重生六十年代军嫂

重生六十年代军嫂 高清

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9.0 推荐

分类： 剧情片 2010

导演： Herbert Wilcox

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剧情介绍

　　Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.
　　The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).
　　The title music sets the tone: a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.
　　The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.
　　Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.
　　Roger Philip Mellor

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评论:

  • 丘冰蝶 8小时前 :

    女主角不错，不是网红锥子脸，还算灵动，其他的就不说了。

  • 律鸿煊 3小时前 :

    肾白金，男人加油站，可爱的闽南口音，加一星。

  • 卫玮 5小时前 :

    及格分吧，男主颜值不够，女主不错，剧情中规中矩

  • 季修为 3小时前 :

    A power bump！It is an earth custom. An unbreakable promise.

  • 姜香桃 2小时前 :

    “我们为什么要和这个笨蛋一起合作？”

  • 充元旋 1小时前 :

    挺好，编剧和导演再磨练磨练，加油！！！女主有灵气，别整容哈，棒

  • 善毅然 2小时前 :

    较第一部制作全面升级，还加入了两个新伙伴，分担了索尼克嘴炮输出幽默的部分压力，蛋头博士回归还组装起了经典的大头胡子机甲，娱乐性十足，但剧情和设定还是过于低幼和陈旧。希望这不是金凯瑞最后一部电影……

  • 幸芳茵 8小时前 :

    “因为那个头脑简单四肢发达的蠢货，是我们取得非凡成就的关键。”

  • 允笑容 6小时前 :

    紫霞真美，最后被打动了，回忆起了看大话西游时的感动（看了太多遍以至于已经感受不到了）

  • 尧腾 3小时前 :

    相比第一部人类的作用更大了，就代表会有很多多余的情节，而且从剧情到情节都是俗套无比，第一部的剧情勉强还能看得过去，不会让人感觉到不适，一本正经的讲一个很俗很傻的故事，现好莱坞商业娱乐电影的通病，金凯瑞是加分项。（话说虽然很烂，但还是有些期待下一部接下来三个耗子的情节，如果还有第三部的话）

  • 史语海 7小时前 :

    都挺好，就是齐天大圣也太丑了，太丑了，他可是美猴王啊

  • 吕晓星 9小时前 :

    网大电影中算是及格之作，比很大院线电影故事讲的好。这个紫霞很NICE，可以说是朱茵之后的代表紫霞了。

  • 戎灵卉 5小时前 :

    亟需在影院宽敞的座椅上睡着、偶尔被前后左右的小朋友笑声吵醒的观影体验 @ AMC Raceway

  • 昔以晴 6小时前 :

    剧本整体过于草率，有几个镜头挺有感觉的。三颗星给达叔，吴昊宸和紫霞

  • 后斯雅 6小时前 :

    插曲一生所爱，真是经典，歌声想起，泪流满面！

  • 书晓兰 4小时前 :

    “我们为什么要和这个笨蛋一起合作？”

  • 宫凝心 1小时前 :

    7.影片从特效到创意都透漏着廉价感，到处都是熟悉的地方，索尼克超级赛亚人，就连最后的彩蛋，也是龙珠味儿

  • 代又绿 1小时前 :

    咬牙啃生肉，心疼金凯瑞，看他单臂大回环弹奏胆经不禁想到《变相怪杰》，掐指一算也六十好几了，出演新作品的机会恐怕屈指可数，如果可以的话来个真人版《卑鄙的我》再收官吧...

  • 凡弦 6小时前 :

    挺合家欢的，比第一部更低龄向了，特效倒是做得挺好的

  • 凡弦 7小时前 :

    卡通和真人这么不协调的动画片居然还有人投资拍第二部，可能就是因为有我这样的大冤种看了？

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