You are never fully liberated from Auschwitz, 11 July 2016 Author: Red-125 from Upstate New York The French movie "À la vie" was shown in the U.S. with the translated title "To Life (2014)." It was written and directed by Jean-Jacques Zilbermann. The film is a Post-Holocaust saga, although it opens with scenes in Auschwitz that are truly horrific. Hélène (Julie Depardieu) and Lily (Johanna ter Steege) were friends in Auschwitz, and they managed to survive the death march from Auschwitz to Louslau together. A third friend, Rose (Suzanne Clément) was unable to walk, so they were forced to leave her behind. As it turned out, Rose survived until the liberation of Auschwitz. The three did not see each other again until 1962, when they come together for a reunion at a beachside resort in Northern France. We learn early in the movie that Lily divorced her husband after the war, and is living as a "free soul," with no permanent partner. Hélène and Rose both married concentration camp survivors. The plot of the film--based on the lives of three actual friends--revolves around their interactions during the reunion. No matter how much ice cream they eat, and how they display their new bathing suits, thoughts keep circling back to Auschwitz. They quarrel about tiny details which they remember differently. They revive horrible memories. It's clear that the reunion will change their lives, but whether the change will be for the better or for the worse is an open question. For reasons I don't understand, "To Life" caries a terrible IMDb rating of 6.1. Fortunately, we saw it as part of the excellent Rochester Jewish Film Festival. If we hadn't had "All-Event" tickets, we probably would have stayed home. This is a movie to be seen, not missed. Ignore the rating and seek it out. It's available on DVD, and it will work well on the small screen. See it!
片尾堪称反婚反育警世片段，生了孩子憔悴那么多。bgm，色调一流。结尾不太能接受。（戴眼镜的女主美哭我
期待越大 失望越大 耶和华传教的设定真的很下头 两个人之间缺少意境和氛围感 搂抱亲密的镜头甚至显得过剩了
这片子分虚高了吧……宗教元素说实话不强，也没有表现出宗教的禁忌感，结果就那么混混乱乱的过了，结局还想搞出轨？呃
艹啊没想到《违命》前传这个形容这么贴切，结尾直接无缝衔接
19年为烧女图落过泪之后这是第二次落泪了！到最后结尾之后后劲蛮大的 爆哭！！不明白自欺欺人一辈子很累的 怎么那么不知足什么都想要呢！
果然是青春版《违命》，什么时候看宗教题材不把我看得心绞痛啊。虽然设置在90年代我能理解be得有理，但我真的受不住。两位年轻女演员性张力十足，克制隐忍的爱，让耶和华的美丽新世界见鬼去不行吗？现在就跟她走啊！！！ 好，睡了一觉醒来再想想，这个结局似乎也可以解释为he，漏掉了一个潜在的人物，逃走的母亲。不再信奉真理的母亲在家里成了禁忌的存在，在结尾的时候，M应该明白了母亲为何逃离，因为世界上存在着想要违背所谓真理也想要抓住的存在，所以她才不愿放J走吧。
什么宗教？太邪了。学生时候的小行为真的好让人悸动
说实话，有点不明所以，不说和《燃烧女子的肖像》，就和《真心半解》这种小众文艺片比，本片都显得莫名其妙，我“一点也不相信”，只有最后那句“（欧洲）你应该在场的”，有一点点回味悠长。
前边部分拍得很好，是那种青春的萌动，但从这部分的美好之中我开始怀疑自己爱的能力
“Was it like we imagined?”
好苦情，好现实，把张力体现得淋漓尽致，怎么说，不管是场景是止步在离开还是止步在重逢其实都是一样的，我们心知肚明就算编剧写下的是一起逃走，最后也都是这样，这就是相爱的代价，重点不应该是我们最终能不能走到一起，而是明知你要承担这样沉重的代价，你还要不要忏悔你的罪孽？
无法理解
其实同性片大多有一个问题，即两个人在一起的动机太像帅哥美女因颜值互相吸引一样，感情线还是有点弱。
我真的会觉得啥玩意，尤其是结局……无神论者看着太难入戏了
前面渲染的暧昧气氛，绝绝子啊，可是这个结局想劝做侄女吧
看得快睡着，只记得住Jaime最后那两缕蓝发。
电影院那段性张力也太足了🥵🥵🥵🥵拉到隔间里还在克制让她转身只是抱着
难得看个加拿大的电影，但是在一起以后又跑去结婚了就算了吧，如果是没在一起过，结了婚，离婚了再重新在一起我还可以理解。
“You should have been there.”
两个小女主的颜值OK，就是某些信仰真的李姐不了，没有设身处地的经历，很难get剧里的角色的三观。认识了一种不同生活方式吧。
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