Magdalena and Maria are two twin sisters who were separated at birth and know nothing of the other’s existence. Maria runs away from the boarding school in which she was brought up and finds work as a cabaret performer in the cafés of Marseilles. Magdalena lives with her adopted parents and works in an art gallery. The two sisters are joined by an invisible bond which draws them towards the same tragic conclusion.
Director Werner Schroeter has acquired a reputation as an experimentalist filmmaker, hailed by some as an underrated genius, reviled by others for being a peddler of self-indulgent kitsch. Deux is arguably Schroeter’s most ambitious, unsettling and repulsive work to date. The director certainly wastes no time in alienating his audience; from the first ten minutes of the film it is clear this is not going to be an easy ride. The narrative cuts haphazardly between seemingly unconnected events, alternating between realism and stylised fantasy dream sequences, periodically shocking the spectator with graphic images of lesbian sex and a woman being slowly disembowelled. Having several actors playing multiple parts only adds to the sense of artifice and utter confusion, which is a pity as there is manifestly a lot of great acting talent on show – not least of which is Isabelle Huppert. The film’s sheer relentless grotesqueness and self-indulgence is so extreme, so unbridled, so stomach-churningly provocative, that it is hard to take any of it seriously.
“我是英国人，所以我才不关心别的国家人民是生是死，只是赚钱而已，你是韩国人，所以有点过了吗？”
戏太脸谱化 反水以后叙事过程有点奇怪 但是这类事情总还是需要大家知道
题材挺好的，就是有点不是那个味，情节感觉松松散散的，链接不紧密，但该有的韩国元素都有，正义的检察官会被踢，有名气的大公司会做坏事，平头老百姓会是主要受害人，上面的人永远只关心吃饭的问题，最后审判那场戏， 各个部门的推脱责任很韩国，但结尾那段举牌子，相比《辩护人》，就觉得有点尬了……
本来以为是惊悚片，原来是社会政治片。这种吸入的东西最好里面别加添加剂。
整部电影就是很平的，我不想说真实事件如何如何，电影就一般般。
剧情走向…有一种把所有东西往里塞的感觉，到头来一个都没讲好，最后是个ambiguous ending
韩国的社会良心剧已经拿捏的非常成熟了，值得我们学习的影视作品类型
正常叙事真实事件的片子，没那么深刻也没那么精彩，“财阀控制整个韩国”依旧深入人心
最坚韧的是人心
加湿器、除湿器，空气过滤器，这些人类越来越依赖的东西，真的是可以杀人于无形！我们应该多点接触大自然，少用电器。本人喜欢韩国片，思维缜密，机构清新，永远会给人意想不到的惊喜
这样的事情不但有结果有说法，还能拍成电影惊醒人们，而我们连评论都不行
真实事件改编就足以震撼。最后10分钟，几方责任人都来却都像踢皮球一样把责任踢来踢去，真是有够讽刺。看着男主最后拿着杀菌剂洒向监管部门，好像压抑着自己的那团无名火也得到了发泄。
平平无奇，陈旧老套。与其说是电影，很像一集毫无悬念的电视剧。
整体的故事的过程显得老套，但这也是真实事件，后面的反转我觉得还可以。
之前看过英大吉解说真实事件过程，没想到这就有电影了。只顾着自己幸福，漠视他人的生命，看的时候一直在思考，正义的手真的能在那些自私的人头上挥下制裁的拳头吗？受害者能做的，只有坚持不懈的呼喊，微小的力量积累起来，变得振聋发聩。
有点老套 甚至有点无聊 但是这个事件我记得影响真的很大 我妈立马把家里的加湿器扔了😂
社会事件改编，强反转推进庭审过程，落点有点奇怪，。
土里土气的标题，以及韩国电影一贯的浮于表面的批判。
电影整体及格，啥事都有。但敢于自揭伤疤，敢拍，敢演，值得佩服。
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