段宜恩 高清

评分:
9.0 推荐

分类: 喜剧片 2006

导演: 迪克·麦斯

剧情介绍

  6 out of 7 people found the following comment useful.
  A brilliant and outragously funny satire of society, 7 December 1999
  Author: Dave Joerg ([email protected])
  "Flodder" is one of the funniest movies ever made and few people realise that it is a Dutch movie made by none other than the Holland version of John Carpenter, the famous Dick Maas, author and director of the thriller "Amsterdamned". The Flodder family is the reincarnation of the term a-social. When the whole family bunch, basically all bastards, criminals and sluts must be relocated from their City slum because of toxic waste under their house, the city council house no choice. The only available space is in the "Zoendal" - the "Sun Valley" the best area in Amsterdam where all doctors, snobs and businessmen can afford to live their lives. And where the central point of interest and politics is the tennis club of the community. The Flodder family brings devastation to the tranquil world that ruled before. They are simply unbelievable. The characterisation is incredibly funny, beginning with Ma Flodder who searches other people's trash cans for food or making illegal liquor in her cellar and ending with the eldest daughter who is the biggest slut on earth. Together they make the most horrible family imaginable, a sort of immoral mirror image to the Brady Bunch or the Waltons. When the City counsel of Amsterdam hoped that the Flodders would show their good will to be more civilised in their new area, it turns out that Holland's most famous family would rather bring out the worst in the rich people of "Sun Valley"-wonderland. The rest is a hilarious, brilliant and well made social satire that can be watched as a provocative movie as well as a straightforward comedy. Dick Maas at his best. I salute him! Flooder was the Dutch smash hit in 1986 and brought two sequels and a tv series. All of the sequels were nice but not as great as the original.
  Flodders (1986) is available on DVD in Germany in a dubbed German version in Dolby Digital 5.1. under the name:
  "Flodders -Eine Familie zum knutschen"
  Why is First Floor Features, the producer of the movie not bringing the Dick Maas blockbusters out on DVD in the Netherlands, I wonder. The are not even available on video there. These movies have so much potential, still to this day and have a huge silent but true following.

评论:

  • 濮夏彤 7小时前 :

    要是个欧洲片能细腻很多,后半美式处理太随意了点。这个片子能在Disney+上看到也是有点奇幻。

  • 皓振 3小时前 :

    塞包包一点也不包子了🥺女生们真的slay 啊

  • 欣萱 5小时前 :

    顶到我了 但没啥特别有意思的东西 剧情太简单了 最后没看懂 chad是谁来着

  • 茂如曼 2小时前 :

    看的6点场,刚刚散场来吃饭。太好看了,电影后半段所有人物串联起来开始哭的稀里哗啦体现了口罩卓越的吸水性。贾玲朱一龙太甜了!!!!!!疫情下每个小人物都特别特别真实,不是一味的真善美,强烈推荐!!!!!!

  • 甲靖巧 5小时前 :

    太强凹造型了,知道你是女导演了。配乐台词表演一切稀烂。演员是怎么做到毫无火花的……

  • 邵梦秋 9小时前 :

    就现在 拥抱吧!

  • 欣锦 8小时前 :

    对于我这种阅惊悚片无数的影变迷态来说,很一般,好的惊悚片都是恶人胜利收场的。导演你个变态拍给主流社会看的吗

  • 郜骊雪 4小时前 :

    就会消融你头上的云涛……

  • 漫烨伟 1小时前 :

    又是一部“别靠近男人,会变得不幸”,“吃女人”这种隐喻也是绝了,以及普通人黛西好美啊

  • 震栋 8小时前 :

    刚开始的时候就知道选错电影了,这种感觉在电影开始5-10分钟就会感受到,这个不是故事情节的问题,而是整体的运镜,剪辑,叙事手法,人物的刻画,全方位乏善可陈,没有任何亮点,人物没有一个能立得住,煽情也是硬煽情,第一次遇到这么尴尬的煽情。看到还有一个小时就想走。垃圾片中的垃圾片。要不是抗疫的电影,就直接给一星了。绝对不要看这种垃圾片。评分会在4.5-5分是合理水平。中途居然有几个人走,这种情况绝对罕见,可想而知电影差到什么程度。

  • 续安康 2小时前 :

    穿过寒冬拥抱你…………简直每分每秒都是穿过大荧幕杀了我 烂到令人痛心 烂到匪夷所思 烂到我都不知道这种电影到底有什么存在的必要。豆瓣到底什么时候能打负星啊?

  • 诺成弘 7小时前 :

    别相信任何约会软件。

  • 腾迎海 6小时前 :

    谁说这种简单的爽烂片看着不爽了?没抱任何期待的打开但竟然意外的舒服,就,有时候别看太牛逼太复杂太艺术的电影了,看点这种简简单单新鲜刺激俗套的电影也蛮放松的,真的观感很舒服,我觉得很好的片子啊6分有点低了我说实话。。更何况男女主颜值都那么高,尤其女主,简直是梦中情人白月光初恋的感觉,心动死了。很血腥恶心变态一个故事但是却拍的特别绅士美好高雅,也是很绝。最后再感叹一下女主太美了太美了太美了为了她我都想看normal people了。

  • 诗凝思 4小时前 :

    涉及的元素挺多的,“汉尼拔”啊,“斯德哥尔摩综合症”啊,社交媒体啊,暗网啊,心理恐怖啊,肉体恐怖啊,都是不错的尝试。

  • 路向露 3小时前 :

    实在是题材太加分了,即便拍出来的东西不太真实,还是被感动到了。大概是因为当时,离武汉的疫情太近了吧。

  • 琦朗然 3小时前 :

    一部有温度的电影,有欢乐有泪水,都给了叶老师。这么多有太多惊喜了!想不到朱一龙这么有喜剧细胞,叶老师和武哥的爱情如此之甜!很多场景都能感同身受,在武汉疫情刚刚爆发下,大家最初恐惧无助,到齐心协力,互帮互助,用爱在寒冷的冬天温暖着彼此。

  • 瑶函 3小时前 :

    等奇异的晨光一旦升起,

  • 诸葛慧君 7小时前 :

    喜剧元素和惊悚猎奇元素平分秋色吧,没有特别突出的点,节奏确实慢了些,我不喜欢结尾非要回去拿手机这个设计,但是最后一秒这个短信真的又很有趣味~

  • 那瑞锦 5小时前 :

    我们叶老师又是白月光,看得我很是揪心,本片基调真的非常温暖。

  • 香桃 9小时前 :

    很有意思的视听体验,镜头捕捉到那些虚晃与迷离中的眼与嘴,试图讲述男性社会对女性身份的剥夺与伤害,以及对女性肉体的物化,但这一寓意不知是有意还是无意,被导演轻巧地带过,很快滑向了传统的血浆片。结尾的结婚梗意外好笑,一个试图吃你肉的男人也抵不过他结婚了让你更加心碎💔 (以及黛西真的太像夏洛特甘斯布啦!下一部简爱她不演我就不看)

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