"Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series." ~ Mark Deming, All Movie Guide
"The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport both in their professional and daily lives between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps.
The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial." -Steve Grayson
"my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty." - Jonathan Rosenbaum
奈飞的手和气魄……人类总是在做那些无意义的压制和自我感觉良好的事
自由的代价是昂贵的,一场以为是抢劫银行的故事竟然是为了纳尔逊·曼德拉的谈判。
如果可以更无畏就好了,如果可以能够无畏就好了。
追求自由的故事总是让人向往、感动。Captain, what's the price of freedom? I don't know. Everything.
真实事件改编,借一次所谓的恐怖事件,反映当时南非的种族黑暗……影片的细节刻画也很出色,人性的种种令人唏嘘。
如鲠在喉
只要我们有一个人被拷着,就没人拥有自由。
建立在谎言之上的形象,都是假象。
这个片最好看的还是友情部分 最喜欢的是男主那个好朋友 真是完全正面的角色 正面且…炮灰 好善良的女主 好善良的炮灰 日本人刻画中学生友情真是有一套的
代入感很强,很刺激万万没想到的是那结局还以为会抵挡第二波攻坚,结果自己走出去了
自己人也杀,还是漂亮小姐姐,政治永远是黑暗的。
任何一个同性恋都会有共情,都会被感动的片子。虽然很俗套,但是谁不想有人为自己这样挺身而出?
披着警匪片的政治讽刺片,虽然有些bug,但整体还不错
很清新、温柔的作品。虽然不是bl的世界,但也是美好的,或者说呈现的方式是美好的。
这种电影从电影工业角度没什么可说的,无非就是在有限的场景里依靠演员和矛盾冲突把故事与观众紧密的带入到一起,引起共情,达到最佳的影像效果
Everything!
整部电影恐怖分子一直站直正义,搞不懂被挟制的人质各种作死
南非本土人民为自由,尊严而战。应该给四星。
anna太好了吧,我是男主硬掰也得给掰直了
被厚重刘海遮没的睫毛,关于摩擦力的例子,暴力的对立与和解——都好熟悉,都不想再看
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