Martin (John Amplas), a young man who looks around 20-years-old, boards a train in Indianapolis, Indiana for New York. At night, he breaks into a sleeping car and sedates a woman with a syringe full of narcotics. She struggles, but he tells her not to struggle or be upset because she wont feel pain. After a few minutes, the woman falls asleep, and Martin has sex with the unconscious woman. Afterwards, he slices her wrists with a razor blade so he can drink her blood. The woman bleeds to death in her sleep.
In the morning, the train stops in Pittsburgh, Pennsylvania where Martin disembarks. He is met by Tata Cuda (Lincoln Maazel) an elderly and hostile old man who claims to be his cousin from the Old World. Together, they travel by another train to the town of Braddock, a dying industrial suburb. They walk to Cuda's large house where he shows Martin his living quarters. Cuda then accuses Martin of being an 84-year-old vampire from his old country. He has taken in Martin because he is family, but tells him, "First I will save your soul. Then I shall destroy you." Martin denies being a vampire and implies that Cuda is merely his uncle rather than his cousin. Cuda then puts up strings of garlic on the doors to his and his granddaughter's room, and then holds up a small cross when Martin approaches him. Martin takes away the cross, and even takes a bite of the garlic mocking these attempts by saying bitterly, "There's no real magic... ever". Cuda tells Martin that he can come and go as he pleases. But he also warns Martin that he will kill him if he kills anyone in Braddock. He also tells Martin to stay away from his granddaughter Christine (Christine Forrest), whom arrives home from her job that evening.
Cuda introduces Christine to Martin, but also warns her to stay away from him. But Christine instead strikes up a friendship with Martin who confides in her about his vampire heritage. When Cuda later confirms Martin's claims to be a vampire, Christine, not surprisingly, refuses to believe either one. She thinks that Cuda and the other members of her family have driven Martin to insanity by making him think that he is a vampire. It is never revealed if Martin really is a vampire, or just a shy and lonely youth with troubled issues. Christine is the only person that Martin gets the courage to talk to. When Christine's boyfriend Arthur (Tom Savini) arrives at the house for dinner, Martin stops talking and backs away despite Arthur's attempt at a conversation. Christine later confides in Martin that she hopes to leave Braddock someday with Arthur, even though Martin points out that Arthur treats her badly and is both verbally and physically abusive towards her.
When Christine sees that Martin won't talk to anyone else, she buys him a phone which he installs in his room. Martin begins to repeatingly call a radio talk show where he describes what it's like to be a vampire. He becomes known on the radio as "the Count" to all the listeners. But the patronizing host (Michael Gornick) thinks he's just crazy.
Martin gets a job at Cuda's grocery store of stocking shelves, hauling boxes around, and even gets to be a delivery boy for some of the customers. One of his customers is a certain Abby Santini (Elyane Nadeau), who becomes taken in with Martin. She is a very friendly young woman who is depressed when she tells Martin that her husband is unfaithful. But Martin still does not have the nerve to talk with her, so she is happy to have someone to confide in with her life problems. Martin phones the radio show host to describe his infatuation with the housewife and senses that she wants to have sex with him. When the radio show host asks Martin if it is a sexual problem that he has involving women criticizing him during sex, Martin replies that he has never had sex with a woman who was awake.
One day, Martin travels by train to outside Braddock to look for victims. At a supermarket, he follows a young woman (Sarah Venable) home to her posh suburban house. He sees the woman's husband (Richard Rubenstein) leave for a long business trip, and Martin decides this would be the right time for more feeding. Martin returns to the house after dark and breaks in through the garage door. But it is Martin who gets the surprise when he bursts into her bedroom to find her in bed with her adulterous lover Lewis (Al Levitsky). After a vicious struggle, Martin jabs both of them with hyprodermic needles with narcotics, and waits for the drugs to take affect. He drags the unconscious body of Lewis from the house to a clump of trees across the street where he kills him by shoving a broken tree branch into his neck and drinks his blood. Martin returns to the house where he has sex with the unconscious woman. But out of compassion and pity, he decides to let her live.
