巴尔的摩事件 高清

评分:
9.0 推荐

分类: 记录片 美国 1999

导演: 陈凯歌   

剧情介绍

  In the wake of the 2015 death of Freddie Gray in police custody, Baltimore was a city on the edge. Peaceful protests and destructive riots erupted in the immediate aftermath of Gray’s death, while the city waited to hear the fate of the six police officers involved in the incident, reflecting the deep divisions between authorities and the community -- and underscoring the urgent need for reconciliation.
  Directed by Sonja Sohn (one of the stars of the HBO series The Wire), Baltimore Rising follows activists, police officers, community leaders and gang affiliates, who struggle to hold Baltimore together, even as the homicide rate hits record levels, and explores how to make change when change is hard.
  The strife that grips Baltimore following the death of Freddie Gray exposes longstanding fault lines in a distraught and damaged community. Baltimore Rising chronicles the determined efforts of people on all sides who fight for justice and work to make their city better, sometimes coming together in unexpected ways, discovering a common humanity where before they often saw each other only as adversaries.
  Among the key figures spotlighted in Baltimore Rising are:
  Genard “Shadow” Barr (community leader, former gang member) is an addiction recovery specialist at the Penn-North Recovery Center, where he also helps organize a reentry jobs program for community members. Bridging the divide between police and residents of the Penn-North area, he works with all parties to mitigate violence. Barr is now working to open an entrepreneurship and job training center in West Baltimore.
  Commissioner Kevin Davis has led the Baltimore Police Department since 2015. He took over as interim police commissioner in the aftermath of the uprising and surging violence, when the mayor fired previous commissioner Anthony Batts. A lifelong Marylander, Commissioner Davis is a 25-year veteran and fourth-generation public safety professional. He was faced with repairing public trust in the department and stemming a rising tide of homicides amidst the trials of his six officers.
  Makayla Gilliam-Price (activist) founded the youth justice organization City Bloc as a high school student. She also organizes with the grassroots think-tank Leaders of a Beautiful Struggle.
  Adam Jackson (activist) is CEO of the grassroots think-tank Leaders of a Beautiful Struggle. His efforts are aimed at connecting young people to public policy and creating transformative change in Baltimore.
  Dayvon Love (activist), director of public policy for Leaders of a Beautiful Struggle, has deep experience with grassroots activism in the community. He has given numerous speeches and led workshops to give insight into the plight of its citizens.
  Kwame Rose (activist), an artist, writer, musician and public speaker, gained notoriety during the uprising that followed Freddie Gray’s death for his public confrontation with FOX News reporter Geraldo Rivera. Arrested during protests outside the trials of the police officers charged in the Gray case, he recently accepted a position in the office of Baltimore Mayor Catherine Pugh.
  Lt. Colonel Melvin Russell, chief of the Community Partnership Division, Baltimore Police Department, joined The Baltimore Police Department (BPD) in 1979 as a police cadet. He worked as a uniform patrol and then an undercover officer for 20 years before becoming an Eastern District Lieutenant in 2007. Recently he led the BPD’s chaplaincy program and worked cooperatively with such community leaders as Genard “Shadow” Barr to support a reentry jobs program and prevent another uprising during the police officers’ trials in the Gray case.
  Dawnyell Taylor (police detective) has been with the Baltimore City Police for more than 16 years. In 2015 and 2016, she was the lead investigator in the Freddie Gray homicide case, and testified at the trial of Officer Caesar Goodson Jr., who was charged with Gray’s murder. Taylor continues to serve in the police academy in Baltimore.
  The executive producers of Baltimore Rising are Sonja Sohn, Marc Levin, Anthony Hemingway, George Pelecanos and Mark Taylor; producer, Nathan Mook; supervising producers, Daphne Pinkerson and Kara Rozansky; directed by Sonja Sohn. For HBO: senior producer, Nancy Abraham; executive producer Sheila Nevins.

评论:

  • 佑枫 9小时前 :

    台詞極其低幼,情節極其套路——對五條人歌曲的大量運用,不過是借用一點廣東縣城的感覺,五條人同影片直露傳達的好鬥進取、艱苦創業進而逆天改命的理念不說截然相反,也可以說毫無關聯。當然,結尾對跳最高樁的結果和植物人父親醒來的表達收了一下、顯得模糊,彩蛋則顯示舞獅並未真正改變主人公打工人的命運,約可讓人善意地理解整部影片的正能量或許未必完全出自編導的自由意志。此外,暫且不論廣東社會的實況究竟如何,影片的表達對於女性可謂極度不友善:社會和舞獅行業堵死了女性的上升空間,技能再高超也僅可充當花瓶並早早退居二線;男性舞獅明星則將中年後的泯然眾人歸咎於以妻子為唯一代表的回歸家庭和事業的壓力,其重整旗鼓則建立在女性痛徹心扉的“悔悟”及全然擔下他的那份家庭責任的前提下。2021年12月4日14:30於太古倉3號廳,點映。

  • 卫昉宽 0小时前 :

    C / 鬃毛零落花叶飘飞的一刻仿佛有Zima Blue式的美感,然而这一刻的幻化却又显得有些虚浮——因为人物戴上这一身铠甲的过程本就太过自然而然了。他们身体的变化被缩减为精神试炼,同时这“面具”并无它沉重且陌异的“物”的一面,仅仅是一个必然会证明意志强健的标记。因此这灵光一闪更像是一种空虚中的无力提炼,而非所试图捕捉的虚与实的瞬间共在。或许还是被大半段想当然的拜师学艺故事给耽误了,也被随时摊开每段回忆准备煽情的全知叙述耽误了。而重心也渐渐坍缩于一种单一的“现实”(尽管能有这样的呈现已然不可多得)之中,飞不起来了。

