To the south of the Indian metropolis of Surat in Gujarat province lies a vast industrial zone that has been growing ever since the 1960s. Director Rahul Jain filmed the grueling daily routine in just one of the many textile factories there. In the factory, man and machine seem to have fused into one being. It is dark and dank, and barely any daylight penetrates the space. The labor is heavy and mind-numbing, and the work days seem endless. We are drawn into a gloomy world where the cacophonous beat of machinery sets the rhythm of toil. Jain is as interested in the mysterious connection between worker and product (the fabrics are treated mechanically, but also with love) as he is in the degrading conditions. Each shift lasts 12 hours, for adults and children alike, and wages are extremely low. Short interviews are interspersed throughout the observational sequences, some of which are captivating in their beauty while others are painful to watch – such as when we see a boy nodding violently in his struggle to stay awake. (From IDFA official website)
没看懂，但还挺好看的～怪异黑暗血腥中透着诡异的可爱。
但真的好重口味，而且我不觉得电影真正意义上结束了。
结尾归到核爆不好，前面感觉有点在反思生命反思宇宙
…恶熏 反胃…我实在是欣赏不了这种暗黑的动画…
牛碧炸裂啊牛碧炸裂。（奶妈将梅高榨成汁，炼成黄金律，又将其打碎，诞生一个凡人的宇宙......魂式扯淡）
零散的看出一些隐喻，各种朋克风的末世设定很迷人
人类建立巴别塔，神对人类的冒犯降下惩罚，世界的纷争因此开始，我很难说明影片到底是想表达神明的腐朽邪恶给人类带来无尽折磨与恐惧，还是想表达人类的自作自受让自己陷入无尽战火与奴役之中。
导演的这些素材要是能做成游戏就好了，拍成电影没有剧情依托反而显得有些无聊
机器造出来的可能称为人吗？如同蚁巢中蝼蚁，不知生死只知劳作，奶牛牧人，孩童呓语
苦心孤诣多年打造一场视觉盛宴，作为定格动画做到这般丝滑真不容易。故事太迷幻了！人类自身的恶永远超乎想象。
末世噩梦，实验性很强，能引申出许多世界设定
看不懂，像噩梦，没有逻辑性，却可怕！没能坚持看完。
太过于猎奇，绝对属于禁片之列，承受能力低的人建议不要看
"Hoping is waiting for someone else to do it. We'd all be much better off without it."
定格动画我的爱，讲了个啥不重要。2021.10.21
太意识流了，开头最吸引我，活生生的地狱感，越往后越看不懂也感觉越无聊了……
末世噩梦，实验性很强，能引申出许多世界设定
我们不能选择自己生活的时代 我们只能选择如何回应
音乐好听，画面恶心。
无功无过，在虚实之间游走的“半”历史片- -被精心打磨的角色性格，着力锐化虚构角色与决定对改变历史进程的重要作用；Jeremy Irons对张伯伦的演绎或许如设计的方向，帮助更多人（至少有兴趣/被片刻说服）重新建构认知。但这并非上课，可以补足什么新奇理论；也非写尽波云诡谲、更花招的类型片；徒留大段生活的琐碎细节以及毫无进展的情绪特写。表达上的停顿阻止它能完全呈现原著的精彩，些微可惜。
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