Martin (John Amplas), a young man who looks around 20-years-old, boards a train in Indianapolis, Indiana for New York. At night, he breaks into a sleeping car and sedates a woman with a syringe full of narcotics. She struggles, but he tells her not to struggle or be upset because she wont feel pain. After a few minutes, the woman falls asleep, and Martin has sex with the unconscious woman. Afterwards, he slices her wrists with a razor blade so he can drink her blood. The woman bleeds to death in her sleep.
In the morning, the train stops in Pittsburgh, Pennsylvania where Martin disembarks. He is met by Tata Cuda (Lincoln Maazel) an elderly and hostile old man who claims to be his cousin from the Old World. Together, they travel by another train to the town of Braddock, a dying industrial suburb. They walk to Cuda's large house where he shows Martin his living quarters. Cuda then accuses Martin of being an 84-year-old vampire from his old country. He has taken in Martin because he is family, but tells him, "First I will save your soul. Then I shall destroy you." Martin denies being a vampire and implies that Cuda is merely his uncle rather than his cousin. Cuda then puts up strings of garlic on the doors to his and his granddaughter's room, and then holds up a small cross when Martin approaches him. Martin takes away the cross, and even takes a bite of the garlic mocking these attempts by saying bitterly, "There's no real magic... ever". Cuda tells Martin that he can come and go as he pleases. But he also warns Martin that he will kill him if he kills anyone in Braddock. He also tells Martin to stay away from his granddaughter Christine (Christine Forrest), whom arrives home from her job that evening.
Cuda introduces Christine to Martin, but also warns her to stay away from him. But Christine instead strikes up a friendship with Martin who confides in her about his vampire heritage. When Cuda later confirms Martin's claims to be a vampire, Christine, not surprisingly, refuses to believe either one. She thinks that Cuda and the other members of her family have driven Martin to insanity by making him think that he is a vampire. It is never revealed if Martin really is a vampire, or just a shy and lonely youth with troubled issues. Christine is the only person that Martin gets the courage to talk to. When Christine's boyfriend Arthur (Tom Savini) arrives at the house for dinner, Martin stops talking and backs away despite Arthur's attempt at a conversation. Christine later confides in Martin that she hopes to leave Braddock someday with Arthur, even though Martin points out that Arthur treats her badly and is both verbally and physically abusive towards her.
When Christine sees that Martin won't talk to anyone else, she buys him a phone which he installs in his room. Martin begins to repeatingly call a radio talk show where he describes what it's like to be a vampire. He becomes known on the radio as "the Count" to all the listeners. But the patronizing host (Michael Gornick) thinks he's just crazy.
Martin gets a job at Cuda's grocery store of stocking shelves, hauling boxes around, and even gets to be a delivery boy for some of the customers. One of his customers is a certain Abby Santini (Elyane Nadeau), who becomes taken in with Martin. She is a very friendly young woman who is depressed when she tells Martin that her husband is unfaithful. But Martin still does not have the nerve to talk with her, so she is happy to have someone to confide in with her life problems. Martin phones the radio show host to describe his infatuation with the housewife and senses that she wants to have sex with him. When the radio show host asks Martin if it is a sexual problem that he has involving women criticizing him during sex, Martin replies that he has never had sex with a woman who was awake.
One day, Martin travels by train to outside Braddock to look for victims. At a supermarket, he follows a young woman (Sarah Venable) home to her posh suburban house. He sees the woman's husband (Richard Rubenstein) leave for a long business trip, and Martin decides this would be the right time for more feeding. Martin returns to the house after dark and breaks in through the garage door. But it is Martin who gets the surprise when he bursts into her bedroom to find her in bed with her adulterous lover Lewis (Al Levitsky). After a vicious struggle, Martin jabs both of them with hyprodermic needles with narcotics, and waits for the drugs to take affect. He drags the unconscious body of Lewis from the house to a clump of trees across the street where he kills him by shoving a broken tree branch into his neck and drinks his blood. Martin returns to the house where he has sex with the unconscious woman. But out of compassion and pity, he decides to let her live.
Martin begins to have romantic monochrome visions of his vampire past (real or imagined), where he drained blood from a young woman and was chased through the streets of a nameless European town by a torch-lit mob.
During one Sunday at church, Cuda brings home Father Howard (George A. Romero) who asks him about the possibility of exorcism and demon possession. Father Howard calls upon the elderly Father Zulemans (Clifford Forrest, Jr.) over at Cuda's request. Together, Cuda and Zulemans confront Martin his bedroom and attempt to perform an exorcism on him. At this point, Martin remembers (another real or imaginary flashback), in the Old Country of people trying to perform an exorcism on him, and he flees them. Martin then flees from Cuda and Zuelmas as well. A little later that night, Martin terrorizes Cuda in a children's playground when he puts on a Dracula cape and puts false fangs into his mouth to pretend that he really is a vampire.
One day, Martin finally musters the courage to talk with Mrs. Santini during a routine delivery to her house where he tells her that he's aware of her attempts to seduce him and wants now to have sex with her. After having sex for the first time, Mrs. Santini becomes more depressed for she tells Martin that her husband just left her because she discovered that she cannot bear children, and that her desires towards him are based on sex and nothing else. But Martin wants to stay with her and help her move on with her life. Martin tells the radio show host about his affair with the housewife and that he no longer has the urge to attack other women.
