Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
新晋队员以及更新装备意味着新一轮韭菜等待收割～
谁是妈妈的乖宝宝呀？我以后绝对是能说这句话的人 给我的狗勾
还不错，比动画片精致好多，偶尔还有点小帅。反正儿子看得很开心。
经典超级英雄的套路，寓教于乐挺不错的，邓一朗入了汪汪队宇宙的坑，观影途中几次泪崩
完整的故事情节,立体的人物成长线,笑点密集且正能量。
欧美动画片已经退步到还没五年前的喜羊羊会与灰太狼大电影好看
选角奇奇怪怪，剧情零零碎碎，强行收尾，收割情怀，近年好莱坞大片有的毛病一个不落，真的是白瞎这阵容和题材了
陪娃看的……画面相比TV版明显有了肉眼可见的明显飞跃。剧情么还是那个样子，甚至节奏都和TV版差不多。唯一的亮点，就是狗狗问莱德为什么有钱在大都市中心建一个那么高大上的基地的时候，他说“旺旺队的周边卖得很好，赚了很多钱”[Doge]
娃第一次在电影院看电影，看完直呼还想再看一遍。当看到狗狗们从新总部出动的时候，那酷炫的滑梯给我都整激动了，哈哈，没有困难的工作，只有勇敢的狗狗！
孩子第一次去影院看的电影，第一次陪孩子看的动画电影，画面、情节都很好！
- 啊哈，是替翰迪纳市长擦屁股的故事，也是小狗阿奇面对旧日的回忆，战胜童年阴影的故事。
中间一段恐龙跑酷追主角团，看起来像侏罗纪版速度与激情。人类有坐骑，恐龙追不上，人类用腿儿跑，恐龙还是追不上。
剧情简单，善恶好辩。羡慕小孩的天真无邪，成年人的世界几个小孩懂？
//补一下半个月前的影评
音效和配乐确实是一部电影应该有的样子，平淡的剧情在其衬托下居然让人有激动的感觉。别看好莱坞在疫情之下有疲软的趋势，但是他们成熟的专业程度还是值得国内业界学习的。最后吐槽一下人物，莱德一开始是典型的无能领导，给员工分配不符合其能力的任务导致团队陷入危机。但也是个很讲心机的领导，他强大的洗脑能力使员工超常发挥，拯救了自己。电影对川普的吐槽，算是给陪孩子看的家长们的一点安慰吧。anyway，女儿开心就好
这是闺女第一次看电影，两岁三个月12天，竟然没有怕黑，看的很开心。
//补一下半个月前的影评
如果我要讲述一个故事，让这个故事在后世传播，那么，这个故事为什么不是一个关于爱、关于成长、关于勇气和友情的故事呢？这世间太多嘈乱，难道说，我还要创造、编造和制造更多嘈乱，告诉那世间的人们，你们生活在嘈乱之中吗？当然不，我选择，相信汪汪队。
我娃第一部电影！居然能老实做了1个多小时！
- 电影终于解答了我一直以来的疑惑，莱德的“钞能力”是哪里来的。他提溜着印有狗狗的T恤说：卖狗狗周边赚的钱。
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