The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
南韩Love Actually+Budapest, 栋旭光洙合计贡献4分
也许40组友达以上恋人未满也会在60后谈起黄昏恋。
不停有熟脸出来还挺开心的,元珍儿和李栋旭那对实在是莫名其妙,咋就亲上了,俩人演技也尬。我反而比较喜欢李光洙那对,总觉得李光洙是有演技的,但被喜剧人设和外形耽误了,观众一看他就想笑,有点可惜。
6.5,年轻演员演的很生硬,老演员就很接戏,导演的一些表达略显生硬,但结尾是扎进心里的...
好几场戏都挺真实的,泪点在夏天梦中唱着儿歌,让父亲解脱。
导演见面会后,要求大家不要给他打一星,强行要求打5星,咋这么无耻...
喜欢这种欢乐的大结局,人人有真爱,个个不落空。
父母去,人生只剩归途…”
这部电影很好的展现了老龄化这一社会化问题以及普遍存在的情况。
遥节看的第三部“从山西出发”单元作品。出人意料地质量扎实,演员整齐,特别是山西话剧舞台的老演员精彩
十二月末的三九寒冬鹅毛大雪天,电影里所有女性角色从学生到职场人、从电话接线员到酒店保洁,全都穿着半裙露着腿。对比男性角色们,无论是年过半百的门童,还是生活落魄想寻死的公试生,都是符合季节的长衣长裤,一个个穿的保暖得很。
窃取了真爱至上的桥段 差评
韩智敏爱你欧尼
年末的新年快乐
允儿好美
But not everything can be forgotten
套真爱至上模板的低配版 阵容豪华 内容乱杂
妈妈在厨房做饭 都像幻境般 直到听到时钟的声音 一切戛然而止
映后知道了秦牧原来是扫黄打黑的警察,演妈妈的演员的老伴也是阿尔兹海默症。
其余故事都是走温情路线,大毛病没有,就是老套,虽然也可以理解大过年的,就是想看这种明星杂烩商业片,但真的不能为了温情而温情,让角色过于无脑
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