To the south of the Indian metropolis of Surat in Gujarat province lies a vast industrial zone that has been growing ever since the 1960s. Director Rahul Jain filmed the grueling daily routine in just one of the many textile factories there. In the factory, man and machine seem to have fused into one being. It is dark and dank, and barely any daylight penetrates the space. The labor is heavy and mind-numbing, and the work days seem endless. We are drawn into a gloomy world where the cacophonous beat of machinery sets the rhythm of toil. Jain is as interested in the mysterious connection between worker and product (the fabrics are treated mechanically, but also with love) as he is in the degrading conditions. Each shift lasts 12 hours, for adults and children alike, and wages are extremely low. Short interviews are interspersed throughout the observational sequences, some of which are captivating in their beauty while others are painful to watch – such as when we see a boy nodding violently in his struggle to stay awake. (From IDFA official website)
我觉得美中不足的地方只有两个
真是的感受才最重要，人生的意义有时候就是做无意义的事。青春啊，好多泪目的时刻。小朋友们的友情真的blingbling闪光，想升学仍在一起就是最大的愿望，又有多少人真的能在童年有这么一群伙伴呢？感谢文艺作品带来的美好。
小新的剧场版一直以来都是我不知道看什么或者烦恼的时候下意识想看的电影，想说它很值得。
无论是怎样的青春，都希望他们有一天可以笑着回忆
我不喜欢人类，但是，我喜欢你。～～～～～年度最甜表白～
推理胡闹，情感真挚，这种平衡把握并不容易，比柯南火影强太多；你要说这种热血煽情套路，它确实套路，但有太多故意剑走偏锋反而弄巧成拙的反面案例之下，先学会讲好一个故事才是踏踏实实的成功，而且故事的情感是真的，我的眼泪也是真的，去他妈的精英教育，我只要快乐奔跑。
果然如pv的无聊..还是得看23年的剧场版会不会有20年的水准了..
33→近视眼→犯人是大雄！（哈哈哈串戏了）
虽然很老套但还是看哭了，风间逐渐喜剧人化（
臺灣片名｜《蠟筆小新：謎案！天下春日部學院的怪奇事件》
青春的风景很美好，但赋予他们意义的是我们携手走过留下的痕迹
还可以但是不至于9.1。感人程度不如风间他爸要升职小新唱歌送他。题材也太杂了ai，精英教育，推理。
此外，影片的第三幕完全超出预期，整个调度和对“青春”主题的浓缩提炼都做到了系列最佳水平。制作组这两年太给力了！
新风才是王道！！！
春日部防卫队，fire！！！
【“对孩子们来说，不存在无意义的事情吧。”】
新风才是王道！！！
小新妮妮美伢穿梭在其中的金句不突兀而且让人印象深刻 也没有什么说教意味
跑起来才是蜡笔小新，才是青春啊。
开头以为这部主题是警惕人工智能，中间以为是反社达，没想到实际上是个青春片
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