剧情介绍

  Ralph Anderson returns to his remote California hometown for the first time in many years. Now a lawyer, he has been estranged from his father, Lloyd, and brother, Tippy, ever since being sent to reform school as a youth for stealing a car, taking the blame for his brother's crime.
  Lloyd is now sheriff and Tippy his deputy. Forced to represent a wanted criminal, Ralph asks the law to look the other way while a local airfield is used to enable the mobster, Massonetti, to flee the country. A disgusted Lloyd agrees to help, but Tippy decides to arrest Massonetti and cash in on a big reward.
  Tippy's beautiful wife Linda was once the love of Ralph's life and regrets his long absence. She is tired of Tippy's shiftless, drunken ways and Lloyd's domineering rule of the family.
  Massonetti arrives in town, backed by Davis, his top thug. Tippy and two deputies, Karger and Eddie, make an amateurish attempt to capture Massonetti, only to get Lloyd shot and killed while trying to stop them. Ralph manages to get Massonetti behind bars at the town jail.
  The mob cuts off phone communication and highway access to the town. Ralph suggests driving Massonetti to the authorities in Barstow in the mobster's own fast car. Noticing the tension between the brothers, Massonetti taunts them both and offers $25,000 to tempt Tippy into betraying Ralph and setting him free.
  On the road, deputy Eddie is ambushed and the brothers learn that Linda has been abducted. A deal is made to get her back, but Karger is killed and the car is disabled. Ralph manages to get the four of them to a gas station, where the owner is found shot. In a fight for the gun, Ralph is winged and Tippy seriously wounded.
  Borrowing a miner's jeep, Ralph drives Massonetti to a main highway, where two policemen take them into custody. They turn out to be impostors who drive Massonetti to an air strip where Davis is waiting with a plane. After they board, Ralph drives the car into the plane, overturning it. He drags Massonetti from the wreckage and holds him until real cops arrive. By the time he returns to the gas station, Linda is watching Tippy's lifeless body carried away.

评论:

  • 馨丽 7小时前 :

    人体行为艺术的载体 未来自由意志和信道的发展 最终还是政治和权力社会的工具

  • 袭菀柳 3小时前 :

    A desire to be open(想到看性谎言录像带时的那种想被割开的欲望

  • 源璠瑜 1小时前 :

    当世界重回保守主义时代的时候,我们更加需要大卫·柯南伯格的激进与先锋。《未来罪行》更像是柯南伯格对于“肉身机器”的未来书写,身体的欲望逐渐被快感取代,手术变成一场肉身的自慰,身体的舞台化展示成为集体高潮的仪式,改造身体同时也是主宰身体,进而主宰对身体的革命认知。冰冷死寂的肉体,因为那一滴眼泪,而充满了哲学的诗意。

  • 沈香巧 2小时前 :

    “我不习惯老式的做爱方法”,“这就像是在做爱”。深入器官,就是在做爱,深入,就是在做爱。“痛感是有价值的,但是现在痛感却消失了”,”器官需要管控,不然就会很危险“。只有四个人的时候走位太骚了。“新罪行比进化错乱听起来性感,更性感就能融到资”。全身是耳朵的舞蹈,毫无食欲的进食,废土。

  • 穰冬梅 3小时前 :

    在未来人类没有了痛感,可以生长出各式各样的器官,并且还能给这些器官来个专属的定制纹身,整容手术成了在身体上搞出各种丑化的花样,切割手术也成为了新型性爱,从传统美过渡到内在美完完全全就是对审美模式的反叛。而人类的进化居然是吃塑料!这样的异类也许会成为地球生态的拯救者,然而对于手握权利的当局而言这却是离经叛道的犯罪,所以人类未来究竟要何去何从?

  • 豆博敏 7小时前 :

    合成乐,合成食物,与人体异变的器官及上面的纹身,就像是在看一场现代艺术的展加上《枕边书》的变态,然而,这种“艺术”只有怪异,毫无美感。电影想通过这层诡异气氛展现的议题,要不就太晦涩,要不然就太浅薄。

  • 杨迎海 3小时前 :

    的活动的一致,只能被看作是并合理地理解

  • 晨轩 5小时前 :

    这几天心里有事,好烦,只想看个轻松的,这个太厚重了,进入也有点慢 36分钟弃

  • 祁子鉴 5小时前 :

    没有那么好,其实就是一种对60-70年代的身体艺术,行为艺术的一种超长反射弧。未来也不未来,反而是一种复辟的未来主义。蕾老师大概是取代了Eva Green,成为英语片里必脱的法国女演员,裸戏其实没啥真的必要。

  • 龚英飙 8小时前 :

    be a man,be a super-man

  • 波文惠 7小时前 :

    flesh的空性以及追逐或违背它的痛苦,还是围绕着consumed展开的,电影界对欲望之物质主义最具身的描绘一直都在柯南伯格这里,此片复古感在当下就像回到九十年代,这其实反而是科幻政治电影里的old sex了吧!

  • 进又青 0小时前 :

    有关主题的浅薄思考:一个疼痛被消灭的世界,好像并不美好的样子。

  • 树栋 9小时前 :

    大卫柯南伯格又一次走到了时代前列。

  • 雪凌 0小时前 :

    求求小k别再演戏了😭

  • 水问风 2小时前 :

    冰冷阴森,气质与氛围明显不讨大多数人的喜好。

  • 虢妙之 4小时前 :

    太未来了

  • 莱俊捷 8小时前 :

    body fetish and the new form of sex.

  • 祁瀚培 7小时前 :

    实在是接受不了。科幻的外壳下,柯南伯格搞了个用人体器官来做行为艺术的设计,内核依然是俗套的。当众表演解剖人体,在器官上纹身来达到新型的xing体验,变异的人类从自然生长不同器官到逐渐形成系统,这些内容本质上与《钛》相似。但《钛》是震惊大于恶心,这部电影是恶心大于震惊。除了某些画面强烈的生理不适之外,我实在是接受不了片中有解剖小孩shi体的桥段。哪怕相关内容并不血腥,我也知道那只是一个道具。人类可能会进化成新的物种,这在未来可能是一种“罪行”,可惜我没看出来导演对此表达的批判或产生的哲学探讨。

  • 雪恬静 3小时前 :

    医疗剧粉无法接受这样不严谨的手术流程。。。

  • 星芃 0小时前 :

    只是行为艺术的主题,咱也看不懂。

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