野蛮的印度电影免费观看 高清

评分:
9.0 推荐

分类: 欧美剧 1998

导演:

剧情介绍

INDIA is an exotic mixing pot of iconic wildlife, secret locations, epic landscapes and colourful beauty. This iconic and landmark series is a celebration of India’s most spectacular locations and incredible wildlife. From the "home of snow" in the epic Himalayan Mountains we travel to the mighty River Ganges, lifeblood of India as it carves out its dramatic path across the subcontinent. We also reveal Thar, the “Great Indian Desert”. Its territory includes much of Rajasthan (“the desert state”), where the bleakness of its environment is juxtaposed with the striking colours of traditional Rajasthani dress and amazing wildlife spectacles Also featured is India's lost world of the north east, home to head hunting tribes, tiger infested forests, mountains not yet climbed, rivers waiting to be fished. And finally to the Western Ghats. This biodiversity hotspot is home to epic waterfalls, hill tribes, hidden caves and stunning wildlife.. Part 1: Thar Desert Sacred Sands Covering 200,000 square kilometres, India’s Thar Desert is one of the harshest places on the planet. Baking heat, desiccating winds and near permanent drought has earned this unforgiving land another name – “the region of death.” As we explore India’s great desert we unveil its hidden secrets, and ultimately shed light as to how the Thar has become the most crowded desert in the world. Part 2: Ganges River of Life The Ganges is the longest river in India. It flows from the glaciers of the world’s highest mountains, the Himalayas, to the largest bay in the world, the Bay of Bengal. Human pollution threatens to overwhelm the river, but somehow wild animals survive. Hindus believe that Ganges water has the power to purify, and it seems there is some scientific evidence to support this conviction: microscopic organisms actually eat bacteria that could cause disease, and uniquely high level levels of oxygen break down organic waste faster than any in other river. This self-cleaning property of Ganges water helps support some of the last remaining true wilderness in the world – the Sundarbans swamp. Here, India’s largest population of wild tigers have never learned to fear man, making them very dangerous neighbours. Part 3: Himalayas Surviving the Summits Outside Asia, no peak reaches above 7000 metres, but along the Himalayan range, over 100 mountains exceed this height by at least 200 metres, making it the tallest mountain range on the planet.As Earth meets the sky along this hostile terrain, powerful winds, sub-zero temperatures, and a lack of oxygen oppose virtually all forms of life, but remarkably, this immense geological feature somehow supports one of the largest and most diverse collections of creatures on the planet – including man. While the Himalayas rugged highlands offer little direct refuge to humans, in the shadow below, over a billion people in India rely on the mountains for survival. Part 4: Western Ghats Monsoon Mountains Stretching for a thousand miles along India’s west coast, the Western Ghats are a spine of mountains that lay claim to being one of the most bio-diverse places in the world. Mountains rear their heads into the path of monsoon clouds, intercepting rains and making the western slopes some of the wettest places in India. Tropical rainforests thrives, and explode with life. The Western Ghats hold the key to life across southern India. Rainwater harvested by the mountains washes down to the coast, feeding Kerala’s backwaters; huge rivers flow east across India’s dry interior, a lifeline to animals and people. Part 5: Indias Lost World Imagine a lost world – head hunting tribes, tiger-infested forests, unclimbed mountains, pristine rivers. Known as the Seven Sisters of India, there are seven relatively unexplored and isolated Indian states. What mysteries lie within this secretive land and why have they remained untouched for so long? North-east India is an anthropological paradise; there is no other place on Earth with so many different ethnic groups. The forest slopes are filled with mysterious tribes whose lives are dictated by the ebb and flow of the rain and the seasonal fruits of the forest. In these largely unexplored and isolated areas people scarcely known to the Western world continue a way of life steeped in ancient rituals.

评论:

  • 兆明煦 4小时前 :

    主要是不能接受这种生命的观点“人活在世上有么里味?饿也饿得死,胀也胀得死,淹也淹得死,烧也烧得死,病也病得死,跌也跌得死。人有么里味?只怪世上人脑壳不清醒,要争名夺利、争长论短,想不到要修来生,脱离这个五浊恶世。造孽啊造孽!”

