Totally unawares, Saverio, a teacher and Mario, a janitor of the same school in which they both work, travel back in time and find themselves in central Italy at the end of the 15th century. They carry with them an unresolved squabble concerning Saverio’s sister, creating a lot of tension between the two, which will increase in the plot. From this moment on they will have to come to grips with the grotesque situation they find themselves in, trying to "hitch a lift" back to the future in a most outlandish way, using and misusing their foresight of the events taking place round that time, and generally making fools of themselves in the eyes of "normal" renaissance folks. Their meeting with Leonardo da Vinci is hysterical, when they become more and more convinced that the genius is in reality a moron. Another character they meet is Savonarola the heretic, who enjoins them to repent, before he is taken to the stake, eliciting some breezy comment from them. If it weren’t for a weird kind of homesickness, they would quite enjoy living in this period, full of daring fashions and tantalising damsels.
The couple shows great chemistry and is funny in every respect. The psychology of their characters is complex and credible - for once comical roles with a depth. Basically, Saverio is an embittered petit-bourgeois forever attracted and rejected by women, envious of Mario, an easy-going proletarian every woman falls in love with. Saverio is scheming, mean and vindictive as much as Mario is naive, generous and forgiving. What a match of talents: Roberto Benigni and Massimo Troisi at the peak of combined creativity. Too bad they will never come back together for another joint venture. Or maybe it is better this way: masterpieces of this level cannot be improved on, at best they can be imitated. For this reason Non ci resta che piangere will shine like a gem in the crown of the best Italian movies of all times. Sadly not many people seem to have seen it, not even in Italy, where the viewers do not need subtitles to enjoy the hilarious juggling of the two actors with the language, but their body language can be universally appreciated.
If you miss it you will have to repent!
这个题材其实真挺好，算是土拨鼠日那一类型的变种，以一种很荒诞的形式来进行对青春遗憾的追忆跟和解。
在周末的航班上看一部B级美式校园chick flick这件事大概没有人会拒绝了。
美式低俗理想化，纯属为了追忆那些年看的美式校园青春题材电影情怀，是我想多了
真是应了中年少女这个词 表演17岁的心态和动作有些做作 总体上可以接受
岁数大了变丑了这事还挺出戏的 这演员看着不舒服 故事还可以 很欢乐 学生时代就是好 是别人的学生时代 我们的高中怎么可能这么轻松 看看得了
剧情有些太假，但传递的东西不错。这个社会就应该是包容多元轻松的…而不是一潭死水被各种社会压力房贷压力压的喘不过气
比较典型的奈飞片子，亮点都在预告里...女二女儿突然就变好人了，虽然也是反抗她妈加上一些新时代年轻人思想吧，但是过渡还是很生硬
表演中摔伤昏迷20年后的啦啦队长，回到高中誓要夺回本该属于自己的舞会皇后！最终明白，要过上幸福的完美生活，不是啦啦队长和舞会皇后能解决的！
剧情逻辑像一坨屎一样。女主即使瘦下来 演技还是原来那样 感觉所有角色都是一个样。而且她是要演一个精神17岁的高中生，不是一个弱智。整个形象就像一直酗酒发疯的中年妇女。
不太符合实际吧，放在属于爽剧，蒂芙尼的女儿性格不错，长得也好看，但是女主为啥莫名其妙的就喜欢上小黑了？
略显无聊的chickflick 唯一亮点对我来说是Brit的青春梦想最后变成开lyft的alicia silverstone的时候 突然有种超现实的割裂感 但她还是好美哦
前半部分比较差，后面女主的party结束的时候一直到打网约车遇到前舞会皇后是司机的那一段升华了主题，放下过去，珍惜眼前。
我每次看到美国高中生的生活都会觉得新奇和羡慕，尤其这部电影还杂糅了两代人的生活。学生可以尽情展示自我，和老师也只是各司其职的关系。当然电影肯定有美化，但呈现出来的我都挺喜欢的。
几位00后演得还可以，当然还是抛媚眼的大叔们更有魅力。
Fat Amy瘦下来了！还有什么比这个更励志！
下饭看完。超过35岁也能自信自由发光的人生真好
女主瘦太多啦 这部感觉是她比较好的作品诶
布兰妮和艾薇儿的歌一出直接拉回从前，看完有点儿怀念千禧年的那种欧美青春校园剧了。虽然是爆米花电影，但其中对比20年前后的流行文化和政治正确还挺有趣的。
丢掉皇冠，那不是打开幸福的钥匙。满意的生活不是外界的加冕，是靠自己努力的发现。
我为什么会点开看？？乱七八糟的但是又好像有点好看…小妞电影几十年如一日都是这种充满活力的样子，某种意义上挺好的
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