Synopsis
"Falsely accused as the murderer of my own husband... Oh, the cruel machinations of fate!" A female teacher (Lee Yong-ae) gives shelter to an escaped convict, but her husband, misconstruing her intentions, reacts violently and accidentally stabs himself to death in the process. The teacher is charged with her husband's murder, but fortunately the prosecutor on the case is a former student of hers, of whom she had taken painstaking care when she was working at an elementary school. Remembering her kindness to him, the prosecutor uncovers her innocence in court, and she is acquitted of the crime.
Notes
"A silent movie that allows us to examine the narrator-accompanied method of 16mm films" (Chung Jong-wha)
A Public Prosecutor and a Teacher is familiar to us for the performance of Shin Chool, Korea's last silent movie narrator (known as "byeonsa"in Korean). Numerous critics have recommended the film, praising it as "a silent movie that allows us to examine the narrator-accompanied method of 16mm films" (Chung Jong-wha), "the work of Korea's last silent movie narrator" (Kim Hong-joon), a movie that "reflects the public's consciousness and has great historical value" (Lee Seung-hun), and "the archetypal new-school film" (Chung Sung-il). As evidenced by such commentary, A Public Prosecutor and a Teacherenjoys greater recognition for its historical value as the only surviving silent movie in Korea than for its artistic or technical aspects. What is ironic is the fact that this recognition derivesfrom a production and screening method that fell behind the times, as sound films (or "talkies") had already become the norm when the movie was first made. Its inclusion in the list is therefore based on its historical, social context rather than on the film itself.
Afterword:
- Narrated by Shin Chool, who is known as Korea's last silent film narrator, A Public Prosecutor and a Teacherhas been screened at several film festivals since the latter half of the 1990s.
The fire of friendship lives in our hearts.
导演很会拍电影，气氛的营造，讲故事的方式，都很会抓人心。其实这个故事没有反转的话反而会更高级。
剧情还是挺低幼的 但是我还是要大喊“Izzy我老婆！”
其实最近没啥想看的电影，但是因为准备北影节买票，昨天下了猫眼，发现里面有张减十元的券，于是就在目前上映的片子里找了这部看。
As long as it burns, we cannot drift apart.
新世代也好可爱 晴晴相当于新的小马公主吗 但在看之前还是最期待紫悦那一拨小马…结果全部的戏份就是作为手办待在一个架子上
前80%都很好，尤其是女主一边窥视对面交媾一边和男友“亦步亦趋”同态模仿的桥段，简直是一场隐秘的NTR，偷窥和不伦双重禁忌之欲在高潮交融，可谓神来之笔。可惜从结尾反转开始，电影迅速烂尾，气氛与质感尽失。
感叹邓小姐看电影静坐近两小时的体力和专注力。电影的质感还是有的， 小马们都很漂亮，挺适合小朋友看的，羡慕小孩子的世界单纯善良就可以了。小马森林法则对应的是黑暗森林法则啊。
完全失去小马灵魂的作品，不敢相信居然可以把这个IP做到那么平庸，不是因为作为儿童电影无聊，而是作为故事本身就很无趣。
冲着虞书欣配音来看的，整部电影也还挺不错的。目前评分是7.4，感觉打低了吧，应该值得更高分！
说真的，Sunny这个公主来的比TS可是简单太多了。虽然是电影，但是小马Netflix可以算做别个IP了，时代变了，大人！
带上孩子买些零食 来到影院度过了一个快乐的上午，本以为这是一个小孩子的电影，我估计会相当无聊要靠手机续命了，想不到居然全场下来完全没有看过一次手机，整部剧是比较轻松活泼的，全场笑点不断，穿插了一些对种族主义、警察暴力、法西斯主义的嘲讽，还有反仇恨教育，大力弘扬女性力量、彩虹骄傲的影片。从我的角度全场陪看无压力，看完也略有感触，在繁忙的工作之余既陪伴了孩子自己也疏解了压力。孩子呢也是看的非常开心快乐！
以为是个后窗那种的悬疑犯罪片，没想到是尺度这么大的犯罪片
本来四颗星，因为最近看多了烂片，五颗星吧。画面很美，虽然是童话但是并不无脑，成年人也值得看。个别场景很有小时候看动画片的温馨感和安全感，这是很难得的。权力让人变坏，以讹传讹容易有大误解，小伙伴同心协力才能其利断金。独角兽的紫头发太白富美了
剧情很不错，突出友谊，对人友好的理念。角色中最喜欢小意和琪琪公主，很美很可爱。
一般。小马这个IP的生命力来自角色自身的魅力，但至少从电影来讲，没有看出有什么让人印象深刻的形象。
剧情中规中矩，从M6暂时变成了M5，也算是对应G5，不过还有一位会不会是电影里被忽略的海马，也比较希望是独角兽，只有一只不够对称，最后天角兽加上两只天...
G4的努力付之一炬，甚至除了居民口中“无聊的童话”外没有留下任何痕迹，也许不加干预的情况下分裂才是常态……令人在意的是飞马即便失去了飞行能力，大家都没有任何天赋的情况下，微风高地的繁荣依然远超路马和独角兽的领土。也就是说对于优秀的种族来说不带弱的玩自己会发展的更好？话说回来如果飞马失去了飞行能力那四季轮换是怎么做到的，陆马断绝与飞马和独角兽的往来，那小马利亚的粮食供给怎么办……这算是推翻设定了。
《小马宝莉》是一部满满正能量的冒险、喜剧的美国动画片，讲述了陆马、角马、飞马们因怀疑和恨成仇，因此失去能量互不来往并仇视，在小马们的友谊、爱心、团结互助下找回失去的能量，和谐欢乐地生活的故事，影片歌曲悦耳，画面唯美，好听好看，是一部老少皆宜好看的电影。
很喜欢的，虽然比起G4的惊艳，G5开篇情节衔接上做得粗糙太多，人物刻画浮于表面，但不影响整部的惊艳，永远喜欢小马哦！
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