A witty, exhilarating and mind-expanding exploration of the word of our times - data - with mathematician Dr Hannah Fry. Following in the footsteps of BBC Four's previous gleefully nerdy, award-winning maths films The Joy of Stats, Tails you Win - The Science of Chance and The Joy of Logic, this new high-tech romp reveals exactly what data is and how it is captured, stored, shared and made sense of. Fry also tells the story of the engineers of the data age, people most of us have never heard of despite the fact they brought about a technological and philosophical revolution.
For Hannah Fry, the joy of data is all about spotting patterns. She's Lecturer in the Mathematics of Cities at UCL as well as being the presenter of the BBC series Trainspotting Live and City in the Sky, and she sees data as the essential bridge between two universes - the tangible, noisy, messy world that we see and experience, and the clean, ordered, elegant world of maths, where everything can be captured beautifully with equations.
Along the way the film reveals the connection between Scrabble scores and online movie streaming, explains why a herd of Wiltshire dairy cows are wearing pedometers, and uncovers the remarkable network map of Wikipedia. What's the mystery link between 'marmalade' and 'One Direction'?
The Joy of Data also hails the giant contribution of Claude Shannon, the American mathematician and electrical engineer who, in an attempt to solve the problem of noisy telephone lines, devised a way to digitise all information. It was Shannon, father of the 'bit', who singlehandedly launched the 'information age'. Meanwhile, the green lawns of Britain's National Physical Laboratory host a race between its young apprentices in order to demonstrate how and why data moves quickly and successfully around modern data networks. It's all thanks to the brilliant technique first invented there in the 1960s by Welshman Donald Davies - packet switching - without which there would be no internet as we know it.
But what of the future, big data and artificial intelligence? Should we be worried by the pace of change, and what our own data could and should be used for? Ultimately, Fry concludes, data has empowered all of us. We must have machines at our side if we're to find patterns in the modern-day data deluge. But, Fry believes, regardless of AI and machine learning, it will always take us to find the meaning in them.
刀刀溅血，杀人不废话，布景用心有质感，动作利落无慢镜，光凭这几点就完胜热搜上的一堆古装剧。PS：回马枪真是YYDS！
网络，原声，127分钟。
剧情较之第一部也是薄弱得多，完全奔人了，好在有制作撑着，看个热闹。（周啊，什么时候脱离选本怪圈(>_<)）
韩式电影起码在「拿来主义」上越来越有东方好莱坞（或者宝莱坞）的强调，以闹剧为主题的娱乐片虽然毫无营养却也有模有样。
我觉得还可以的，剧情还是很流畅的，就是剧情有点不饱满。但是比起现在一大推垃圾电影，这个电影还算是正宗的侠客电影了。整体还行有锦衣卫的感觉。剧情线路好单一
侠之大者，为国为民。这部片子里的侠不是大侠一类，林大卫更逼近于现实中我们面对的生活。为生活刀口舔血的，拿起了刀，就放不下了。恩怨情仇伴随林大卫的一生。
李光洙装疯卖傻，韩孝周扮酷耍帅，拙劣的特效与《无极》有得一拼。我强烈怀疑这部电影里的牛群是从《无极》里拷贝过来的。
太儿戏比前作差太远狗尾续貂--光洙真是扛大梁了哈哈，权相宇反派帅的不行
一群海盗不停换地方找宝物，很多情节支离破碎，突兀的出来。李光洙真是本色出演
场景就全靠特效啊，尬出翔，怀疑这是跟日本人学的演技，韩孝周个甜腻女主学什么孙艺珍啊，四不像，非得加感情戏，加的莫名其妙
看完片子我不确定这到底是不是网大，归为网大，觉得品质远高于网大，但故事情节略显粗糙，内容一般，比起同类型不够引人入胜，角色像是从各个片子借鉴过来的，男一猛一看像张震，写死了有点可惜，隔壁绣春刀至少张震还拍了两部，查了下男一没什么作品，应该是个新人，型很好有前途。总的来说近年来较好的武侠片了，还是值得一看。
片中的林大卫很单纯，刀口上混饭，是没有其他的技能找不到工作，为了家人能生活好些，不适踩界。人物非常贴近现实生活。西方的武术打斗场面是一个亮点。
以为《海盗2》和《海盗》在剧情上有所关联，所以特地先去看了《海盗》再来看《海盗2》，实际上，两部电影在剧情上毫无关联，无非就是海盗寻宝那些破事儿，所以没看过《海盗》的朋友们可以直接开始看《海盗2》了！
难得中途弃的电影，只想说喜剧不是谁都可以演好的，比起正剧、悲剧，喜剧真的难上不少，这剧尤其男主搞笑实在太尬了。
还行吧，就是真的太吵了，韩国人太爱喊叫了，有点受不了。
和前作一比，确实很一般，无论演员还是剧情……
普普通通而已，有点失望。可能因为李光洙而期待高了。
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剧情虽然略显平淡，但是武打实在是非常真实，这段时间算是最好的武侠电影了
看完有两个疑问：一是韩孝周怎么这么好看，二是她怎么会在这么个电影里面。
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