Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
动作设计，无论是搏击还是枪械，刺激度都非常强。超强听力成为一种超能力，结合动作设计很有新颖性。反派疯批女很有性格特色，令人印象深刻。
我真的救命，中美合拍，中不中，美不美，真的是膈应人，还有那只小狗，黑化得也太突然了吧
这片毁在女主手上，演技又尬又烂。
对港式警匪片的套路复制简直是原样照搬，所以影片唯一亮点只能是卖力搞笑的叨叨了。。。
就挺普通的，剧情挺新颖的，但是结尾还是玛丽苏
故事简单，节奏紧凑，动作戏看的过，杨杏的疯子女反派很亮眼。
就挺普通的，剧情挺新颖的，但是结尾还是玛丽苏
制片国家/地区: 中国大陆
怎么也得上6.5分，虽然BUG多，瑕不掩瑜
好无聊啊，可能是我不是小孩子了吧
哪找的那么一批牛鬼蛇神拍出来个东南亚版飓风营救？忍到最后看完花絮就想问问安志杰：被导演绑架了你就眨眨眼吧大哥！ps，严重剧透：这次总算没死。
难得演主角都被女反派抢锋芒！鼻子没整好？山根看着好奇怪。。
在网络大电影里这片算是值得一看的：剧情比较老套没有多少的惊喜，但动作演员出身的安志杰带来了多场多样化的动作打斗戏，看的比较爽
《硬汉枪神》后国内网大又一标杆，比《误杀》好看，除了男主夜魔侠附体，整体槽点不大。即使剧情偏弱但动作设计可以值回六块。比《边缘行者》强出很多。
前半部分电影里感觉没有一个正常人，各方面表现都一般般，反派智商貌似不在线，算是可以快进看的电影吧，不至于特别烂，但是推荐也不至于
导演: 霍穗强
可以啊，挺打的。算是诚意满满了。杨杏被X给我看挺了，我是不是变态。
高配网大，女主人设不落窠臼，就是剪辑有点乱，情绪不顺畅，不过在网大界绝对物有所值，没有浪费时间。
随便看看的…意外地能看得下去…全篇打打打，打戏镜头还是有些专业的 能看到诚意，剧情bug就不深究了…作为网大来说及格了
刘德华瞎了能开车，安志杰瞎了能开枪。叨叨承包了本片所有笑点，作为网络电影这可以及格了。
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