Michael Hanake meets the Blair Witch Project in Kim Gok's Exhausted, a vicious kick in the pants to everyone in the audience, all in the name of "style." A man meets a mute woman, and as any reasonable person would do in such a situation, makes her his prostitute. But the pimping is the least of our problems. As we get exhausted by the grainy faux-16mm camerawork, the film gets increasingly deranged. The closest thing we get to a sympathetic character is the pimp, simply because he's got too much self-respect to fuck a mute whore. Everyone else is either a gory mess, or a gory mess in disguise. Even the prostitute, which even a thug like Lars von Trier would make likeable, comes off as a delirious scary woman whose shrieks strike like blows to the jugular.
Kim Gok has seemingly abandoned the Marxist critiques of his short films, going instead for mindless brutality which culminates in an endless bloody freak-show involving, among other things, a pair of scissors going where pairs of scissors should not go. In the middle of the bloodbath, we get an extended long take of the beaten prostitute's near-dead face, but it does not elicit sympathy or pity. In fact, images of the victim only make us shy away in shock. (Indeed, the extended sequence led to continuous walk-outs during the Pusan screening.) The long take invites us to stare, but it assumes we're as sadistic as the victimizer (and the film) is. Meanwhile the sound-effects (mostly a rumbling bassline that shakes the theater) pulsates with pure wickedness. With Hanake, shock creates reflection, which asks that we be critical. Here, we only want to escape. I suppose Exhausted has some virtues; the shots of drilling machines and factories provide a mesmerizing phallic backdrop to the pimp and prostitute's pursuits. But everything else hurts too much. At least Kim Ki-duk lets us breathe. Exhausted makes Bad Guy look like Lady and the Tramp. (asiaarts.ucla.edu)
剧情感人，时间跨度大，节奏不拖沓；部分细节因过于文艺而导致失真；这样的支教真的令人钦佩。
可怜的女主哥哥，到最后没能拥有爱情，而是选择用生命去守护了自己爱的孩子们，想看以女主哥哥为主要人物的藏草
演员选的不错，感觉都是真的藏区人一样，打扮口音什么的给我的观感就是很自然没违和感
比较着重刻画感情吧，挺温情的，但是根据我个人口味来看剧情就比较平了。
一部温情而质朴的影片，藏区的孩子们淳朴善良，韩松老师也是为了藏区的未来而努力，克服重重困难。
没看够，希望能出第二部，以其他角色为主视角，多拍几部续集
在自己身上可能都没有那么伟大，为了藏区孩子奉献自己的一生，现实生活中应该也是有原型的吧？
女主真好看，男主随意哈哈，除了剧情有点儿墨迹之外，其他都是很不错的，想体现的太多了，最后就会有点乱
看完很感动，现在的城市生活太嘈杂，却很少有人能够静下心去到一些偏远的地方生存，韩松虽然进入藏区，途中的种种困难很难不令人放弃，但是藏区的人民之淳朴，待人之真诚。希望有越来越多的人可以看到，可以重视教育资源不均的问题，可以帮助他们，可以帮助他们的未来。他们的内心是干净的，是充满对未来无限憧憬的。
也许我应该休息休息，好好的体会下生活，体会下草原的风光
虽然是风情画式的情节，但男女主的感情很动人
后期想打编剧，表演真实，感情细腻，风景美丽。
本片讲述了第一代西藏支教的老师的故事，以前的支教条件特别差，还有恶劣的外部环境，能坚持下来都很不容易。经过很多无私奉献的老师还有当地人民的不懈努力，西藏人民的教育条件，生活条件得到巨变。一部很温情很感人的电影，值得观看！
韩松老师真的好辛苦，学校里只有他一个老师，数学，语文，英语都要教，太难了吧！
这部电影该说是励志呢？还是不励志呢，总感觉差了点意思，比起励志好像被逼无奈
还可以，个人蛮喜欢这样的电影，前期看起来舒服，支教老师确实很不容易，看到后面压力有点大，有比较多的天灾人祸，情绪起伏比较大，人生也是这样吧，抵挡不了的事，那只能接受
韩松母亲临终对他说：你的心在哪里，家在哪里，爱在哪里，哪里是家。这是亲情的伟大！
近期观看体验比较好的电影之一，没有那么多浮夸的特效和跌宕的情节，但就是看的让人流眼泪
一部很感人的电影 不为什么 只有一颗炙热的心 想让藏区孩子受教 一群朴实的孩子和老师却让人记忆深刻 从前天很蓝 日子很苦
西藏的风景太美了，一生一定要去一次的地方，这部电影聚焦了很少被关注的支教教师，值得一看。
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