Martin begins to have romantic monochrome visions of his vampire past (real or imagined), where he drained blood from a young woman and was chased through the streets of a nameless European town by a torch-lit mob.
During one Sunday at church, Cuda brings home Father Howard (George A. Romero) who asks him about the possibility of exorcism and demon possession. Father Howard calls upon the elderly Father Zulemans (Clifford Forrest, Jr.) over at Cuda's request. Together, Cuda and Zulemans confront Martin his bedroom and attempt to perform an exorcism on him. At this point, Martin remembers (another real or imaginary flashback), in the Old Country of people trying to perform an exorcism on him, and he flees them. Martin then flees from Cuda and Zuelmas as well. A little later that night, Martin terrorizes Cuda in a children's playground when he puts on a Dracula cape and puts false fangs into his mouth to pretend that he really is a vampire.
One day, Martin finally musters the courage to talk with Mrs. Santini during a routine delivery to her house where he tells her that he's aware of her attempts to seduce him and wants now to have sex with her. After having sex for the first time, Mrs. Santini becomes more depressed for she tells Martin that her husband just left her because she discovered that she cannot bear children, and that her desires towards him are based on sex and nothing else. But Martin wants to stay with her and help her move on with her life. Martin tells the radio show host about his affair with the housewife and that he no longer has the urge to attack other women.
Meanwhile, Arthur meets with Cuda and tells him that he wants Christine to leave town with him so they can get married and start a family. But Christine becomes angry at Cuda when he tells Arthur that insanity runs in their family and he shouldn't consider having children with her. Shortly afterwards, Christine packs up and leaves Braddock for New York with Arthur despite Martin telling her that Arthur is abusive towards her. But her mind is made up. Before leaving, Christine tells Martin that she really has no ill feelings towards him and just wants to make a fresh start with her life. She says goodbye to him and promises to write. But Martin knows that with an abusive and possessive man in Christine's life, she probably won't.
Depressed over losing his one true friend, Martin phones the radio show host and tells him that he's getting "shaky" and wants to go out looking for more victims. That night, Martin travels to a rough crime-ridden area of Pittsburgh and attacks two derelicts in a alley, injecting them with narcotics. He kills one of them by silting the bum's wrist and drinking his blood. Martin is about to kill the second one when a police car shows up and gives chase. Martin narrowly escapes during a long chase on foot which leads from the garbage strew streets and through a local store. Martin runs into an old warehouse where a drug deal is going down. A shootout between the two cops and the three thugs begins where all of them are killed, leaving Martin as the sole survivor who casually walks away from the carnage.
One day, Martin finds Mrs. Santini dead in her bathtub, after she had slit her writs with a razor blade. Martin anonymously calls the police to report the body and leaves. He phones the radio show host one final time to say that he really doesn't need friends or people to talk to for he is his own person. But when Cuda learns about Mrs. Santini's suicide, is mistakenly thinks Martin killed her and made it look like a suicide as he's done before. Cuda walks into Martin's room while he is asleep and kills him by hammering a wooden stake through Martin's heart.
Cuda buries Martin's body in his back garden, while over the closing credits various voices from people are heard talking to the radio show host asking the whereabouts of "the Count".
