Martin (John Amplas), a young man who looks around 20-years-old, boards a train in Indianapolis, Indiana for New York. At night, he breaks into a sleeping car and sedates a woman with a syringe full of narcotics. She struggles, but he tells her not to struggle or be upset because she wont feel pain. After a few minutes, the woman falls asleep, and Martin has sex with the unconscious woman. Afterwards, he slices her wrists with a razor blade so he can drink her blood. The woman bleeds to death in her sleep.
In the morning, the train stops in Pittsburgh, Pennsylvania where Martin disembarks. He is met by Tata Cuda (Lincoln Maazel) an elderly and hostile old man who claims to be his cousin from the Old World. Together, they travel by another train to the town of Braddock, a dying industrial suburb. They walk to Cuda's large house where he shows Martin his living quarters. Cuda then accuses Martin of being an 84-year-old vampire from his old country. He has taken in Martin because he is family, but tells him, "First I will save your soul. Then I shall destroy you." Martin denies being a vampire and implies that Cuda is merely his uncle rather than his cousin. Cuda then puts up strings of garlic on the doors to his and his granddaughter's room, and then holds up a small cross when Martin approaches him. Martin takes away the cross, and even takes a bite of the garlic mocking these attempts by saying bitterly, "There's no real magic... ever". Cuda tells Martin that he can come and go as he pleases. But he also warns Martin that he will kill him if he kills anyone in Braddock. He also tells Martin to stay away from his granddaughter Christine (Christine Forrest), whom arrives home from her job that evening.
Cuda introduces Christine to Martin, but also warns her to stay away from him. But Christine instead strikes up a friendship with Martin who confides in her about his vampire heritage. When Cuda later confirms Martin's claims to be a vampire, Christine, not surprisingly, refuses to believe either one. She thinks that Cuda and the other members of her family have driven Martin to insanity by making him think that he is a vampire. It is never revealed if Martin really is a vampire, or just a shy and lonely youth with troubled issues. Christine is the only person that Martin gets the courage to talk to. When Christine's boyfriend Arthur (Tom Savini) arrives at the house for dinner, Martin stops talking and backs away despite Arthur's attempt at a conversation. Christine later confides in Martin that she hopes to leave Braddock someday with Arthur, even though Martin points out that Arthur treats her badly and is both verbally and physically abusive towards her.
When Christine sees that Martin won't talk to anyone else, she buys him a phone which he installs in his room. Martin begins to repeatingly call a radio talk show where he describes what it's like to be a vampire. He becomes known on the radio as "the Count" to all the listeners. But the patronizing host (Michael Gornick) thinks he's just crazy.
Martin gets a job at Cuda's grocery store of stocking shelves, hauling boxes around, and even gets to be a delivery boy for some of the customers. One of his customers is a certain Abby Santini (Elyane Nadeau), who becomes taken in with Martin. She is a very friendly young woman who is depressed when she tells Martin that her husband is unfaithful. But Martin still does not have the nerve to talk with her, so she is happy to have someone to confide in with her life problems. Martin phones the radio show host to describe his infatuation with the housewife and senses that she wants to have sex with him. When the radio show host asks Martin if it is a sexual problem that he has involving women criticizing him during sex, Martin replies that he has never had sex with a woman who was awake.
One day, Martin travels by train to outside Braddock to look for victims. At a supermarket, he follows a young woman (Sarah Venable) home to her posh suburban house. He sees the woman's husband (Richard Rubenstein) leave for a long business trip, and Martin decides this would be the right time for more feeding. Martin returns to the house after dark and breaks in through the garage door. But it is Martin who gets the surprise when he bursts into her bedroom to find her in bed with her adulterous lover Lewis (Al Levitsky). After a vicious struggle, Martin jabs both of them with hyprodermic needles with narcotics, and waits for the drugs to take affect. He drags the unconscious body of Lewis from the house to a clump of trees across the street where he kills him by shoving a broken tree branch into his neck and drinks his blood. Martin returns to the house where he has sex with the unconscious woman. But out of compassion and pity, he decides to let her live.
Martin begins to have romantic monochrome visions of his vampire past (real or imagined), where he drained blood from a young woman and was chased through the streets of a nameless European town by a torch-lit mob.
During one Sunday at church, Cuda brings home Father Howard (George A. Romero) who asks him about the possibility of exorcism and demon possession. Father Howard calls upon the elderly Father Zulemans (Clifford Forrest, Jr.) over at Cuda's request. Together, Cuda and Zulemans confront Martin his bedroom and attempt to perform an exorcism on him. At this point, Martin remembers (another real or imaginary flashback), in the Old Country of people trying to perform an exorcism on him, and he flees them. Martin then flees from Cuda and Zuelmas as well. A little later that night, Martin terrorizes Cuda in a children's playground when he puts on a Dracula cape and puts false fangs into his mouth to pretend that he really is a vampire.
One day, Martin finally musters the courage to talk with Mrs. Santini during a routine delivery to her house where he tells her that he's aware of her attempts to seduce him and wants now to have sex with her. After having sex for the first time, Mrs. Santini becomes more depressed for she tells Martin that her husband just left her because she discovered that she cannot bear children, and that her desires towards him are based on sex and nothing else. But Martin wants to stay with her and help her move on with her life. Martin tells the radio show host about his affair with the housewife and that he no longer has the urge to attack other women.
Meanwhile, Arthur meets with Cuda and tells him that he wants Christine to leave town with him so they can get married and start a family. But Christine becomes angry at Cuda when he tells Arthur that insanity runs in their family and he shouldn't consider having children with her. Shortly afterwards, Christine packs up and leaves Braddock for New York with Arthur despite Martin telling her that Arthur is abusive towards her. But her mind is made up. Before leaving, Christine tells Martin that she really has no ill feelings towards him and just wants to make a fresh start with her life. She says goodbye to him and promises to write. But Martin knows that with an abusive and possessive man in Christine's life, she probably won't.
