Novelist Joseph Shearing specialized in using real cases which took place in Victorian England, altering them for fictional purposes. MOSS ROSE in 1947 was the first film to be made from his novels, then in 1948 two of his works were adapted for the screen, this film and THE MARK OF CAIN. The movie stars Todd as a recently widowed missionary returning to her home in England from Jamaica. During the voyage, she meets Milland, a charming though dangerous rascal who is wanted by police in connection with some unsavory dealings. Milland contracts malaria while onboard the ship and Todd nurses him back to health. In London, Todd settles into her home, taking in boarders to make ends meet. Milland arrives, moves in, and proclaims his love for her. Todd is thrilled, but it seems rather obvious that Milland is only toying with her. Milland finds some letters written to her by her friend, Fitzgerald, in which Fitzgerald reveals some of her sexual indiscretions. Since Fitzgerald is now married to the wealthy Huntley, Milland believes he can use the letters to blackmail Fitzgerald. Todd's love for Milland is so great that she goes along with the plan. Huntley, however, learns of the scheme and also uncovers details of Milland's shady past. Fearing for her lover's safety, Todd poisons Huntley, then remains silent when Fitzgerald is arrested for the murder. Milland has by now genuinely fallen in love with Todd and the two make plans to leave England. Before they can depart, one of Milland's former lovers shows up and Todd, in a jealous rage, kills Milland, then turns herself into the police.
This is an intriguing film, although a little on the talky side. The performances are excellent throughout, with Milland shining as the cad, the type of role in which he excelled. Though he spent most of his time making films in the US, he occasionally returned to his native England for a production and this was his first British film since FRENCH WITHOUT TEARS in 1939. Director Allen was also an Englishman who chose to work in the US, this being his first directorial effort in his homeland. This was the fourth and last time Milland and Allen would work together, their pairing having begun in 1944 with the wonderfully eerie THE UNINVITED.
以为是一部蹭热点的烂片，看了才发现应该算赘婿的外传。
怎么能把驱魔片拍的无聊，那就是这样了。逻辑真的难理解，而且驱魔过程跟freestyle的battle一样。
以为是续集，没想到是吉吉国王的定制剧，轻喜剧，看着还行，主要是原班人马，没有违和感，挺好。
恶魔驱神，听上去挺有意思，但拍出来却差强人意，只是把一个老派且过时的内容颠倒了一下主被动，最后结局也不过是老生常谈。在宗教驱魔已经不吃香，甚至“坏神父”都已经过时的时代，还在披着传教外衣偷偷摸摸黑宗教，这反应是不是有点太慢了。。。。人家十多年前讲的笑话他今天才哈哈哈，说我也讲个类似的，结果还不好笑。
吉吉国王做主角，哈哈哈哈就可以了(≧∇≦)
谈不上优秀，只是前人之梗再来一遍罢了，吉吉国王也是深受宁毅思想的荼毒
好久不看电影了，特别是喜剧电影，这里的梗有些比较老套，但是意外的合适，而且有些比较新，我笑了好几次，看起来还不错。哈哈哈。可能作为电影时间较短，电视剧一长起来就显示出编剧笔力不足。
吉吉国王醉酒抢婚还是很憨很好笑的 所以隐藏彩蛋是老耿吗
没有想到竟然还蛮好看的 笑点好多哈哈哈哈 顺便期待赘婿第二部gkd
男主真的体现了一些现代商业思维，毕竟谁能想到在古代开二手交易市场呢？男主真的很聪明。
虽说剧情有点儿套路，但是还是让人觉得哈哈一笑。苏文兴的人性觉醒。以及义务小镇的创意实在是承上启下。保持了赘婿的一贯风格。
延续了原剧欢声笑语的风格，加入了更多现代的商业营销风格，眼前一亮，不错不错。吉吉国王逆袭成主角，演得很不错啊，高甜也可以，还算一部小喜剧。
赘婿宇宙有点意思，制作也不错，演员表演都在线，超出预期。很多梗脑洞都比较大，互联网出来也是笑死，有笑有泪在七夕看还挺应景的，期待一下第二季了。
没有想到竟然还蛮好看的 笑点好多哈哈哈哈 顺便期待赘婿第二部gkd
片里基督像和圣母像被魔鬼附身也是严重的神学错误。圣子圣父圣灵三位一体，是最圣洁所在，魔鬼不可能也做不到去附魔。唯一能解释的是魔鬼说谎了（操控臆想使神父看到虚假的视觉效果）怀疑导演本身并不了解神学。教徒看到觉得非常非常冒犯差点就弃剧。
赘婿系列
龙门镖局里的八斗，加油实习生里的高温若寒。算是比较喜欢俩主演来的。
有几场还怪吓人的，主要氛围还行，至于耶稣圣母集体被附身、恶魔驱上帝，只能说导演很有想法哈哈哈，但是个人感觉有点太扯，在信仰上想标新立异的还是《最后一次驱魔》不错
编剧很用心的把流行词语都塞进去了，另外女主不丑，丫鬟更漂亮。
电视剧水平，打打闹闹挺欢乐，恶搞《背影》加一星！
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