Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
佐野勇斗在流星的光芒下都变得没那么丑了 说真的看你这个电影我不如去看BABA岚
尬，横滨流星就是角度帅哥，角度不对的话，他那崎岖的脸真不行
社会化抚养原子化社会结构是导演编剧的梦想吗？原生家庭的父权已经需要全员降智角色+弑父？缺乏深入表现社会经济文化的原因才是剧本的原罪
牙齿，牙龈，压床，反正就是那篇还行，可以搞个长篇，估计蛮好看的
没有丝毫惊喜感的恐怖片，看起来觉得时间格外漫长。建议刑审犯人可以增加一项，把他绑在椅子上逼他看烂的要死的恐怖片。
jesus christ this is so boring
演员好美（看美女很快乐），可惜10个小故事没有吓爽我，有一两个甚至有点无聊🥱，恐怖小故事还是得看恐怖漫画，但是恐怖漫画系列拍的也一部不如一部。希望多出一些像釜山行那种高质量的恐怖片，我真的超爱！
6.5/10。比《赌博默示录》系列好看，都是层层闯关模式但有智斗有逃杀，动静结合，最重要的是男主帅（这点很重要不然邪魅一笑很容易油腻）并且没有圣母角色！最后决战有点草率，毫无紧张感。期待第二季。
有点像鸡皮疙瘩或者毛骨悚然，基本就是一个没头没尾的故事
22_077。这个该怎么说，要说精彩当然是不精彩的，但你看它海报就知道它是啥风格（没看过漫画）所以也没啥期待这样算也没拍得很差，流星还行，在一众不认识的年轻人当中（我已老）看到了熟悉的本乡还是那熟悉的装X味倍感亲切。说实在白石麻衣演得太差了吧，里面的演技担当竟然是三浦翔平，另外原来樱井和寿的小孩竟然来演戏了啊。没有任何斗智，纯是主角在装X。
虽然是我喜欢的xx游戏系列，但拍的也太平淡如水了……不说跟赌博默示录比，跟狂赌之渊也比不上啊，流星扮相还特中二，男二像洼田正孝plus新田真剑佑，最后一场抽鬼牌还有点意思不过流星也只能胖揍残疾人哈哈哈
牙齿，牙龈，压床，反正就是那篇还行，可以搞个长篇，估计蛮好看的
沒看過漫畫，評價僅針對電影所呈現出來的角色而不是漫畫角色。
坂道现在专演漫改赌片？智斗不如狂赌之渊，狂赌还有那么多美少女
能给负分吗 韩国别拍恐怖片了，各种梗都多少年了，还是拍拍黑帮变态啥的吧。辣鸡
故事老套 但是每一部演员颜值都在线啊 剧情什么的就可以忽略了
化妆特效在进步，编剧行业在退化，浮躁的年代啊……拍个电影都这个鬼样子了。
画面是刺激的，但是只有刺激没有逻辑…第一段隧道，女鬼居然物理攻击，我笑了
都市题材的恐怖片挺好看的，就像发生在身边一样
日本人真的中二，这种电影没有不尴尬的，但是看个热闹还是可以的。边玩游戏边看了，多哥居然打斗戏也完成得不错啊～
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