Depressed over losing his one true friend, Martin phones the radio show host and tells him that he's getting "shaky" and wants to go out looking for more victims. That night, Martin travels to a rough crime-ridden area of Pittsburgh and attacks two derelicts in a alley, injecting them with narcotics. He kills one of them by silting the bum's wrist and drinking his blood. Martin is about to kill the second one when a police car shows up and gives chase. Martin narrowly escapes during a long chase on foot which leads from the garbage strew streets and through a local store. Martin runs into an old warehouse where a drug deal is going down. A shootout between the two cops and the three thugs begins where all of them are killed, leaving Martin as the sole survivor who casually walks away from the carnage.
One day, Martin finds Mrs. Santini dead in her bathtub, after she had slit her writs with a razor blade. Martin anonymously calls the police to report the body and leaves. He phones the radio show host one final time to say that he really doesn't need friends or people to talk to for he is his own person. But when Cuda learns about Mrs. Santini's suicide, is mistakenly thinks Martin killed her and made it look like a suicide as he's done before. Cuda walks into Martin's room while he is asleep and kills him by hammering a wooden stake through Martin's heart.
Cuda buries Martin's body in his back garden, while over the closing credits various voices from people are heard talking to the radio show host asking the whereabouts of "the Count".
心理也好精神上的疾病也好，就是一個結，打開了就豁然開朗了，就像jojo帶爸爸去見了媽媽，哭一場就開朗了。
不玩游戏，不知道真人代入游戏场面是否真实（很多点评人也不玩，所以不太确定），反正自己看起来很过瘾，比玩游戏过瘾，因为游戏画面不仅欠真实还有点眩晕。虽说游戏场面不像好莱坞的那么炫酷，但游戏感就是很强。当然场景涉及相对单调了点。游戏外的画面也很真实，正如某影评说的，有套路但不落俗套，制作成本不算高，有这效果挺可以的。7.5/10分
比想象中好看！应该是大银幕上看的第一部网大？游戏情节的呈现很燃很有趣，搞得我都想吃鸡了！爱情戏码真的是意淫太过…中间有一段节奏太冗长，看得人直犯困，但总体还是值得肯定
中间暂停了几次，看的我自己也太焦虑哈哈哈哈。结局真美好，可有多少人能遇到陪伴自己的人呢，打不开自己的壁垒呀。
挺好的 可能是错觉吧 总有几个恍惚的瞬间觉得 有点像亢奋
父子情略显尴尬但仍能感到无奈，总之为这部游戏网大喝彩！
虽然中间有一波强行救赎的感觉
能理解游戏玩家的喜爱，但感情线实在是令人尴尬。
妈呀，以一己之力拉高网大平均水平，冲冲冲！故事背景、人物设计、配的音乐和玩的各种梗，真的就是同龄人的电影，有的小细节还很细腻，为同龄人打call！
“全世界都在讲日本话”和“要打去练舞室打”真是经久不衰地好笑，不好好说话导致的情侣吵架，以及还没和好就强制爱也是陈年老梗了。跳舞的部分画得跟玩儿似的，aniplex你们画fate的神仙打架明明就不是这么画的。
就有那麼一瞬間
1.在爱你的人面前装傲娇，在你爱的人面前做舔狗，这就是人的本性，不论男女。2.把自己不想提及的事情在喜欢的人面前隐藏起来，其实并没有什么错，更不该被谴责。3.原生家庭的不幸，永远是一个人心底最脆弱的地方，能不碰尽量别碰。4.到底在哪才能那搞到这么一个又好看、又温柔、又善良、又大包的小炮友，这也太苏了吧？
虽然一个日本人十几天练出让本地人惊叹的弗拉明戈舞是否真实，但至少感情和气势不错。
还有制作人这边竟然还有一对CP，请摩多摩多！
中规中矩，上8分有点夸张，不能因为是网大就自动降低要求吧，不然给那么多媒体宣传版面给这片子干嘛呢？欲戴王冠必承其重啊。男主的几个队友完全没有塑造，沦为工具人，团战团战，重要的是团好吗？尤其是男主跟那个白富美队友莫名其妙就亲上嘴了我真的是。。。这感情是咋发展的？敢不敢交代一下？大胸翘臀长腿还在游戏里飒得不行、现实中对loser男主唯命是从默默等你，这不“男性凝视”吗？这不是最恶臭的大飒蜜吗？最重要的是对游戏这件事没有传达出任何思辨，本质上仍是廉价的男性YY爽文，这严重限制了这类片子的主题表达天花板，看看陈思诚拍的唐探网剧第三个单元吧，你会知道差距。
so damn sweet🥺结尾和bgm是全片最佳，只有面对你的时候我才是“so damn easy going”。女主神情动作都好像小变态，和无可救药一样是不需要带脑子看的治愈片。
如果她让你在她家待到第二天自然醒，那代表很喜欢你。电影总是很美好，现实只有狗币倒灶。
—What kind of person am I?
经费不够的感觉，跳舞的场面真的尴尬的我啊！好在亲热的场面还不错。嘻嘻嘻嘻……
这位导演一直勤勤恳恳的搞姬片啊，还是比较可爱的那一种，女一总是状况百出，水里火里的，女二则人设讨喜而且巨他X好看，主要还特别爱惜女一，对其而言就是一个大大的慰藉，单单是看上一眼，方圆十里的空气都变得巨他X香甜。
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