Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
这特么是啥？这么重要的生物武器，就派这几个意志不坚定的垃圾送快递？剧本太烂了，场面也不咋滴，快进看看就行
这么好的几个演员怎么就搭上了这么个导演呢？
攻防还得靠纤细小仙女👩🏻👱🏻♀️
论冰雪运动在军事行动中的应用 北欧人民是不是和平的太久对战争的认知还停留在二战
女主的两段床戏加一星。这个剧本各种即视感，气氛和故事都一般。
剧情老套，但有露点，最后是孩子拯救了全家，其实银行搞个人脸识别就没辙了，啥都拿不走。
4.也有些不合情理的地方，如，很难想象没有机载或单兵夜视仪和红外装备；敌人直升机在小桥处丢跟丢主角，难道不会打一发火箭弹；荒废屋子的老两口明显不正常，没有进行彻底搜查；男主如果想销毁冰毒，为什么要丢下队员，直接销毁不就行了等
女主很好看，身材也很好，比一般电影里的女主看着顺眼，剧情很安静，总共没几个人
“仙人跳”的老套故事。但是，Lily Krug，这个新人小妞也太漂亮了吧，而且还很敢演！给3星全因为她了。😍
战争的寒冬中，没有一片雪花是无辜的…PS：永远不要欺骗一个母亲！
还可以啊，结局有点摆烂啦～不会这女的真美，无死角的美。而且表情拿捏也很可以，面目可憎，让人害怕到骨子里。
看在女主颜值身材肉搏的份上，我原谅了后面稀松拉垮的剧情，还以为男主要利用自己高智商的头脑来反杀，结果除了人设是技术大佬有钱有脑之外，男主全程未表现出一点高智商的态度，连最后的反杀都要靠女儿，话说他老婆也不是省油的灯好歹带把刀上阵吧，只会冲出来肉搏，算了多看两眼女主原谅他们吧……
唯一的赞给女主的美貌......Lilly Krug (莉莉.库拉格)；
看完去搜女主竟然是01年的，，，最小的演最狠的角色哈哈
-who do you killed？
这是那种躺在床上刷手机的时候，开在电视上当背景音乐的电影。
“仙人跳”的老套故事。但是，Lily Krug，这个新人小妞也太漂亮了吧，而且还很敢演！给3星全因为她了。😍
莫名其妙的电影，小国家拍摄的末日题材，格局确实小了点。
剧情虽有不足，Krug太美了，5分太低了，我能打7分
女主牺牲有点大，而且没必要，纯粹是为了加料
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