Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto "there's no place like home" is ironically updated to the adult circumstantial adage "there's no sex like marital sex". Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way: by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie: we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the "fairy godmother" who speaks the last words in the movie.
制作挺不错的 剧情有些低幼 适合小孩子看的
纯给孩子看的，好不错，说实话细节做的比很多网大都好，2022年第一场院线给汪汪队了
跟动不动就自怨自艾的阿奇相比，乐观犀利的流浪狗贝贝倒更像英雄。为看到阿奇流浪和被抓，伤心的嚎啕大哭也不肯离场的三岁半小朋友，给一个大大的五星，如果是自己应该不会选择看这个。
TA们有钢铁侠的大厦，TA们有蝙蝠侠的车车，狗狗拯救世界耶～
带娃看看还是不错的，没有困难的工作！只有勇敢的狗狗！陆子垚的第一本电影院电影。
给小满准备了一个惊喜，带他看了人生第一场电影，狗狗们都超级可爱，Ryder终于有了5根手指
陪娃看的…终于认清了所有狗狗
虽然是陪娃看的，但感觉的确可以啊，虽然除了阿奇、天天和贝贝，没全都记住那些狗狗队员的名字，但是不得不说它们的座驾着实让人羡慕啊，画面也很好，情节也可，推荐，陪娃可以考虑刷起。
音乐很棒 有骚当的good mood 对老年人来说唯一收获 儿子已经看烦了汪汪队 为了二人世界 硬要陪他看 他看完很开心 表示还想原地再看一遍 哈哈哈哈哈哈 新角色贝贝真的好烦 想看原声 配音卡死阵容太强 配音也还是湾湾的先入为主听的比较惯 大陆版名字翻译一如既往的不一样致
新总部很炫酷，新装备的变形也很棒，音乐也很好听。Mark住小啾第一次在电影院观影，小朋友看的超级开心。
挺喜庆的，适合小孩看的super hero，电影不长，讲了个完整的小故事，打发时间很ok。
在里面看到了酷似特朗普的市长，像蝙蝠侠的主角和拼命的电视民工。
纪念小朋友第一次去影院看电影，新装备可太帅气了。对家长的必考题是认识每只小狗和它们的技能，送分。
想起了芝加哥。密密麻麻的高楼。过度解读出米ZF乱来警察靠狗狗的意味。
陪娃看的，剧情简单，画面精致，道理简单，这样够了。
和队友一起带娃去看 队友说这几个狗比复仇者联盟还厉害
阿咕第一次去电影院看的电影。
陪5岁孩子看的，小孩子可能不能完全理解很多情感内涵，但是我愿意陪他重新长大一遍，站在大人的角度很幼稚，我们看过太多的电影。但是站在小孩子的角度，很棒的1个半小时。
角色线太多，小高潮编排也比较平，没有整体节奏感
迪士尼式的叙事套路，一个关于成长的故事，和电视版风格不一样，完全超出预期。孩子看得也很开心。
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