Ten years ago, Ginny (Toni Gonzaga), an Architecture student, and Marco (Piolo Pascual), a History professor, began a one-of-a-kind and unpredictable love story. In the five years that they were together, they brought out the best in each other, which included Marco's unrealized dream of becoming a chef. Together, they worked towards their dream of opening up a restaurant, but when Ginny realized her own pursuits were different from his, she rejected his wedding proposal and left the country for a Masters degree in Architecture. At present, Ginny co-owns a one-stop Architecture and Interior Design firm specializing in Restoration. She receives an email from Marco, which was written and sent after their break-up, meant to be read four years later. It makes her feel even more regretful of leaving the love of her life. When their firm receives an offer to restore an old house into a restaurant, she is ecstatic to learn that Marco will be co-owning the restaurant. She takes this as a sign...
嘶……非常暧昧……演员水平≈拍摄水平>>故事。崔宇植做到了角色抛脸，熊叔等一众帅叔依旧不负所望。
谁不想要个温柔舅舅呢？
大本和小泰倾尽全力的表演，一首接一首的老歌金曲串烧，再多温情的梗都没法挽救这部平庸流水账式的回忆录，原著没看过，再一次证明畅销小说并不是好电影的必要条件。
乔治克鲁尼好多电影都是这样 没有明显的头尾 像是一本拿起来从哪里开始读都可以的书 还不错
男主和舅舅没啥化学反应，整体就是不知道重点你要讲什么。
不知道为什么这么好玩的片子居然只6.5，Role model Uncle Charlie
cws西装➕黑框眼镜的妆造不错，that‘s all
35/100 好无聊，原来是乡巴佬劝学片，这种糖水拍法实在甜到掉牙。一部传记片变成了成长片，结果还是人生导师型的角色作主线，全片全靠大本嘚吧嘚，又是流水账又感觉乱的要死，混几个演技奖提名得了。
Oh. I actually kinda liked it... made me laugh. Acting feels a bit forced, not sure about this casting, story itself is probably more entertaining/touching through words than a big screen, I guess
男人成长需要坐标，更多的是需要指引和男人间那种独特的鼓励
节奏迷惑。但是宇植和赵震雄那种莫名的父子感还挺有意思的。
在你迷茫的时候有他，在你开心的时候也有他，他会出现在你人生中每个最重要的时刻。你的家人，会陪着你。
剧情太老套了，设定也太老套了，在韩国满是犯罪电影，这里的设定依然同质化，甚至毫无新意。剧情人物反转都能猜到，小男主的演技很中规中矩，赵震雄的角色也是比较脸谱化。
老乔导的这些片儿怎么都这味儿，不痛不痒的。凑合看吧。
永远不要打女人 ٩(✘д✘๑;)۶
故事的宿命感被松散的剪辑打破，演员的个人魅力超越文本本身的吸引。
乔治克鲁尼早期导的片子有几部还有点意思，后期越来越平庸，言之无物。
没有女主的硬菜啊。
sweet & slow。 配乐好好听。 大本老了，不过还是很帅。
The last thing you need when moving to live in Manhattan is a Cadillac convertible.
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