  • 同瑞锦 3小时前 :

    如果一定要喊国产动画崛起,或许现在才是好时候。

  • 惠珍 3小时前 :

    狮头像个做梦装置,戴上就是雄狮少年。

  • 云呈 1小时前 :

    可以放开说了。我觉得比起一二幕的稍显草率,最大的遗憾是审美的整体性和原创性欠缺。但第三幕就是我们自己的鱿鱼游戏,也为触及留守儿童的现实主义打个Call,好看的。至于所谓的争议事件,只能说太坏了,什么时候我们不被概念定义,我们才能定义概念。

  • 东郭雨珍 1小时前 :

    前面真的很烂,让我后悔来看,甚至怀疑都是什么人在打分。台词是最拉胯的,用力得过了头,尴尬一逼,剧情也是怎么夸张怎么套路怎么来,真是浪费了好歌好画面。但是从父母回来开始变了,越来越好,特别是那段雨中舞狮和最后一跃,真的很美。鉴于没有猴也没有白蛇哪吒,多给一星以资鼓励。对了,安排女主有男友,且男友不理解她的爱好,属实毫无必要,建议删去。

  • 归从蕾 7小时前 :

    一个角度:那么几部印度片看下来让我觉得,有些宗教是真的害人。

  • 云高驰 6小时前 :

    故事极简单,但其中探讨的问题很复杂:如何改变留守儿童的生存现状与未来出路?兴趣爱好是否能当作职业?热血沸腾的比赛过后能留下什么,能改变什么?人活着为了争一口气,那么之后呢?……让人不由得想起《一个农民工思考海德格尔是再正常不过的事》和被物化成玲娜贝儿「内胆」的劳动者。

  • 斯子蕙 2小时前 :

    因为重要的不是结果,而是过程。

  • 布靓影 3小时前 :

    这个画风不是挺好的吗,非得眼睛占脸的一半吗。别管有些人在那儿就莫名其妙的点而抵制,买票就完事了。这样的制作,动画题材的突破,不去看一下中国动画才是真的完了!一群魔怔人怼着无关紧要的点在那儿说还挺无语

  • 无以松 9小时前 :

    我很喜欢,一方面固然是因为制作水准高度在线。另一方面我更看重的,是这部片子确实是难得有那么一点当代中国质感的作品。主人公的父亲工地上干活摔成植物人只能回家躺着,男孩进城打工备受欺凌,大雨之夜送外卖被辱骂,送快递的时候电动车被撞飞好心人来帮忙结果是自己心动的女孩让男孩顿时羞愧局促。看的时候觉得百感交集,知道这是非常有良心的创作者,虽然在这样的创作大环境里也真的只只能点到为止。但已经是铺天盖地的塑料正能量里,这已经是唯一的能打中心灵的真诚之作了。

  • 姬茂才 5小时前 :

    在熬过前半段的真空叙事后,影片从少年登上开往广州的大巴车的时刻起精彩了起来,不逃避现实的态度是可贵的,从观众反应来看也是有效的。编剧还写了《燃野》,基本可以看作一本两拍,好在《燃野》犯的错,大部分都被《雄狮》规避掉了。看到最后我哭的很伤心,登上山头的终究是狮头而不是少年,而这就是生活的常态。

  • 振星 9小时前 :

    天台上斑驳的桩印,那是上山的路,擎天柱挂着半个狮头,是跌落的水花

  • 叶英豪 9小时前 :

    再来说说电影本身,毫无疑问是国漫又一匹黑马。画风写实接地气,分镜与配乐无敌,虽然剧情是非常典型的“英雄之旅”,但即使猜得到接下来主角会遭遇怎样的冲突,仍然忍不住为其动容,被燃到泪目。

  • 佘佴青亦 7小时前 :

    没有一战成名 没有荣归故里 有的是烟花落幕后 经历平凡而真实的人生 但我们还是要 永远做一头雄狮啊

  • 强俊 5小时前 :

    既现实又理想,既当下又传统,老掉牙的英雄之路的模板,搭设出有血有肉的内核与故事。

  • 惠寒 8小时前 :

    普通人的生活,不会因为某次“登高”就实现人生跨越,但普通人的心底,要装着一颗雄狮。鼓点响起,就该迎头向前。

  • 尔清嘉 3小时前 :

    至于麽,真的至于麽。

  • 卫政 0小时前 :

    《雄狮少年》破除了“高概念+奇观=成功”的迷信,下功夫去呈现服帖的口型、入耳的对白、流畅的动作设计,虽然还不完美,但努力让技术跟上自己的想法,画里画外都有一种钻研劲头。训练过程不过分煽情,结尾大战也不拖泥带水,全片看得人心里敞亮。更加出挑的是,它的少年义气根植于清醒和成熟,越到后面越写实,故事立意经得起推敲,成就了中国眼下非常稀缺的合家欢动画片,应该爆。

  • 建平心 9小时前 :

    影片出现了太多周星驰电影的桥段和设计,很多甚至分镜都一样,已经远超致敬层面了。

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