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A brilliant and outragously funny satire of society, 7 December 1999
Author: Dave Joerg ([email protected])
"Flodder" is one of the funniest movies ever made and few people realise that it is a Dutch movie made by none other than the Holland version of John Carpenter, the famous Dick Maas, author and director of the thriller "Amsterdamned". The Flodder family is the reincarnation of the term a-social. When the whole family bunch, basically all bastards, criminals and sluts must be relocated from their City slum because of toxic waste under their house, the city council house no choice. The only available space is in the "Zoendal" - the "Sun Valley" the best area in Amsterdam where all doctors, snobs and businessmen can afford to live their lives. And where the central point of interest and politics is the tennis club of the community. The Flodder family brings devastation to the tranquil world that ruled before. They are simply unbelievable. The characterisation is incredibly funny, beginning with Ma Flodder who searches other people's trash cans for food or making illegal liquor in her cellar and ending with the eldest daughter who is the biggest slut on earth. Together they make the most horrible family imaginable, a sort of immoral mirror image to the Brady Bunch or the Waltons. When the City counsel of Amsterdam hoped that the Flodders would show their good will to be more civilised in their new area, it turns out that Holland's most famous family would rather bring out the worst in the rich people of "Sun Valley"-wonderland. The rest is a hilarious, brilliant and well made social satire that can be watched as a provocative movie as well as a straightforward comedy. Dick Maas at his best. I salute him! Flooder was the Dutch smash hit in 1986 and brought two sequels and a tv series. All of the sequels were nice but not as great as the original.
Flodders (1986) is available on DVD in Germany in a dubbed German version in Dolby Digital 5.1. under the name:
"Flodders -Eine Familie zum knutschen"
Why is First Floor Features, the producer of the movie not bringing the Dick Maas blockbusters out on DVD in the Netherlands, I wonder. The are not even available on video there. These movies have so much potential, still to this day and have a huge silent but true following.
非常西部的西部片，除了主角他娃有点出戏以外
拍得太英雄主义了就不现实主义，太现实主义了又没多大传奇意味，难难难
西部牛仔版农夫与蛇的故事，让人伤心，更何况这个传奇农夫还帅了一整场
男主是《巴斯特斯格鲁格斯的歌谣》里骑白马弹琴传唱故事的神枪手
最后的中枪，好比英雄迟暮。其实也是西部片的现状，一声回响。7.5
这是一部节奏很慢的电影，不同于以往的西部电影刻画牛仔精神，快马快枪的感觉。本片情绪是逐渐进阶的过程，所有的张力最终凝结于亨利拔枪的一瞬。片中人物不多，但是各有故事，也阐释了在这片法外之地，以暴制暴的丛林法则！
成本应该不高吧，在一户破落村舍完成叙事，简练而深远
镜头的设计很见功夫，可惜人物不够丰满，戏尾收得太快了。
看到正统西部片的惊喜和结局这个心里难过的反差真的好大！
玩过大表哥，场景服装感觉很亲切。
剧情中规中矩，老亨利处事果断，枪法稳准，疾恶如仇。动作快，姿势帅。
这类西部片子我好有一比，就象中国古代的律诗或者八股文（优秀的那种），都是一个完整的小故事成功塑造一个人物，起承转合结构一板一眼的，精巧如同导演系毕业生的设计作品，可以平均高分，也不够特别出彩。
少年去流浪，老爹先埋葬。血在你身趟，世界不一样。
你要惹怒当农民的曾经杀手，那么你就会是被杀的那个人。
好想看老亨利前传，或拿了一大笔钱的小亨利后传
廉颇不会老，不过有个拖后腿还瞧不起自己的儿子。
这实在是一部为老西部片迷献上的电影，无论是压力层层累积直至结尾集中爆发的经典结构，还是中正大气的影像呈现和纯男角的人物组合，都可自然勾连进过往的西部片记忆，而且其为核心情节设置的障眼法，更是瞄准西部片迷的某种自负和盲点，反转效果加倍。剧本主线陈旧但扎实，反转以及反转之后的人物最终落点，则为整个故事引出了属于自己的光彩，传奇终逝，但流淌在血液中的野性和坚韧自会顽强延续。蒂姆·布雷克·尼尔森的演绎很不错挺加分。
孩子真可怜，刚发现一个新爸爸，很快又失去了。
挺好的，比利小子应该是被改编过最多影视作品的西部传奇大盗了。景美，衣服也好看，《副警长》主演这次还是副警长，不过是个坏人，老亨利儿子叫怀亚特，让我不禁又联想到《墓碑镇》。
孩子真可怜，刚发现一个新爸爸，很快又失去了。
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