是为了救赎自己，上天真是好善良，自杀的人还能再给一次重生的机会，并且指引正确的人生方向。
非常非常期待的一部，但没有超出预期。电影院那段有点尬…而且舞会皇后的反转也很仓促，更不明白女主当选后为啥跳那个😂（现在的0真是一个比一个好看
有点虎头蛇尾了，不过还是挺适合下班后看看的。#喜剧 #90sPop
Rebel真的瘦了好多，虽然剧情烂俗但也合情合理至少rebel演技值得三星。。。
老套 无聊 结尾有点可爱 但昏迷了20年是怎么能马上起床走路的、、😥
虽然还是熟悉的美式校园套路 但是rebel瘦身之后原来这么好看的吗 20年前的歌单也太戳了啊啊啊啊啊啊 以及现在的zzzq放回去对比一下真是扎心了
正能量电影，真的可以在资本主义国家医院躺20年吗，多少费用？
Yes
剧情真的不行，三颗星全部是给歌舞成分的。让人非常怀念8、9年前的美式校园青春电影。
2002年女主史蒂芬妮通过努力学习舞蹈，打扮成功成为了学校的啦啦队队长，也拥有了性感帅气的男友口人生巅峰的她只剩下一个目标:成为舞会皇后幽然后--场死对头设计表演意外导致她整整昏迷了20年!醒来的她拥有37岁的身体，17岁的心智，她决定回到校园成为舞会皇后弥补当年的遗憾简当37岁的她重读高中必然引发起--系列新旧观念碰撞的化学反应@③
天～2000回憶大禮包✨✨🎵找Alicia 來真的太會（我愛他）🥹🥹🥹這種才能稱大彩蛋好嗎～天知道我到底多愛clueless 😍😍😍😍至於好不好看、合不合理都不重要啦！看YA 長大的，沒有人會苛求這一切的💕
女之老了。。剧情还可以，确实生活中很多空间，女对头的女儿挺酷
不过导演都没有深挖。总归还是一部不错的喜剧。
如果只按照我最想看的，欧美校园生活来讲，这部电影也不是我喜欢的，而且情节比较突兀，突兀的原谅，突兀的接受好朋友的喜欢，但是也算是积极向上吧。
We need to go back to 2002！！！
有些情节有点俗属于一看就能猜到的那种 但是还是挺好玩的哈哈 看完后去找布兰妮歌单听了
一看简介就感觉是对标2000年的romcom，美国人真的永远忘不掉高中，逃不开prom。但执行的不错，有些点还是触动到了我。爸爸妈妈的肯定怎么就不算呢，明明这些人才是最重要的。2022届的这批毕业生也塑造的很可爱。
感觉是拍给奔四的八零后看的校园电影，虽然剧情很无脑，但是对于高中时代的回忆是很容易共鸣的。
《独领风骚》的女主客串前prom queen真的好合适 哈哈 合格的爆米花片 穿插各种小讽刺
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