The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
黄政民是我最喜欢的韩国演员,人家国家演员演啥像啥,咋们国家的娘炮演啥不像啥,吃啥啥不剩
不像某些人說的那麽不堪.
瞎改,改的乱七八糟,演员表演用力过度,情节夸张不合逻辑,失败。
黄老师这两年怎么除了跟homie拍帅哥打戏就是带新人,这届真的有点带不动了啊
-电影里的警车永远都会来迟一步
黄政民的演技永远可以相信,哈哈哈哈哈哈感觉绑匪皮肤太好了……
一部改编自二流电影的二流电影,并且改编的不太符合逻辑。
黄政民最差的电影吧!!!!都是导演和编剧的锅
以前都是我们翻人家,这次看人家翻我们,亚洲文化圈的来回翻拍看起来大多都没啥违和感,比东西文化跨文化圈的翻拍容易接受的多。
平庸的翻拍。女主是不是鱿鱼游戏里那个妹妹啊?
若没有真实事件作为背景,这样一部类型片真的蛮平庸的。
黄政民完全没有什么表演,所以是导演还是剧本的错。结尾的The Passenger亮了
倒不能直接就干脆说不如原版,毕竟选择了强动作元素的改编方向,整体都更加类型化了,也因此原版那种比较能直达内心的恐惧感、绝望感出不来…
果然是预想中的翻拍:更曲折的剧情、更凶狠的动作,层层加码做成合格的娱乐消费品,却找不到任何值得一提的创意,也浪费了展现黄晸珉个人魅力的机会。
虽说是翻拍,但基本改了一半内容,黄政民这次在平行宇宙里输给了刘德华。
6.0 跟原版比,绑匪癫狂有余,邪魅不足。显然黄政民更适合演反派。
从中国的现实性群像戏,变成了个人英雄秀了,情况又不像是危情十日那样,让人觉得不寒而栗,能够拔升这部电影的方法,我有个主意让李政宰被绑架,黄政民演劫匪(他和王千源的表演风格很像),金允石或者崔岷植来演警察,效果绝对好很多
而没有呈现出黄政民一丝一毫的真实质感
中规中矩,还行吧,感觉不如《解救吾先生》真实、恐怖
Copyright © 2015-2023 All Rights Reserved