Acclaimed British actor Christopher Eccleston (The Leftovers, Thor: The Dark World) will be joined by Marsha Thomason (White Collar) and Paterson Joseph (The Leftovers, Law & Order: UK) in a new four-part drama series Safe House from Eleventh Hour Films. Safe House is a tense thriller set in the beautiful wilderness of the Lake District. The cast will also include Jason Merrells (Emmerdale, Waterloo Road), Nicola Stephenson (All At Sea, Holby City), and Peter Ferdinando (Doctor Who, A Field in England) and is set to commence filming today; Monday 6th October. The 4-part drama tells the story of a married couple: Robert (Christopher Eccleston) a former detective and Katy (Marsha Thomason) a teacher who are asked by close friend and police officer Mark (Paterson Joseph), to turn their remote Guest House into a Safe House. Their first ‘guests’ at the Safe House, are a family in fear of their lives after they are violently attacked by someone who claims to know them. For Robert protecting the family resurrects fears and anxieties bound up in a terrifying night eighteen months ago - where he was protecting a star witness who was about to testify against her gangland husband. Unexpectedly, he was shot, and she was killed. As a consequence of running the Safe House, Robert re-questions this incident and uncovers a web of lies. Inspired by a real couple, Safe House is a distinctive character-driven drama created and written by Michael Crompton (Kidnap & Ransom, Carrie’s War), and directed by award-winning Marc Evans (Hinterland, Collision) and produced by Andrew Benson (Strikeback, Mad Dogs). It is being developed by Eleventh Hour Films’ Paula Cuddy, who is also an Executive Producer, alongside Jill Green. Safe House is potentially a returnable series for ITV and Eleventh Hour Films and was commissioned by ITV’s Director of Drama, Steve November and Controller of Drama, Victoria Fea. “We're delighted to commission Safe House from Jill Green and Eleventh Hour Films. It's a compelling four-part drama from Michael Crompton with great characters and genuine twists which keep you guessing right to the end.” Jill Green (Foyle’s War, Collision, The American) said: “ This brilliant idea for a psychological thriller has attracted a strong cast – and will keep viewers gripped.”
挺好的，算是补全嘛，新加的角色也是为了亚总成长和封测矛盾的补全，还蛮合理的，算是开了个好头？音乐和战斗也算回归经典。期待后面爬塔和桐亚感情慢慢升温的狗粮剧情吧
废旧商场的火拼、紧张刺激的追车、火力十足的街头枪战、近身肉搏的对决，等等，堪称十年来港片之最“劲爆”。与《拆弹专家2》“撞桥”正常。警察蜕变为恐怖分子，我不觉得是隐喻，其实，在警校生不包”分配“的某个阶段，国内某省的几个大案是警校毕业生做的。
谢霆锋这个造型 这个人设 这种岁月沉淀过的疯批美人 在神的注视下从万丈光芒之上堕落 啊~~~
男主的人设是伟光正，但是谜之讨厌。一开始以为是我个人报复心重导致的奇怪共情，直到最后一幕……这NM故意的吧，男主就是谢霆锋啊。龙武师位设计的肉搏那是看一场少一场了，以至木屋那出的随便越轴我都感到亲切。一星给天上的陈木胜导演。
我的天，真的好久没有看到这么硬，这么劲爆的警匪片了，虽然有点套路，但是耐不住甄子丹团队的动作戏，还有谢霆锋的脸，陈木胜导演牛逼。
AMC IMAX看到SAO还要什么剧情，战斗炫酷爽就得了。虽说不要剧情，但这真是一点剧情没有啊…行吧，还是爽到了。果然一个ip只要一直出，迟早会成为情怀……
似乎现在港片除了在反派动机的合理性或合情性下工夫，西装越发考究之外，实在没啥作为
尽管还有香港警匪片的大致框架，但但画皮容易画骨难，整部电影都弥漫着暮气，香港演员都老了，精气神都没了，往日香港电影的繁华再也回不去了。
情怀之作，作画和设定小崩，但不影响桐亚党吃糖，四星
谢霆锋帅炸了，可惜整部电影国语配音有点失败
最后这段崇邦vs刚敖，复刻了马军vs黄发杀手小巷械斗，甩棍pk蝴蝶刀，但霆锋功夫底子比起吴京还是逊色很多，也就形似而已，倒是不用蝴蝶刀，双方秀腿功那几个回合，相当赏心悦目，后面的大锤vs水管，灵活走位闪避和凌厉的攻防转换，如无意外应该是谷桓健治设计的，必杀技还是地面技。
最后门旁边那个人是为下一部埋了一个伏笔啊，期待
甄子丹私心太重，明明前面全是枪战，到了最后一场戏非要小谢跟他肉搏，结果小谢还是比他帅，哼，气不气？往前数二十年谁还不是小谢梦女了？
如果当年你去追可乐会怎样
从出道伊始，谢霆锋就被扣上了“叛逆”的刻板印象，但直到上了年纪有了肌肉，松懈下来不再紧绷的他，才终于把“叛逆”演绎的淋漓尽致。没事少烧菜，多拍拍戏吧，好作品才是真正的“锋味”。
我很喜欢刀剑神域系列 但这剧场版真的水得可以 剧情没有惊喜打斗画面一点都没有电影该有的水准节奏毫无起伏可言 桐人还是在一个小时后才出来的 我是在电影院看的 期间一直能听到哈欠声和人来人往的往卫生间钻 真是太令人失望了
屠龙之人终成恶龙。“坐牢的时候我在想一件事，如果那天是你去追，我们两个的命运会不会调转？”
情怀之作，作画和设定小崩，但不影响桐亚党吃糖，四星
《怒火重案》和《拆弹专家2》让港片又回到了当年的“双雄”片时代！同时还加了些“理想信念”般的价值观思辨，有进步。只是可惜了陈木胜导演，英年早逝！
小说进击篇吃书一次，剧场版再吃一次，不愧是传说中的“吃书篇”。狗头人表示，正因为吃的渣都不剩了，所以才有这史诗级的加强……PS：水濑祈加戏多的就宛如吃书吃剩的渣那么离谱……
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