Synopsis
"Falsely accused as the murderer of my own husband... Oh, the cruel machinations of fate!" A female teacher (Lee Yong-ae) gives shelter to an escaped convict, but her husband, misconstruing her intentions, reacts violently and accidentally stabs himself to death in the process. The teacher is charged with her husband's murder, but fortunately the prosecutor on the case is a former student of hers, of whom she had taken painstaking care when she was working at an elementary school. Remembering her kindness to him, the prosecutor uncovers her innocence in court, and she is acquitted of the crime.
Notes
"A silent movie that allows us to examine the narrator-accompanied method of 16mm films" (Chung Jong-wha)
A Public Prosecutor and a Teacher is familiar to us for the performance of Shin Chool, Korea's last silent movie narrator (known as "byeonsa"in Korean). Numerous critics have recommended the film, praising it as "a silent movie that allows us to examine the narrator-accompanied method of 16mm films" (Chung Jong-wha), "the work of Korea's last silent movie narrator" (Kim Hong-joon), a movie that "reflects the public's consciousness and has great historical value" (Lee Seung-hun), and "the archetypal new-school film" (Chung Sung-il). As evidenced by such commentary, A Public Prosecutor and a Teacherenjoys greater recognition for its historical value as the only surviving silent movie in Korea than for its artistic or technical aspects. What is ironic is the fact that this recognition derivesfrom a production and screening method that fell behind the times, as sound films (or "talkies") had already become the norm when the movie was first made. Its inclusion in the list is therefore based on its historical, social context rather than on the film itself.
Afterword:
- Narrated by Shin Chool, who is known as Korea's last silent film narrator, A Public Prosecutor and a Teacherhas been screened at several film festivals since the latter half of the 1990s.
小时候没看过原著，也不是郑渊洁粉丝，剧情对于大人来说满场bug，千疮百孔，但是小朋友看的很认真，很投入，他们开心就好
陪儿子去电影院看的，作弊描写真的有点多，最后火灾也处理的有点潦草，但是还是挡不住是部好剧，讽刺分数主义至上，讽刺应试教育，看到最后有泪花。
特效一般，表演的效果其实也挺浮夸的，但是我自己看的比较开心，这片子适合小学以下的小朋友以及家长。PS：彩蛋更有意思，小人进了巨人国即视感。
虽然是陪孩子去看的，但其实孩子是陪我去圆梦的。小时候太喜欢童话大王了!
我们每个人都不是完美的孩子。这句不错。
在不知不觉间，我已经完全从孩子蜕变成了家长。曾经以为我能理解他们，现在才发现自己和曾经讨厌的家长没什么两样。如大逃杀里讲的一样，大人和孩子是对立的，理解是暂时的，战争是永远的。
这个皮皮鲁选的有点问题，比较适合动画片，不太适合真人版
“我是第一小学校长”
《童话大王》绝对是我最小时候的付费文学，为郑芭比打call，上尉还赚了一把热泪。
拍的很程式化，该怎么样的地方就怎么样，适合三到六年级小朋友观看。
罐头小人是皮皮鲁和鲁西西系列里我最爱的故事！并且在原著基础上稍有改编，情节更紧凑，环环相扣适合作为电影来呈现。鲁西西为了保护小人儿放弃考试，上尉为了保护鲁西西选择跳下去的时候，我看到了爱是相互牺牲。不止成绩是评定小孩子的标准，希望每个小孩子都能勇敢，正直，懂得爱！还有我最爱的小孩，如果时间可以倒流，我想打你家的电话告诉你，不用当聪明宝宝，要当快乐宝宝😭
片尾是呈现这部影片的部分拍摄情景，觉得挺好的，能看看拍摄手法和一些特效是怎么弄出来的，而且也能感受到导演的用心
“我是第一小学校长”
也不知道小孩子看了之后有啥正能量可学习的，都想要个哆啦A梦和神笔马良？
1.好久没看电影了，我觉得还挺好看；
这么多年过去了，问题还是那些问题，我想不出答案。唯一的答案可能就是活着。
与其说是拍给孩子看的，不如说是做父母的来了遍郑渊洁童话回忆杀，小演员们都很给力，入戏很自然，情节惹人哭哭笑笑的，但旁边的娃却只顾吃爆米花没有太多反应……由于年代设定，大概孩子们已经不太能理解上个世纪的教育观了。
虽然剧情比较低幼，而且特效一般，但不妨碍它是一部寓教于乐的片子。电影难能可贵的保留了郑渊洁童话里的荒诞喜剧和讽刺批判，在一众不知所云的儿童片中很是出彩，算是比较大胆说事的儿童片。
有种网大的感觉，工业水平确实粗制滥造了，但很多地方还是值得鼓励：小演员的表演很生动自然，一些微表情都很到位，整体保留了郑渊洁的气质，对应试教育提出了辛辣的讽刺和批判。然而今时不同往日，80年代的教育问题未必完全映射出今天的教育行业，但导演和郑老显然都对今天的校园知之甚少。儿童电影不好拍，从花絮和成片来看，我认为导演在技术上还是可圈可点的，但剧组确实肉眼可见的没钱也是真的……
国庆一家人一起看，讲述皮皮鲁和鲁鲁西西跟五个罐头小人的友情，互助故事，情节的学校考试，老师，家长对孩子要求，像极了现实，不过还好有最后好学生的定义，有爱，有勇敢，有努力的学生，女儿看着搞笑又紧张。
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