Novelist Joseph Shearing specialized in using real cases which took place in Victorian England, altering them for fictional purposes. MOSS ROSE in 1947 was the first film to be made from his novels, then in 1948 two of his works were adapted for the screen, this film and THE MARK OF CAIN. The movie stars Todd as a recently widowed missionary returning to her home in England from Jamaica. During the voyage, she meets Milland, a charming though dangerous rascal who is wanted by police in connection with some unsavory dealings. Milland contracts malaria while onboard the ship and Todd nurses him back to health. In London, Todd settles into her home, taking in boarders to make ends meet. Milland arrives, moves in, and proclaims his love for her. Todd is thrilled, but it seems rather obvious that Milland is only toying with her. Milland finds some letters written to her by her friend, Fitzgerald, in which Fitzgerald reveals some of her sexual indiscretions. Since Fitzgerald is now married to the wealthy Huntley, Milland believes he can use the letters to blackmail Fitzgerald. Todd's love for Milland is so great that she goes along with the plan. Huntley, however, learns of the scheme and also uncovers details of Milland's shady past. Fearing for her lover's safety, Todd poisons Huntley, then remains silent when Fitzgerald is arrested for the murder. Milland has by now genuinely fallen in love with Todd and the two make plans to leave England. Before they can depart, one of Milland's former lovers shows up and Todd, in a jealous rage, kills Milland, then turns herself into the police.
This is an intriguing film, although a little on the talky side. The performances are excellent throughout, with Milland shining as the cad, the type of role in which he excelled. Though he spent most of his time making films in the US, he occasionally returned to his native England for a production and this was his first British film since FRENCH WITHOUT TEARS in 1939. Director Allen was also an Englishman who chose to work in the US, this being his first directorial effort in his homeland. This was the fourth and last time Milland and Allen would work together, their pairing having begun in 1944 with the wonderfully eerie THE UNINVITED.
陪娃看的，剧情简单，画面精致，道理简单，这样够了。
带孩子看半小时就离场了。
经典超级英雄的套路，寓教于乐挺不错的，邓一朗入了汪汪队宇宙的坑，观影途中几次泪崩
我感觉外国人放个屁，有些狗东西都能追着舔一万里。
虽然细节设置整体有点zz儿童欢乐多，但整体构架工整得令人惊讶，而且把整个城市背景、机械设置都当作玩具来看的话也非常有趣，观看感受从一开始的“emmmm是不是该提前离场干点别的”到“好像…还不错？”甚至灯亮之后的片尾画面都津津有味地看完了。
陪我妹看的 小朋友看的津津乐道 打五星好了
意外的还不错呢，大屏幕的狗狗发丝柔顺眼睛水汪汪更加可爱了，阿奇作为第一男主狗戏份最多，还展示了楚楚可怜的一面，不太喜欢一设定是，莱德说因为觉得阿奇是最勇敢的狗狗才捡他，说他注定就是英雄。阿奇真是背负太多了呜呜呜
好喜欢女主，好喜欢红头发。虽然但是，还是不错，只要脱离人本位都是好片子，不过有史学家早就说过，人类永远不会以史为鉴，更别说“只是个电影”，还是马科姆博士说得对，“熬过最黑暗的时刻，离彻底灭亡就不远了”，不愧是侏罗纪里最喜欢的角色2333
看特效还不错。感叹一下幸好恐龙灭绝了 不然再黑市过得真惨。。。
老版没死的经典人物几乎都出场了，这情怀加分. 好友里基本都看过,感觉是国内院线同时期没啥别的选择?
情怀不是老三部曲的仨主演尬聊拉家常，情怀是霸王龙耍诈装死逆风翻盘干掉南方巨兽龙啊。喜欢布鲁和贝塔的延续。
好喜欢女主，好喜欢红头发。虽然但是，还是不错，只要脱离人本位都是好片子，不过有史学家早就说过，人类永远不会以史为鉴，更别说“只是个电影”，还是马科姆博士说得对，“熬过最黑暗的时刻，离彻底灭亡就不远了”，不愧是侏罗纪里最喜欢的角色2333
该电影爆米花桥段还是很赞，但是作为侏罗纪系列的最后一部，本片对于基因主题方面的思考少的可怜，而且所有桥段的发展都非常强行
作为一部低龄儿童喜剧动画片还不错啦，可以打90分了
剧情超级低幼向，派拉蒙现在成这样了么，有些桥段还是有点意思，汪汪队大战黑心市长，骚当的片尾曲好听。
看电影时候小朋友就说阿奇好可怜，他觉得很难过。看完电影抱着我哭的很是伤心。问他为什么哭。他说不知道，就是难过。以为孩子只是看个热闹，才发现他们的共情能力一点也不能小觑。
春节前带毛豆豆去看的。典型的好莱坞电影。阿奇痛苦的遭遇，莱德的鼓励让他重获自信。如果遇到一个乱搞的市长，一个坏政府，大家应该怎么办？这个动画片给出了答案，除了运用选票，媒体监督，还可以依靠市民自发组织—类似汪汪队的NGO，保护自己，保卫城市，维护市民权利。一个动画片也是文化输出啊。8分
IMAX3D版，至少是挺实诚的爆米花大片，系列应有的元素依然不缺，还贡献了马耳他城市追逐这个极其过瘾的部分，惊悚元素相比第二部少了很多，往更多大场面的方向发展，只不过迅猛龙布鲁的戏份被严重削弱了，剧情整体上还算顺畅，老版主角的引入也不违和，这拨情怀贩卖还是非常不错的，但细究还是有不少槽点，尤其是蝗虫线填的太过草率，为了做小女孩角色的核心情节，其他人基本上没有人物塑造，高天尊依然笑点担当，个人感觉侏罗纪世界3这种电影是目前电影市场急需的爆米花大片，来电影院无脑娱乐一拨效果甚好。（7.5/10）
儿子坚持在影厅内完整看完的第一部电影。作为陪看对剧情、画面、音效都很满意，音乐真好听，就是每个人都忽然有了鼻孔（动画版没有），有点怪怪的。
成年人看也意外的很有意思，如果翻译上能稍微遵从一下TV版会更好，那一句句的“ahhhchi”真叫的让人出戏。
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