Meanwhile, Arthur meets with Cuda and tells him that he wants Christine to leave town with him so they can get married and start a family. But Christine becomes angry at Cuda when he tells Arthur that insanity runs in their family and he shouldn't consider having children with her. Shortly afterwards, Christine packs up and leaves Braddock for New York with Arthur despite Martin telling her that Arthur is abusive towards her. But her mind is made up. Before leaving, Christine tells Martin that she really has no ill feelings towards him and just wants to make a fresh start with her life. She says goodbye to him and promises to write. But Martin knows that with an abusive and possessive man in Christine's life, she probably won't.
Depressed over losing his one true friend, Martin phones the radio show host and tells him that he's getting "shaky" and wants to go out looking for more victims. That night, Martin travels to a rough crime-ridden area of Pittsburgh and attacks two derelicts in a alley, injecting them with narcotics. He kills one of them by silting the bum's wrist and drinking his blood. Martin is about to kill the second one when a police car shows up and gives chase. Martin narrowly escapes during a long chase on foot which leads from the garbage strew streets and through a local store. Martin runs into an old warehouse where a drug deal is going down. A shootout between the two cops and the three thugs begins where all of them are killed, leaving Martin as the sole survivor who casually walks away from the carnage.
One day, Martin finds Mrs. Santini dead in her bathtub, after she had slit her writs with a razor blade. Martin anonymously calls the police to report the body and leaves. He phones the radio show host one final time to say that he really doesn't need friends or people to talk to for he is his own person. But when Cuda learns about Mrs. Santini's suicide, is mistakenly thinks Martin killed her and made it look like a suicide as he's done before. Cuda walks into Martin's room while he is asleep and kills him by hammering a wooden stake through Martin's heart.
Cuda buries Martin's body in his back garden, while over the closing credits various voices from people are heard talking to the radio show host asking the whereabouts of "the Count".
虽然时长不太长，但是制作水准很高，各种装备非常炫酷，狗子的各种毛发效果和表情也非常牛逼，阿奇成长的剧情很老套，但是也足够了，非常高水准的电影工业产品。
熙地港奥斯卡VIP厅，薯条小朋友第一次影院观影
情节简单，也有一定的教育意义。美中不足的是配音跟电视上的有点差异，
看了开头和结尾，中间睡着了。儿子看的很激动
音效和配乐确实是一部电影应该有的样子，平淡的剧情在其衬托下居然让人有激动的感觉。别看好莱坞在疫情之下有疲软的趋势，但是他们成熟的专业程度还是值得国内业界学习的。最后吐槽一下人物，莱德一开始是典型的无能领导，给员工分配不符合其能力的任务导致团队陷入危机。但也是个很讲心机的领导，他强大的洗脑能力使员工超常发挥，拯救了自己。电影对川普的吐槽，算是给陪孩子看的家长们的一点安慰吧。anyway，女儿开心就好
6.5/10。非常适合儿童观看的电影，小狗都好萌。看到一只只狗狗驾驶着酷炫战车在轨道上飞驰，我心里在想：这个玩具会大卖吧哈哈哈好世俗的人。唯一的弧光是警察小狗，但挫折太直白，解决太直白了。猫又一次成为反派，我们猫猫什么时候能站起来！
居然还挺好看的？？儿子看到阿奇脱队关到训狗所的时候居然流眼泪了……真是一个感情细腻丰富的男孩子
当恐龙这个IP失去了童趣，不再适合大人小孩一起看的时候，就只值 ⭐⭐⭐ 了，多一 ⭐，只因为上次走进IMAX影厅已是去年10月。
很棒的电影。好莱坞对待每一步电影都用心，对孩子的事情没有自上而下地俯视，而是take it serious. 配乐也格外优秀！
还行，制作挺精良的，故事对于小孩子来说也够用了。还是传统的拯救世界套路，适合5岁娃看
弟弟看的很开心，整体结构很大片。
又是一个情怀系列的落幕。人们想看恐龙，你就多拿点恐龙出来看嘛，硬要走剧情，剧情又杂乱略无聊……不过一些熟悉的场景还是会让人会心一笑，追车戏那段挺不错，迅猛龙的戏份太少差评，博士洗白差评，最后强行一波生命大和谐宣言差评。
汪汪队一直是儿子的最爱，我也能一直看这群小狗的冒险！感觉电影版无论画风还是剧情都非常好！而且能看到阿奇的成长过程！非常正能量！小孩易懂，大人也不会看得无聊！非常棒！太可爱了，汪汪队们！
通过与恐龙共存来维持生态平衡，这明明是个很宏大的主题，但是这电影主线不是杀蝗虫就是教育叛逆期女儿…虽然与恐龙相关的动作惊悚戏还是很多，老版三部曲主角全部回归，还有不少致敬的地方很会卖情怀，但跑题太严重，那么宏大的故事主题跑到那么小的故事格局里，作为侏罗纪系列粉丝真的感到失望…
导演为了表现zzzq，给女黑群演，男黑群演，亚裔男群演，各一个大大的特写。求生欲满满。
什么？Kim Kardashian演的谁啊？
南方巨兽楼被拍得毫无气势，大概就是本片失败的缩影
新总部，新装备也蛮炫酷的。
比上一部大电影强多了 上一部是1.1版 这一部是2.0版 反正我家娃娃看的很开心
又是一个情怀系列的落幕。人们想看恐龙，你就多拿点恐龙出来看嘛，硬要走剧情，剧情又杂乱略无聊……不过一些熟悉的场景还是会让人会心一笑，追车戏那段挺不错，迅猛龙的戏份太少差评，博士洗白差评，最后强行一波生命大和谐宣言差评。
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