  • 昌森丽 7小时前 :

    To be or not to be, that is a question 真的看哭了

  • 姜芳茵 3小时前 :

    当死亡和感情发生矛盾对立的时候,该选择自己的视觉还是对方的视觉?无论哪种选择,都是基于“爱”,既矛盾又统一。“无论路上历尽任何的伤害,任由我决定爱不爱。祈求天地放过一双恋人,怕发生的永远别发生”

  • 文琛 5小时前 :

    “被人遗忘,是很痛苦的。”

  • 文琛 9小时前 :

    小清新文艺科幻 没有侧重于伦理/认知/被替代这些冲突性的角度 而是从情感上描绘 男主从愤怒到不甘到接受 最后的最后看着爱人对自己(的克隆体)说 i will love you always 释然放手 || 我觉得太悲伤了 T_T 个体明明都消亡了你爱的人和爱你的人却不知道 - 没有人会怀念你纪念你追悼你想着你流泪 他们只会和另一个你创造你无法参与的新的回忆。自私的我肯定不会做出男主的选择。

  • 房秀妮 2小时前 :

    全片最有科技含量的地方就是这神乎其神的记忆移植。

  • 京半槐 0小时前 :

    克隆人、面对死亡、身份困惑,都是老生常谈,不过这片好在放弃讲道理,把重点放在描述情绪,很感性,大量面部特写,配合音乐营造氛围,很适合在夜深人静时体会,一个人临终前回忆了自己所有难以言说的情感,看着另一个“自己”鸩占鹊巢,对家人的无私和嫉妒的自私交织,他的符号继续存在于社会,作为一个个体却被遗忘,这可能就是死亡的真相,不管留在身后的是什么都不是真实的“我”。

  • 希静枫 7小时前 :

    (8.5分)质感像天鹅绒般细腻。电影以克隆人凭借力,展开一个男人未亡时最后的挣扎。翠色的远峰深处,潺潺的雪水源头,与世隔绝的智能小屋,内外景和服化道以及配乐共同致力于塑造软科幻的世界,编织起主人公焦灼绝望的情绪。“死亡以痛吻我,我却报之以天鹅挽歌”。马赫沙拉·阿里的表演当仁不让地以一己之力支撑起影片的骨架,一半是火焰,愤怒地燃烧又自顾自喑哑地熄灭,一半是海水,仿生学般精确、克制却深邃,作为演员遇到这样的剧本是真的幸运。略可惜是导演没有在神秘的三人公司上做更多文章,如果不是格伦最后的两行泪相当于盖棺定论,阴谋论一下也是极好的。

  • 岑寄柔 0小时前 :

    制作美 细致 人物刻画和情感太入微了 温柔的科技

  • 宗政幻露 3小时前 :

    可是完整的人生

  • 彩雯 6小时前 :

    没想到这几个人物的演出就完成了这样一部有内容的好电影,看的过程中就有想流泪的感觉,看到影片最后两行热泪也跟着流下来,很完美的收尾。

  • 嘉长逸 0小时前 :

    Jack最后送出的礼物既感动又让人安心,一度害怕他会变。但是这句我爱你,对Cameron来说是不是也很残忍,因为是最后一次听到了。

  • 官翠巧 6小时前 :

    brief

  • 吾倚云 3小时前 :

    片中用医疗式生命决策合同经期可能的卸去道德的包袱。当然你能感到的是,科学家的功利意愿像针一样戳破生活生命脆弱的气泡。

  • 字琴轩 7小时前 :

    很多人会被那种告别的哀伤和深沉的爱所共情,我反而一直在思考另外一个问题:两个一模一样的人(连最深层次的记忆都复制了),对于被复制的人而言,我会认可那是另一个我吗?对于复制人而言,我会感觉我是一种替代,还是一种重生?

  • 南门韦柔 7小时前 :

    忒休斯之船。继承了我的情感、记忆与意志的那个人,是否拥有了我的灵魂,是否就是我?

  • 恒然 9小时前 :

    各方面都似曾相识又都四平八稳的一部小清新科幻片。《天鹅挽歌》把对立面从人类与克隆人当中抽离出来,而把人类自身的情感与回忆这最难断舍离的一部分作为最强大的对立面来对抗克隆人取代自己,从宏观经济方面转换到个人情感方面,这就让这片子显得更加贴近个人,更能感同身受。我们最宝贵的就是自身的情感和回忆。这一点和斯派克·琼斯当年的《她》也异曲同工的地方。

  • 五情文 8小时前 :

    3.5,科技乐观主义片。过去在讨论“什么定义了我是我?”时,主流观点之一是“回忆”。在记忆和情感、喜好都可以共享传送的设定下,克隆人的确就是生命的延续了,只是对原来的那个人就不太公平了。男主演技佳,本体和克隆人的微表情区分绝了。这片结局没有任何反转、黑化,Cameron本身就是很不错的人呀。这部片是我今年看过的第三部用书架上有很多相同的书表现情侣是soul mate的电影了。还有,小狗才是最好的!

  • 家薇 7小时前 :

    爱情科幻片,离开所爱的人与家庭,过往的美好与未来的可期,不舍离去而寻求替身。悲痛只属于自己,伴随着优美的配乐与场景,爱与家人是值得一辈子所有代价去精心守护的。

  • 宇彬 9小时前 :

    不多bb

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