IN SHANGHAIIn Shanghai Lou Ye, 2001short FilmIn Shanghai or the eyes of a Chinese director of his city, Shanghai, Communist economic center , but also megalopolis with many faces ...Lou Ye is a great filmmaker. After having the success that we know for the sublime Suzhou River, the young director of the sixth generation is coupled to the design of this short film about Shanghai, the city of his heart , beautiful and multicultural . Camera in hand ( for lovers is a Sony DSR- PD150 DVCam ... ) for subjective , Lou Ye rhyme begins this urban plan by a girl asleep on a bed. Slowly the camera moves out of the suburb where this unknown young woman is given the arms of Morpheus , better visit this city that is Shanghai. The narrator who is also the hero says in voice-over that he loves this megalopolis . It focuses on the residents of these neighborhoods without cloth and without resources where most of the native population of Shanghai Lodge . Indeed the streets Zongshan Donglu which contains the Bund, Pudong, the famous Oriental Pearl is not the stock market and everyone. We must go farther Jingan District to discover the social wealth of this city . Why attach immense cold and nervous architectures while the Shanghai Blood flows through the veins of its rural ? It's a little message Lou Ye through this short film ."You can guess who they are, but we can never really know "Lou Ye eradicates a rare cinematic power of this often precarious and old people waiting on the bus every morning to go to work and make the Chinese economy humming .The old streets of the city like the nearby temple Cheung Hong Bund to the bank of the Huangpu , the filmmaker does not recognize the city. As if all these steel towers of the 21st century had absorbed the social essence of the " Paris of the East" .Lou Ye then takes us on a visit to the arcades , discos, clubs, dances, flashy locations and disconnected from the reality of ordinary people in the middle of poverty which is near workers and street vendors where people drown their defecation in water by putting the edge of an old tub ... This is a new look for the Western .Finally, after making stops in a dangerous Shanghai streets by night , the hero wakes up in the morning director in a corner near buildings unsafe and fixed on the face of a shy child , concluding : "The only thing that matters is Shanghai . "By these words Mr. Lou Ye, I bear you my esteem .
挺过瘾，有无仁义之战X县警对组织暴力的感觉，尺度更大，铃木亮平的“史上最恶”确实很出彩
好像还是原作者做的，但本子比不上第一部。过分聚焦在一个非典型黑道犯案背后的幼年心路上，反而变得像罪案片。村长表现还是很出彩的，稳住了没有退步。工桑出镜太少啦。
铃木亮平的反派塑造很强势，一举一动都在压迫神经，可惜日冈的智商并未兼得，单方有勇无谋的双雄争霸，就差了一口气啊，可惜。
没有了役所广司整体气场不如第一部，但也还算可以，日冈是真的很希望成为大上那样的人啊
相比于第一部对于大上细腻又巧妙的性格刻画，第二部关于反派上林的塑造很成功，铃木亮平已经很久没演过这么狠的角色了，而幸太这个角色的几场戏拍的也很出色，虹郎对于这个天真，现实又有一些正义感的形象拿捏的很准。至于主角日冈，桃李的表现其实可以，全片日冈所表现出来的的状态就是愤怒和绝望，桃李全程都在“很用力”的想要表现出这种走投无路式的愤怒。
这集跟1相比差远了， 手段拙劣，处处被动，活是活下来了，智商永远慢半拍。
狗狗电影alway棒棒！看得好开心！而且是real story，love it
7.3 被理想逼疯，被现实抛弃。创作思维极其老派，打了出极道片与港产江湖片的太极拳。孤注一掷的赌命，维护那早已变样的和平；目睹魔鬼的冷血，用主观情义书写迟来正义。即便迈入平成，执法理念依然停留在昭和，前受大上"孤狼之血"洗礼，后为偏执权利踏足灰色地带。纵使用暴力归还子弹以审判权，仍无法左右宏观平衡崩裂。终究是狼的远去，犬的狂吠。冷眼旁观不讲人情，打破平衡没有人性，《凶犬之眼》由此更契合镜头表达，所谓的Level 2，或许真的只是离地狱更进了一步。
看到Ruby通过的时候一个人鼓起掌来了哈哈哈哈哈哈
后面的飙车枪战安排有够傻叼的了，真的是莫名其妙。最后拔枪爆射挽回分数
不如前作，最忌亮平这种疯狗设定，最后的反转扳回一点
村上虹郎小伙子有前途啊，几场戏处理的真是挺丰富的，不过西野七濑演这种妈妈桑还真是有点弱了，比上一部更暴力，几乎有种恐怖片的感觉了，满满的昭和风
电影很轻松，主角一家长得多好看啊，尤其看到小婴儿和狗狗在一起的镜头，太治愈了。谈什么对象，要什么家庭呢？还不如找条这么样的狗狗相互为伴！
啊啊啊 我要冷静 竟是真实故事改编的 这样让我感受更升华了 ruby真是一条好狗 题材也很好 那么多等待被领养的 不要再买卖了 即使品种不纯又能怎么样呢 不要在乎那些没有用的 生命是平等的
后面的飙车枪战安排有够傻叼的了，真的是莫名其妙。最后拔枪爆射挽回分数
真的很好看这部剧！绝了耶！太绝了！大家快去看！真的很绝！剧情真的很有意思了！
没有了役所广司整体气场不如第一部，但也还算可以，日冈是真的很希望成为大上那样的人啊
这部戏开始还不错，越看越好看，男主很耐看，女主和收容所的lady也很耐看。
精彩精彩！印象中两年前的第一集就已经非常厉害了，没想到续集完全不输于前作，但又明显和第一集不太相同的风格。铃木亮平完美塑造了一个残忍、凶暴、毫无理性的疯狗式人物，让人不寒而栗；松坂桃李在续集中是一个从人变成鬼的裂变式人物，和铃木亮平形成极为强烈的狗咬狗效果；其他角色村上虹郎也不错，西野七濑的妈妈桑角色完成度执行度也很高；剧本真是写得好，严丝密封，有悬疑有反转，细节铺垫很充足，而且哪怕是搭档这个角色最后的交代也没有遗漏，唯一有些不足的可能是铃木亮平这个角色既然是从来没有上学过的混混，心思缜密也就算了，但说的台词未必也太有学问了吧？简直堪称黑道金句王啊
铃木亮平今夏算是打了个漂亮的翻身仗。这部上映和 Tokyo MER 播出同期就更能体现演技振幅，金毛秒变极地狼。不管是因为形象契合还是演技在线，看完还真都让人想不到其他替代。
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