剧情简单但很过瘾。女主的每一帧都好想慢慢看。帅气
看完觉得这老头真就一人间悲剧实惨，不过第二部剧情跟“Don't Breathe“没半毛钱关系。一路砍杀一路爆浆的场面看得倒是蛮过瘾，中间的反转也还有点意思。名字换换吧，换成《谁动了我的“闺女“》「Who Kidnapped My Girl」好点。
韩版的《玩命速递》，剧情简单，但胜在车技和动作戏很棒，小男孩也超帅，值得一看。
配乐好评，女主造型+宝马e34 手动 都很喜欢啊，动作场面再暴力点就更棒了。。
女版《的士速递》和《非常人贩》的结合体，个子小巧的金发单眼皮小女生，爆发出惊人的能量。。。。车戏动作戏精彩，故事一般。。。
看完这个电影，我真心觉得吴京说的太对了。一个美国瞎老头都能打一群人，吴京又不瞎为什么不能打
新鲜感的确不如第一部，但是在同类电影中一样有滋有味
这哪里还屏住呼吸，分明是盲僧单人屠杀弱智打手，小女孩和狗全都要，前半段很有紧张感，可惜后半段复仇戏太拉，能赢全靠对手犯蠢和放手，整体质量不如第一部。看彩蛋的样子，这片不是还想拍第三部吧？
再次怀疑退伍老兵诺曼是不是因为眼睛瞎了所以其它的感官都进化了？尤其是那如同蝙蝠超音波定位的技能，实在是令普通人望尘莫及。再加上他开挂的敏捷身手、始终有主角光环护体，让我全程基本不担心他会中途被杀。原先有点意外高潮的编排，没想到主创竟然主动放弃这棵摇钱树了？结果结尾的彩蛋暗示依然还有拍续集的可能。
女主表情特帅，结局和反派铐在一起沉入海底很有意思。
女主很飒，爱了爱了。又能打开车又好。而且是个happy ending，3.5颗吧。
第一部是偷东西被盲眼老头反杀和虐待，本部是抢人被老头主动出击掀翻老窝，但都是延续以暴制暴、以恶惩恶的主题。前作至少是在自家密闭室内，仰仗熟悉度充分斗智斗勇；本部在陌生大环境下，变成利用媒介或者自己创造环境去反杀，有点开挂过度了。剧情上巧合遇到故人、对手分歧和内部良心觉醒等设置，也让走向落入俗套了。感官上节奏很快不拖拉，前面小女孩躲藏戏份挺有紧张感，整体血腥程度尚可，比如砸脸、砍手、挖眼和插脚。谁能想到小狗推动故事发展。貌似彩蛋还有3。
No.2295 这是一个寂静的夜，故事发生在一栋房子和另一栋房子里，周围没有邻居，根本不会惊动到警察，故事甚至像是发生在一座孤岛上。对狗不好的人，不会有好下场。毒品的相关人员对社会只有害处，泯灭了人性不存在亲情、爱情。我觉得这个系列拍到这里就可以了吧，老爷爷即使没有死也别拍了，大家各自过吧。
导演换了风格也突变PG13，前作那种紧张的氛围到了这部毫无存在感，这种父母也是没谁了，我就猜到有反转。
有長文影評。盲翁在自己家園充分掌握地理環境，得以單靠聽覺與歹徒鬥智鬥勇，易如反掌地鎖定歹徒位置，並靈活運用家中的不同道具擊退敵人，縱然把女孩困在「大型密室」內實屬反智做法，但前半段「大宅躲貓貓」戲碼總算能延續第一集營造的壓迫氛圍，依舊緊張得暫時停止呼吸。
与其说是女版《大叔》不如说是韩国女版《非常人贩》，拍的一般吧，让人记忆深刻的点也就只有女主开车的几个场景吧！
仍然是第一部的设定，不过人性的罪恶更加令人恐怖。
从未喜欢过这个系列……续集在重复第一部的基本概念，却无视第一部恐怖惊悚风格，将原作幽闭恐惧的氛围换成了血腥杀戮场面。而反派父母的行为是种强设定，是编剧一厢情愿的将之与盲大爷联系在一起的强情节，不是真正推动故事的剧作方法。唯一喜欢的点是——坏人杀了英雄的狗，英雄放过坏人的狗，狗为英雄攻击了坏人，而狗最后也是安全的。
混时间……至于《大叔》嘛，不是一个量级的。
勉强2星半，非常没必要的续集，而且剪辑做的好差
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