这是Richard Lester最好的一个片。
An absurdist classic
This is a wonderful surreal comedy based on the play by Spike Milligan and John Antrobus. You know that it is going to be an odd film right at the beginning, when the opening credits list the cast in order of their height. The film begins with the BBC (Frank Thornton) telling us through the facade of an old television that this is the third, or is it the fourth?, anniversary of the shortest war in history, lasting 2 hours and 28 minutes. England is now a barren landscape, littered with derelict cars and buildings, hills of old boots, broken crockery, and other debris. Forty million people perished and there are only 20 known survivors. The Queen did not survive, and of the 20 known survivors the next in line for the throne is a Mrs Ethel Schroake of 393a High Street, Leytonstone. Among the other survivors are Ralph Richardson (O Lucky Man!) as Lord Fortnum of Alamein, who isn't looking forward to his impending mutation into a bed sitting room. Michael Hordern is Bules Martin, who wears a 18-carat Hovis bread ring. Spike Milligan is a postman who wanders around and delivers some memorable dialogue, for example: "And in come the three bears - the daddy bear said, 'Who's been sleeping in my porridge?' - and the mummy bear said, 'that's no porridge, that was my wife' ". Arthur Lowe is slowly turning into a parrot (which is then eaten by Spike Milligan), while his wife, the owner of her own death certificate, turns into a wardrobe. His daughter is pregnant with a strange creature, which she has held inside her for seventeen months. Peter Cook and Dudley Moore are a pair of policemen who perpetually tell the others to "keep moving!". Moore growls a lot and turns into a dog at the end. Marty Feldman is a wellington-boot-wearing nurse. It's a hilarious, absurdist treat, and one of my treasured filmic pleasures.
so damn sweet🥺结尾和bgm是全片最佳，只有面对你的时候我才是“so damn easy going”。女主神情动作都好像小变态，和无可救药一样是不需要带脑子看的治愈片。
学院派导演，还是可以看得出痕迹的。虽然是命题作文，但是电影的调度、编排，镜头语言和画面剪辑，都可以看得出功力。
“为了今后永远一起生活下去，我们不能永远待在一起。但是我绝对会回到你身边，而你也要回来。因为我也变得脆弱了。但那这也肯定是，为了跟这份温暖一起活下去而生的脆弱。”
剧组真把电竞和直播摸透了，可以算是中国电竞题材的开河之作了，另外谭晓凡好美~
妈呀，虎牙+酒窝，我无法抵抗的相貌组合，我的审美g spot
还有制作人这边竟然还有一对CP，请摩多摩多！
以为是甜甜的番外篇 没想到是蠢太自己敞开心扉和与高人在一起即使变脆弱但也勇敢、快乐的继续走下去的故事
比TV难看多了，在电影院睡着了。舞蹈题材非要搬上大荧幕，完全就是暴露制作的不足。给三星真的是为了爱
andrey打着电话给出的第一个安扶、戳戳joanna脸上的痣太撩了叭🥹剧情一般般，bgm和转场都不错，电影后段的色调变化也很细节！很喜欢那段焦虑中灯光闪烁的变化，也很喜欢最后的拥抱。
这位导演一直勤勤恳恳的搞姬片啊，还是比较可爱的那一种，女一总是状况百出，水里火里的，女二则人设讨喜而且巨他X好看，主要还特别爱惜女一，对其而言就是一个大大的慰藉，单单是看上一眼，方圆十里的空气都变得巨他X香甜。
就有那麼一瞬間
Audrey是什么天使，但这电影看得我都要躁狂了，还是其实我根本承受不了这样的焦虑，看着一个人是怎样滑向自我毁灭，体内的化学物质如何让她崩溃。还有，如果她走不出这样的现状呢，是一开始就被她的紧张局促吸引吗
没了黑线条👏🏻
制作真的挺一言难尽的，特别是这种舞蹈题材，又还原不出那个效果，就看的比较尴尬，然后剧情也是非常一般…但是最后的部分还是很好嗑🥰
但是也能提升自己
希望有个人也能将我从一团糟的生活中拯救出来。莫名想到《疯狂玛丽的约会》，两者基调很像，但《好相处》一直在治愈。
1准备做坏事和做了坏事的感觉真的很糟糕
前几幕可以用惊艳来形容
不玩游戏，不知道真人代入游戏场面是否真实（很多点评人也不玩，所以不太确定），反正自己看起来很过瘾，比玩游戏过瘾，因为游戏画面不仅欠真实还有点眩晕。虽说游戏场面不像好莱坞的那么炫酷，但游戏感就是很强。当然场景涉及相对单调了点。游戏外的画面也很真实，正如某影评说的，有套路但不落俗套，制作成本不算高，有这效果挺可以的。7.5/10分
1.在爱你的人面前装傲娇，在你爱的人面前做舔狗，这就是人的本性，不论男女。2.把自己不想提及的事情在喜欢的人面前隐藏起来，其实并没有什么错，更不该被谴责。3.原生家庭的不幸，永远是一个人心底最脆弱的地方，能不碰尽量别碰。4.到底在哪才能那搞到这么一个又好看、又温柔、又善良、又大包的小炮友，这也太苏了吧？
Copyright © 2015-2023 All Rights Reserved
