"Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series." ~ Mark Deming, All Movie Guide
"The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport both in their professional and daily lives between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps.
The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial." -Steve Grayson
"my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty." - Jonathan Rosenbaum
营救队员华盛顿山拯救迷途登山自杀者，拯救别人的同时救赎了自己…
浮躁的社会和人心，需要静下心来，细腻温和的电影
挺好的，身为一个救援队员，她出色的完成了救援工作！身为一个人，绝对算数英雄！自己活下去都是未知的情况下，还有勇气救个傻子，绝对是英雄级别的。
司機角色完全莫名其妙，隨意反轉沒啥説服力。
自然风光不错，暴风雪太可怕了。剧情没被带入。
但是坚持下去就好了。
典型的一两个人演完的电影！观感节奏都不错！
逻辑太弱了，为了悬念而悬念，海边监控居然还能认错人么？
我最佩服的是男主掉冰水里被冲走都能活下去，女主意志力强大，但男主生命力才是更强大
三個孩子插科打諢也很搞笑，就是結尾有些過於生硬，情緒轉換有點突然。其實三個孩子開頭那樣富豪也要負很大的責任，他沒有在孩子的成長中給予足夠的陪伴和引導，導致三個孩子一個比一個不靠譜，幸好設了這麽一個局，強行把孩子們拉回來了。坦白後孩子和富豪都能認識到自己的問題，找到各自人生前進的方嚮還是很美好的。只希望作為父母可以多給子女一些關心和陪伴，而作為子女的也能多多理解父母的含辛茹苦。
一环扣一环
居然是Queen B哎… 孕期出轨太太觉醒复仇记作文
无聊的剧情，反转的丝毫不带感，节奏也是奇奇怪怪，角色塑造莫名其妙，反派们也是毫无存在感，失败。
看似平淡的救援过程，实际上处处都是危机，稍不注意别说救人了，可能自己都得搭进去，就这还是女主拥有充分的物资冗余，整个看下来感觉是部灾难救援电影，实际上却是女主心灵上的救赎，救人即救己，片子不错，值得细品！
起始于一个不可原谅的愚蠢错误，之后的一切都没有意义
「沒有人能活著從老公手機裡出來」
不温不火，第三幕男主心结解开的比较顺，女主的救赎拧巴了点；Naomi演的很卖力，但是电影热度不够…
Queen B 的电影真的是没有一部好看的😅
内核似《涉足荒野》，通过户外的经历走出人生的阴霾，通过拯救别人而拯救自己。
剧本欠打磨啊，来回怀疑一圈人。司机角色驱动力和出现都莫名其妙。然后就是全世界的恶都是前夫渣男干得^^
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