Just over 40 years ago, marriage in China was arranged by the state. Romantic love was seen as a capitalist concept and was not allowed during this period. Wedding photography (if any at all) consisted of one black and white passport photo of the couple (dressed in Mao- style outfits) as proof of the marriage. Now, China has fallen in love with love and its exploding wedding industry is worth 80 billion dollars, and it is on an upward curve. Pre-wedding photography is one of the most significant and curious parts of the industry. Every couple marrying in China will take part in a pre-wedding shoot. It involves several costume and backdrop changes where you can become a character in any fantasy you choose. For the most exotic lo- cations couples pay up to $250,000 AUD. Pre-wedding photo shoots have become an important national ritual. They are proof of the marriage but now also of love, romance, freedom, status, money and the new China Dream. As an expat living in Shanghai with a long history of coming to China, Sinophile photographer Olivia Mar- tin-McGuire was captivated by the construction of dreams through this booming photographic world. Once she started to delve deeper into this new traditional she found a unique window into China. One that revealed a country dreaming, a country rapidly booming and a country reconstructing its recent past trauma all through their own lens. China Love takes us on a wild journey into the warmth of the family web in China into the hearts of our characters and into their personal dreams with an understanding of why and where these aspirations come from. The project explores China's new position as a globalised country from its restrictive and highly traditional past - through the window of its booming wedding industry and asks what is the new China Dream when it comes to love.
拍出来就是一种力量，与题材相比，故事叙述不怎么让我感冒
对法国疫情期间的社会乱想批判得还是不够深刻
以为会像魔嫁一样好看，但其实很一般，剧情很拖沓……但画风确实好看，像童话一样
有点长，1.5倍速看完了，导演好凶哦，赶自己老婆在门外面睡（童年阴影），为什么要安插精神出轨那段，健身教练变胖太搞笑了。2022年依旧希望疫情快点结束吧
对丹尼伯恩要求高一点，只能打3星，说回来女主真是长在我所有的审美上。
在这黑暗与孤独的世界，相信一定会有人与自己互为光亮。
À l'humanité solidaire. 薛定谔的封城焦虑中看一眼巴黎中产们的疫情生活，对病毒的恐惧总是会与其它情感、欲望或责任争夺对于自身身体的控制，每个人都在这一过程中被消耗，幸运的是在个人能量/情感被耗尽前产生与他人的连结，在独自面对丧失时感受到群体的关怀。
3.5差不多，相比于短片，剧情加长并加了对白，有利也有弊。好处是在于里面的一些设定因为加了对白的缘故变得浅显易懂，不需要过多琢磨，观感变得更加舒适；缺点是在于短片的韵味削弱了不少，后半段剧情还略有些崩。但总体来说还是可以的，较值得一看
距离未见的会产生美，它只会带来陌生与冷漠。
丹尼·伯恩作为法国影坛的老牌笑匠，如今功力也不复当年，在法式幽默里加入了越来越多的温情，导致崩溃的黄金比例现严重失衡。以封城时代为背景，讲述巴黎一栋楼中的人物群像。类型样本很多元，但也都非常脸谱浅表，所有日常生活的真实感，全靠复刻社会的真实状态来撑，就是像是现实中的虚幻飞地。导演想用结尾突如其来的人性弧光来实现升华，增强真实感，这恰恰证明了其对于影片全片节奏和内容把控的无能为力，不过都是白左式自我感动的一厢情愿。虽然《黏在一起的隔离》依然是一部轻松诙谐的法式喜剧，但遗憾的是对伯恩来说，就是没有能力再重回曾经那足够炸裂的巅峰了。
疫情里，我们失去的远远比我们获得的多。
地点巴黎的主旋律+正能量抗疫剧，法式幽默和雅趣贯穿始终，穿插隔离期街景特有的空旷美。
不求与人相比，但求超越自己，要哭就哭出激动的泪水，要笑就笑出成长的性格！
出门不戴口罩，四合院内开party吃烤肉，疫苗试验拿正常人做样本……着实被法国人的所谓“居家隔离”震惊了😑
不想要你为我而死，有你在身边是我唯一的心愿。有过冲动与彷徨，陪伴是最好的结局。从这点上来说，这个故事弥补了我在别的故事里的遗憾。
多少年后这也算是个历史印记浓厚的抗议纪录片了
每个国家隔离的样貌毫无差别 每个角色分配的都很有意义 一场疫情拉近了邻居间的距离
太治愈了，被迫隔离在一起，从最开始的互相看不上到最后的坐在一起烧烤。小男孩小女孩影子亲亲太可爱了。迪亚哥太哭哭了，我们会照顾好迪亚哥。疯批医生有点过分了，不过好在莉莉没事，小猫他也没忍心
除了纪录片，还有像这样把真实存在的新冠病毒融入进去的“灾难片”吗？就感觉很神奇，如果几十年后世人看到的话。
法国式的幽默，法国的温情，极具小市民阶级的娱乐，幽默而不失真实，我真的不相信这类疫情电影中国拍不出来，过不了审。说到最根本上就是没这个心！
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