Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.
The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).
The title music sets the tone: a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.
The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.
Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.
Roger Philip Mellor
9.5欧看了原声，听懂了好多！除了一些他们的自造词，普通对话包括解释内容都听懂了！我好棒！太帅了卷福，大帅哥！惊悚片实锤，被吓到好几次
特效打斗依然可以，但是剧情太搞笑了，音符对战什么鬼啊，超英都自私到自己坑自己也无所谓了嘛，自己治愈自己也有点强行了。恐怖倒不觉得恐怖，有一些鬼片既视感。挖了新的坑，世界乱套之后tony是不是会有机会回归呢。
剧情推动和衔接非常出色让两小时的电影完全无尿点.不得不佩服漫威在商业电影公式上的节奏把控. 最惊喜的当然是导演山姆雷米带来的大量恐怖元素，各种花样死法简直是套着PG 13的皮囊然后脱下来大喊，我是R我不装啦！
复联四后第一部能看的 光照会很惊艳 希望不是消费了一下就完事了
旺达的打不过奇异博士吗？不见得。旺达输是因为身边有一些叽叽喳喳的小鬼儿让她分心啊！
为数不多看的漫威系列。延续了第一部的剧情，虽然博士和女主的情侣关系在多个宇宙最终现实中都没成正果，但是她们永远在心里给对方留了一个柔软的位置。特效成本看出来挺足的。不过导演的品味让情节里的特效特别像恐怖片，有些场景san值狂掉，如果不接受这类场景的谨慎去大荧幕观影…我在Imax厅看的有点小恶心…演员都非常到位，剧情也有大小高潮，可以说是中规中矩里略有心意吧。多加一颗星给Benedict和胖胖～
对神告白Time will tell how much I love you之后强力回应告白：I love you in every universe.
Wanda Maximoff，从出生就没过过一天好日子的终极悲剧角色，虽然漫威的低端处理方式还是把她沦为了plot device，但她依旧是最吸引我的女性角色类型：原生的悲惨和为爱燃烧造就的极致疯狂（Strange和Christine——我的House和Cuddy完美代餐！cnmcnmcnm
山姆雷米永远不会让你失望，果然拍出了mcu最有特点最阴暗恐怖的电影。两个小时节奏紧凑并且不失文戏，光照会短暂出场的fan service不知道会不会有延续，America Chavez相当出彩，并且就这么点lgbtq戏份还要因此禁播的国家可算了吧，make it more gay god damn it! 唯一遗憾的是旺达戏份太太多，高潮居然都是她的角色弧。虽然非常喜欢旺达但也可惜奇异博士在自己的电影里被边缘化了。
确实有点overstuffed, 不过这反派够强。总的来说 太热闹了
1.旺达黑化，奇异博士感觉有点弱 2.恐怖吓人元素较多 3.兰博版惊奇队长太弱了 4.以后漫威电影都网盘见吧
旺达黑化是肯定的，但是没想到黑化得这么简单粗暴，毫无弧光。最后醒悟也极不具说服力。好不容易塑造的旺达这个曲折的角色是玩废了。我倒觉得漫威是真不想要旺达这个角色了，即便有那么多的前作来塑造。经此一役旺达再怎么洗白也满是槽点。漫威真的脑瘫。个人看法，强烈希望被打脸。还有白幻视被cue要到猴年马月了。
很合格的爆米花电影 喜欢Wanda悲伤的故事 她只是想找她的儿子。I love you in all the universe 真是太浪漫了
结局彩蛋……新的多元宇宙出现了？
838宇宙真全员工具人，包括后来的黑奇，一开始真以为是what if的通天黑奇。草草登场草草领盒饭。迪士尼撩拨了一下粉丝，收割了一波情怀，宣誓了一些主权。Christine838你的宇宙都那样了，还回到那个工具人宇宙干什么？光照会都团灭了。她还没得知838奇的真相。去616就会有两个她也不合理，但可斡旋至少比现在好太多。通篇都有对其的感情，最后难道就想表达《英雄都是孤独的》？
就好大荧幕恐怖片这口，没想到在一部超级英雄电影中实现了。卷福和奥妹（美！）演技发挥稳定，沉重基调中不时来个碎嘴玩笑，挺好！
I love you in every universe --Doctor Stephen Strange
旺达这个巫婆怎么能这么厉害(o^^o)
纯粹而又真挚的爱意早已佈满了每个宇宙有你的各个角落，哪怕它让我们癫狂的沉沦深陷…
爱，永恒的爱，让人偏执的爱，让人不能释怀的爱
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