Filled with expectations, Etienne moves to Paris from Lyon to study film directing at the Sorbonne. He leaves behind his girlfriend Lucie, promising to call her regularly via Skype. On his course he meets Jean-Noël and Mathias, they too have come to the metropolis from smaller cities and share his passion for cinema. Together they discuss the cinematic canon, read texts by Flaubert and Pasolini, and listen to Bach and Mahler. Jean-Noël proves to be an agreeable friend who tries to strengthen Etienne’s fragile self-confidence; Mathias, on the other hand, often comes across as stern, aloof and mysterious. Fond of arguing, he has a habit of disappearing for weeks on end without the others knowing where he is. Nobody gets to see his student film, either. Etienne is particularly crestfallen when he discovers by chance that Mathias shares a secret with Annabelle, an idealistic young woman who lives in Etienne’s shared flat and with whom he is secretly in love. Jean Paul Civeyrac’s tenderly melancholic black-and-white study of these young people’s encounter with art and life is at the same time a declaration of love for classic cinema and the city of Paris.
打戏多棒啊！至于文戏…好了，还要啥自行车啊？！
韩国电影总是编得太过了
太炸了，让火影海贼王们看看什么是真正的打架斗殴。有仇必报，快意恩仇，不讲什么君子报仇十年不晚，不手刃仇人绝不善罢甘休。打戏拳拳到肉，干净利落，招式炫目，畅快淋漓。能补刀绝不留情，死于话多是绝不存在的。台词也是精彩至极，无论是被逼入绝境后绝地反杀时放的狠话，还是正反对决时双方抛出的观点，都是既符合情景，又有理有据，既接地气，又升华主题，代入感极强，看得人热血沸腾。以前是能看到国漫的希望，现在看来国漫是真正的崛起了。当宣传推广能跟上，出现一部出圈的作品，属于我们自己的民工漫就真的不远了。
太爽了，打戏到位，拳拳到肉，每场戏都酣畅淋漓让人看不够呀，太过瘾了
可惜就可惜在剧情较为一般，不是很出彩
明明是小学生剧情非得搞得头破血流的标上18禁赚噱头。还是那句话，国漫需要好编剧。
最后，最后的打斗场面真的精彩，用真人拍确实拍不出来的。
意难平，心塞塞
用动画的方式讲武侠故事很有新意，只是结尾时的长段武打令我困乏
《枕刀歌》和《雾山五行》真是国漫的巅峰，我真为我能看到这样的作品而感到自豪和幸运
打斗和配音都挺好的，至于内涵砍掉动作戏都不剩多少时间了，还强求什么。
其余配角诸如罗影的身世也没有交代完整，到底是洗脑了还是说
续集请个好点的编剧吧 简直莫名其妙啊
武打可，漕帮帮主被杀，少帮主成为疑凶，一众武林人士喊打喊杀，反派为清空临清武林的梦破了。
写了个游戏风不喜欢被剧迷追过来教育，很好，一星都配不上。
不同经历造就不同的道义，这就是江湖味
视而不见，与刽子手同罪。
首先，江渊死的真的莫名其妙，根本没必要也不合理。哦，彩蛋显示没死。
动作戏绝对一流，可以说是天花板了（此处手动at雪中悍刀行），流畅丝滑。文戏还是一如既往的弱，西门大官人以为搞定一个知州就可以天下太平？另外人物建模略显粗糙。三星半，多加半星鼓励。
另外，整部戏的背景与风格有时会让我想到了《现在去见你》……（过后看了一下导演作品，果然是同一个人的！不过《现在去见你》比这部要厉害不少～）
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