Volker Schlöndorff transposes Bertolt Brecht’s late-expressionist work to latter-day 1969. Poet and anarchist Baal lives in an attic and reads his poems to cab drivers. At first feted and later rejected by bourgeois society, Baal roams through forests and along motorways, greedy for schnapps, cigarettes, women and men: ‘You have to let out the beast, let him out into the sunlight.’ After impregnating a young actress he soon comes to regard her as a millstone round his neck. He stabs a friend to death and dies alone. ‘You are useless, mangy and wild, you beast, you crawl through the lowest boughs of the tree.’
The film takes youthful impetuousness and hatred of oppression as its subject and also ponders the cult of genius and sexual morals. Rainer Werner Fassbinder simultaneously plays both Baal and himself and is surrounded by many actors who were later to perform in his own films. After the film was broadcast on West German television, Brecht’s widow Helene Weigel prohibited any further screenings, arguing that the social circumstances engendering Baal’s rebelliousness had not been adequately explained.
纯爱战神，永远的神
五条的那句唯一的好友真的戳心窝 娜娜明有几秒的高光！王道漫直球真好呀
剧情就那样吧，但老师刀杰的时候我还是心脏骤停。。纯爱战神一开口我脑子里全是逃げちゃだめ逃げちゃダメ。。以及梨香出场真的十分初号机。。
夏五永别那段五条悟颜值是全片经费高光吧哈哈哈哈。
很random地看了这部，这剧情真的有值得拍一部剧场版吗？
无限列车是只讲了一个事，咒术回战0是压缩了好多事…相比之下我选无限列车😓居然打错了…正片的故事对我更有吸引力，不过选择0来做剧场版是明智的
乙骨忧太，最高だ!
夏油杰说的对啊，乙骨就是一直在利用里香，里香好可怜😢
看过漫画0，五夏党。可能是因为对剧场版没带任何期望值来看，观感意外地好，打斗尤其精彩。
8分。在北美看到的剧场版，来看的观众还不少。虽然是0传，但对于路人群体还是需要一些接受空间。画面很好看、人物造型都非常不错、打斗也做的很棒，但剧情对于没看过动漫的人来说还是有些突兀。
roast duck
从节奏到剧情，基本是对原作的重现。
九敏 打斗戏太帅了😭😭😭七海呜呜呜我要嫁我要嫁我要嫁呜呜呜 但是五条老师和反派的剧情太像Grindelwd和邓布利多了。男主的友情线太仓促了。男主最后把自己交给里香可太中二了hhh。还有男主最后的高贵血统，不太喜欢这个设定
英语字幕：”It’s pure love” 出来我和朋友直接笑扭了腰
本就不多的篇幅还要分给tv出现的角色，以至于纯爱部分没有足够铺垫全场爆笑
没想到这么好看，节奏紧凑就是爽，最后的纯爱一招必杀太棒了，去影院看的很值
在英国看的 台词出现pure love的时候 和我喜欢的男生一起笑出了声
夏油傑：12月24号将举行百鬼夜行，地点：东京新宿。画面：歌舞伎町 。我：喂我不正坐在这吗 ！ 画面切到京都，我：喂我不刚去这旅游的吗！夏油傑你怎么追着我hhhh
原来乙骨和小五是远房亲戚。另外动作戏还是挺爽的。但是，导演，男主真的有点过于靠近高校之神了。最好“这是纯爱”呵呵呵
本来没打算看，别人负担电影票钱反正我动画看了就去了。
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