Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
裸機最好看！
太低龄向了吧，真是无趣，越后面越胡闹的感觉。
3.5星吧。影片对白十分简单，我用的是机翻字幕，后来几乎不用看也能听懂。对于故障的AIBOT的描绘过于美好了，比起一个算法文件缺失的BOT，它更像一个智力不高的人类，在这种包装下影片顺水推舟地讨论了朋友、社交、成长、亲子关系等话题。故事比较老套，除了角色的感情刻画是重点还不错外，冲突部分也过于童话了。但是有一句台词我印象很深刻，那就是“孩子也会用他们的方式保护父母”。这句话对我的冲击远超该片其它的所有内容，亲子问题由来已久也有过太多的讨论，大多数都是站在某一方的角度来要求另一方改变，但是这句话好比是有个第三方，他同时看到了两方的矛盾与统一，给了看待这个问题的独特视角或者说关注到了其中容易被人忽视的一个细节。
不新鮮故事發問：我們到底是需要朋友還是需要社交媒體..
Ron太可爱了，太治愈了，谁会不喜欢呢？人人都被科技所绑架，但人人也都是孤独的，友谊应该是双向的，你可以去做你想做的但我会永远记得你的模样。
无论是想象力还是内核都太普通了……结尾又太过强行
前半部分真的很搞笑，尤其只会A开头的名字，讲地名也都是A开头，真的狠狠撞到我的笑点。后面就看睡着了。
戴老师的歌值得额外半星！！！
半部好戏，后面太拉垮了，前面我还是挺喜欢的。
臺灣片名｜《天兵阿榮》
结局的处理方式太怪了，正常不应该是让人放下机器跟现实的人做朋友吗，居然是优化机器让人能更好得跟机器做朋友，不可能每个人都喜欢小白这样的朋友，这很不合理
故事和主要人物都特别的似曾相识。最后云端上传消失也是强行煽情，整体人物塑造中规中矩。说平庸的话倒是有科技时代人类对电子产品依赖的反思，说精彩的话亮点也确实不是特多。就。。。。还行吧
凑合，小朋友们看看，其实电影对手机观的看法已经过时
最后为什么要让一个小孩做那么艰难的选择，还是把我看哭了，小机器人和瓦力里面那个好像。
结尾扣一星，强行煽情真没必要，故事就停留在找到云端数据恢复罗恩就好了，最后也没有彩蛋。大数据时代没有人可以拥有隐私，喜怒哀乐也不应该被社交所绑架。罗恩的数据不是代码，而是巴尼告诉他的一件件小事时，真的好好哭。罗恩喊阿布扎龙的音调太好笑了哈哈哈哈哈，罗恩是按照低配版大白设计的吧？
但是给成年人看的话倒是再用心点啊喂！故事不完整叙事不清楚逻辑甚至有时候不通，让人没法深入思考拼命在找漏洞……
后面垮掉。“友谊是双向的，我不一定非要选你喜欢的路”，这个点很好。
每个机器人都是他的朋友了 虽然议题老套还是看哭了😭
永远没有ending。
每当动画片里出现高科技公司巨头时，多少会感觉这是在致敬、或恶搞、或映射乔帮主。而B-Bot小白也许就是未来AI版的Pad机器人。人类从古至今都需要社交。这种需求甚至可以上升到本能的程度。当然，社交的原始目的、本源需求到底是什么，可能也不太好说。但哪怕患有社恐，也不应该依赖机器才能完成社交。
Copyright © 2015-2023 All Rights Reserved
